The Live Adventures of Mike Bloomfield and Al Kooper

Infobox Album |
Name = The Live Adventures of Mike Bloomfield and Al Kooper
Type = live
Longtype =
Artist = Mike Bloomfield & Al Kooper


Released = 1969
Recorded = September 26th-28th 1968
Genre = Rock, blues
Length = 85:19
Label = CBS 66216 (original) Sony Mid-price (1997)
Producer = Al Kooper
Reviews =
Chronology =
Last album = "Super Session" (1968)
This album = "The Live Adventures of Mike Bloomfield and Al Kooper"
Next album = "The Lost Concert" (1969)

"Live Adventures of Mike Bloomfield and Al Kooper" is a double album documenting performances from two of blues-rock's most notable American musicians of the late 1960s. Recorded at the famous Fillmore West venue, the album is a successor to the studio album "Super Session" which included both Bloomfield and Kooper in addition to Steven Stills, and had achieved commercial and critical success earlier in 1968.

The performances, recordings and production cannot be described as flawless; in his sleeve notes, Kooper describes the difficulties of finding rehearsal space, Bloomfield's insomnia [Possibly a euphemism for his heroin addiction, which had already caused him to drop out of the Super Session recordings] , and the failure of a vocal microphone during "Dear Mr Fantasy"; the track "I Wonder Who" is faded during a Bloomfield solo for no apparent reason.
Nevertheless, the album remains an important, if raw, document of a live blues-rock performance of the period and apart from its intrinsic qualities is notable for not only one of the earliest live recordings by Carlos Santana, but also Bloomfield's debut as a vocalist. Whilst he is not historically noted in this role, in "Don't Throw Your Love On Me So Strong", according to Kooper, "he displays consummate homage to the traditional guitar-voice trade-offs; a lesson in phrasing and understanding."

"Live Adventures" has since been re-released on CD but without any additional material beyond its initial release; the concerts took place over three nights, and according to Kooper, [in the sleeve notes] for two sets a night; this should have yielded in the region of twelve hours of recordings, of which the album provides just short of ninety minutes.

Bloomfield died in 1981 but this album is one of the major reasons for his reputation as a blues guitarist; Kooper now teaches songwriting and production, and still plays live concerts.

Track listing

ide One

#"Opening Speech" (Mike Bloomfield) – 1:30

::"One-two..Uh, listen here now, here's what...here's where it's at, this is the thing of this gig and here's...I'll tell ya 'bout it now. Uh, awhile ago my friend Alan Kooper called me on the phone and said "Let's make this gig, an Lp in Los Angeles, and we'll jam together and we'll see what will happen. . ." [According to Kooper, this impromptu introduction "...loosened up the audience "and" the musicians considerably and we played a very comfortable set."]

2. "The 59th Street Bridge Song (Feelin' Groovy)" (Paul Simon) – 5:38 [Paul Simon provides overdubbed vocals on this track, having been impressed by the raw concert tapes]
3. "I Wonder Who" (Ray Charles) – 6:04
4. "Her Holy Modal Highness" (Al Kooper and Mike Bloomfield) – 9:08 [This is an extension of, or reply to, the track "His Holy Modal Majesty" from the Super Session album. Departing from the blues/rock of the remainder of the album, it is a free-form jazz improvisation.]

ide Two

#"The Weight" (J. Robertson) – 4:00
#"Mary Ann" (Ray Charles) – 5:19
#"Together 'Til The End Of Time" (Frank Wilson) – 4:15
#"That's All Right" (Arthur Cruddup) – 3:28 [Bloomfield can be heard at about two minutes in, calling out to the band "stay there, stay there", presumably indicating that he's not ready to finish the song; he then asks the audience between guitar licks, "is that all right?"]
#"Green Onions" (Booker T. Jones) – 5:26

ide Three

#"Opening Speech" (Al Kooper) – 1:28
#"Sonny Boy Williamson" [features Carlos Santana on guitar] (Jack Bruce and Paul Jones) – 6:04
#"No More Lonely Nights" [features Elvin Bishop on guitar & vocals] (Sonny Boy Williamson) – 12:27

ide Four

#"Dear Mr. Fantasy" (Stevie Winwood) – 8:04
#"Don't Throw Your Love On Me So Strong" (Albert King) – 10:56
#"Finale-Refugee" [Contains the possibly unique credit "Guitar dropping on floor - Mike Bloomfield", although Bloomfield was not present on the final night of recording] (Al Kooper and Mike Bloomfield) – 2:04

Album cover

The gatefold sleeve features
*on the front cover, a painting of Bloomfield and Kooper by Norman Rockwell.
*on the rear cover, against a background of a montage of crowd scenes (not necessarily from the concert audience), superimposed photographs of the core band and a track listing.
*on the interior, a more detailed track listing, text of Bloomfield's opening speech, and notes by Kooper, as well as other album credits.According to Kooper, Rockwell's original artwork ended up on the wall of CBS Art Director, John Berg, who later sold it despite Kooper having expressed an interest in having the painting. [ [http://www.bluespower.com/arbn05.htm Rockwell's artwork] ]

Personnel

*Al Kooper – Organ, Piano (overdub as "Roosevelt Gook" on "Together 'Til The End Of Time") [For speculation on this, see [http://74.52.77.196/dok/who/g/gookroosevelt.html] ; see also an interview with Tom Rush at [http://jonimitchell.com/banquet/read.cfm?id=1366] ]
*Mike Bloomfield – guitar
*John Kahn – bass guitar
*Skip Prokop – drums
*Carlos Santana – guitar
*Elvin Bishop – guitar
Steve Miller and Dave Brown had also volunteered their services but if they performed, their contributions do not appear (at least credited) on the album

Notes