- Vladimir Rebikov
Vladimir Ivanovich Rebikov (Russian: Влади́мир Ива́нович Ре́биков, "Vladi'mir Iva'novič Re'bikov"; born
May 31 [OS May 19] 1866 -Krasnoyarsk ,Siberia ,Russia — diedOctober 1 ,1920 -Yalta ,Crimea ,Russia ) was a late romantic 20th centuryRussia ncomposer andpianist .Biography
Mr. Rebikov began studying the
piano with his mother. His sisters also were pianists. He graduated from theMoscow University faculty ofphilology . He studied at theMoscow Conservatory with N. Klenovsky, a pupil ofPeter Tchaikovsky , and then for three years inBerlin andVienna with K. Meyerberger (music theory ), O. Yasch (instrumentation), and T. Muller (piano). Rebikov taught and played in concerts in various parts of theRussian Empire :Moscow ,Odessa ,Kishinev ,Yalta , as well as inBerlin ,Vienna ,Prague ,Leipzig ,Florence andParis , where metClaude Debussy ,Oscar Nedbal ,Zdenek Needly and others. Rebikov settled in Yalta in 1909.Legacy
Early works suggest the influence of
Peter Tchaikovsky . He wrote lyrical piano miniatures (suites, cycles, and albums), children's choruses and songs. One of his vocal cycles is called "Basni v litsach" ("The Fables in Faces") afterIvan Krylov . He wrote also a stage work "Krylov's Fables" (c. 1900). His children's music is the most notable of all his works. He continued the Russian penchant for thewhole tone scale , using it in the piece "Les demons s'amusent", included into the melomimic suite "Les Rêves" ("Dreams", 1899).He used new advanced harmony like seventh and ninth chords, unresolved cadences,
polytonality , and harmony based upon open fourths and fifths. He also was experimenting with novel forms, for instance, in his piano pieces, "Mélomimiques" Op. 10 (1898), and "Rythmodéclamations" in which music and mime are combined, and he introduced a type of musical pantomime known as "melo-mimic" and "rhythm-declamation" (seemelodeclamation ). His orchestral and stage works include more than ten operas, such as "Yolka" ("Ёлка - The Christmas Tree"), and two ballets.Quotations
“Rebikov was already a forgotten figure by the time of his death at age 54. He was bitter and disillusioned, convinced wrongly that composers such as Debussy, Scriabin, and Stravinsky had made their way into public prominence through stealing his ideas. Ironically Rebikov is best known by way of his insubstantial music in salon genres. Rebikov's role as an important early instigator of twentieth-century techniques deserves to be more widely recognized.” ("Uncle Dave Lewis, All Music Guide")
Operas
*"V grozu" ("В грозу — In the Storm, Op. 5, after
Vladimir Korolenko 1863, premiered 1894, Odessa)
*"Bezdna" ("Бездна — Abyss" afterLeonid Andreev , 1907)
*"Zhenshchina s kinzhalom" ("Женщина с кинжалом — The Woman with a Dagger" afterArthur Schnitzler , 1910)
*"Dvoryanskoye Gnezdo" ("Дворянское Гнездо — A Nest of Nobles", Op. 55, Op. 55 afterIvan Turgenev , 1916)
*"Yolka" ("Ёлка - The Christmas Tree" afterFyodor Dostoevsky ,Hans Christian Andersen andHerbert Hauptman , 1990, staged 1903).Bibliography
"Catalogue of Rebikov's Works",
Moscow , 1913Tompakova, O.: "Rebikov", entry in Creative Portraits of Composers,Moscow 1989 (in Russian).External links
* [http://www.answers.com/topic/vladimir-ivanovich-rebikov Answers (English)]
* [http://www.recmusic.org/lieder/r/rebikov.html Recmusic (English)]
* [http://mirimen.com/co_beo/Rebikov-Vladimir-Ivanovich-2B63.html Mir Imen (Russian)]
* [http://www.karadar.com/worterbuch/rebikov.html Karadar (German)]
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