- Anne Dunn
Anne Dunn (born
September 4 ,1929 ) is an English artist associated with the second generation of theSchool of London .Background and education
Born in
London ,England , Dunn is the daughter of the Canadian steel magnateSir James Dunn , 1st baronet (1874-1956) and his second wife, Irene Clarice Richards, a former musical-comedy actress who had previous been married to Francis Douglas, 11thMarquess of Queensberry .Dunn studied in London at
Chelsea School of Art (1949-50) and at theAnglo-French Centre (1952) underHenry Moore and guest artistFernand Leger before going to theAcademie Julian inParis, France in 1952.Career
Dunn's art has been exhibited in
Europe andNorth America and can be seen at theBeaverbrook Art Gallery inFredericton, New Brunswick , theArts Council Collection inLondon , and many private collections. Two drawings and two paintings are in the .Her first solo show was at the
Leicester Galleries of London in 1957, with subsequent shows there in 1959, 1960, 1962, and 1964. Thereafter her major exhibitions took place in New York with shows at theFischbach Gallery in 1967, 1969, 1972, 1975, 1977, 1979, 1982, 1985, 1987, and 1989.In 1990 Dunn had a solo show at the
Christopher Hull Gallery inLondon .Richard Shone wrote in the catalogue: "Call these paintings landscapes if you must, fragments of nature. But Dunn is no 'impressionist', relating her findings with a nice exactitude of representation (though that is there too). Nor is she part of that tradition of landscape-abstraction, tightroping between 'pure' painting and the flora and fauna of the place itself. She needs the subject but needs the painting more. This is most clearly seen in the spectrum of her 'unreal' colour which, descriptive to a point, transcends the motif, is defiantly not its portrait."Her most recent solo show was in 2005 at the
Tibor de Nagy Gallery in New York.Critical opinion
" Anne Dunn is one of the most tenacious draftsmen around, and as she knows what to put in or leave out, we end up knowing that chill clear neck of the woods as well as if we lived there ourselves." -
John Russell - The New York Times, May 18, 1979" ...These somewhat mysterious drawings project an air that is both sensuous and ascetic." -
John Ashbery - New York Magazine, May 21, 1979" ...for Anne Dunn drawing is a satisfying expression of itself. She relies on simplicity to imply the complexities of things." -
John Bernard Myers - Art World, New York , May 1982" A true painter is on hand here, and one who could trust herself to work with emptiness." - John Russell - The New York Times, November 15, 1985
"Dunn's work comes as a gift to an art world beleagered by trash. It is not precious, but it is extremely valuable, in its summation of things the way they were, are and still can be - if only the right artist sets her sights on them." Gerrit Henry - Art In America , March 1986
Her close friendships with poets resulted in illustrations and covers for books by
John Ashbery ,William Corbett ,Barbara Guest andJames Schuyler . From 1964-68 she edited the journalArt and Literature withRodrigo Moynihan ,Sonia Orwell andJohn Ashbery . A taped interview with the artist is held bythe National Life Story Collection .National Sound Archive ,British Library .Personal life
Dunn's first husband was the artist
Michael Wishart (1928-1996); they were married for 10 years before divorcing; by him, she has one son,Francis Wishart , a painter and winemaker. Michael Wishart's autobiography High Diver 1978 is dedicated to her and gives a touching picture of the artist as a young woman.Immediately after she and Wishart divorced, in 1960, Dunn married the Anglo-Spanish artist
Rodrigo Moynihan (1910-1999), as his second wife. By him she has a son,Danny Moynihan , an artist and writer, as well as a stepson, John Moynihan.She has been painted and drawn by many fellow artists including
Joe Brainard ,Lucien Freud , andRodrigo Moynihan .Dunn has links with France, Switzerland and New York City, but spends parts of her summers at a retreat on the
Nigadoo River nearBathurst, New Brunswick .
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