Albertina Rasch

Albertina Rasch (January 19 1891 [http://links.jstor.org/sici?sici=0147-2526(1983)6%3A2%3C95%3AARTBC%3E2.0.CO%3B2-6] – October 2 1967) was a naturalized American dancer and choreographer.

Born in Vienna (in what was then Austria-Hungary) in 1891 (although she would later shave five years off her age) to a family of Polish Jewish descent, Rasch studied at the Vienna State Opera Ballet school and became leading ballerina at the New York Hippodrome in 1911. [ [http://www.britannica.com/eb/article-9062726/Albertina-Rasch Britannica Online Encyclopedia] ]

She formed her own dance troupe (The Albertina Rasch Girls) and the Rasch Ballet, starred in a number of Ziegfield productions, appeared at the Moulin Rouge, performed with Josephine Baker, toured with Sarah Bernhardt, and opened a Manhattan dance studio (where Bill Robinson taught tap) before adapting her classical training and techniques for the Broadway theatre and films. [ [http://www.buckinghamhotel.com/buckingham_heritage_and_culture/guests_Albertina_Rasch_and_Dmitri_Tiomkin.cfm Albertina Rasch at BuckinghamHotel.com] ]

Rasch's early stage work for such projects as "George White's Scandals" evoked the "Black Crook" tradition of inserting fantasy dance sequences that had little to do with the plot between book scenes, but she soon established herself as a creative force with a routine she devised for Tilly Losch in the 1930 revue, "The Band Wagon". Wearing gloves covered with blacklight paint, Losch stood in front of a mirror on a darkened stage and performed a "ballet" in which only her hands could be seen to the Arthur Schwartz-Howard Dietz tune "Dancing in the Dark."

Rasch also helped establish Cole Porter's "Begin the Beguine" as a popular standard by choreographing it to an ethnic dance in "Jubilee" (1935). ["The Rise and Fall of the Broadway Musical" by Mark N. Grant, published by the University Press of New England (2005), pp 252-54 ISBN 1555536425] Additional Broadway credits include "The Three Musketeers", "Show Girl", "The Bohemian Girl", "The Great Waltz", and "Lady in the Dark".

Rasch served as choreographer and/or dance director for a number of musical films, including "The Merry Widow" (1934) with Jeanette MacDonald and Maurice Chevalier, "Broadway Melody of 1936" (1936) with Jack Benny and Eleanor Powell, "Rosalie" (1937) with Powell and Nelson Eddy, "The Girl of the Golden West" (1938) with MacDonald and Eddy, "Marie Antoinette" (1938) with Norma Shearer, and "Broadway Melody of 1940" (1940) with Fred Astaire. Footage of Rasch filmed for the unfinished Metro-Goldwyn-Mayer musical "The March of Time" (1930) was used in the MGM film "Broadway to Hollywood" (1933) with Frank Morgan and Alice Brady.

Rasch was married for many years to composer Dimitri Tiomkin. Following a long illness, she died at age 76 in Woodland Hills, California.

References

External links

* [http://www.ibdb.com/person.asp?ID=15946 Internet Broadway Database entry]
* [http://www.imdb.com/name/nm0711033/ Internet Movie Database entry]