The Swimming Pool Library

infobox Book |
name = The Swimming Pool Library
title_orig =
translator =


image_caption =
author = Alan Hollinghurst
illustrator =
cover_artist =
country =
language = English
series =
genre =
publisher = Random House
pub_date = 12 August 1988
english_pub_date =
media_type = Print (Hardcover and Paperback) & audio book
pages = 320 pp (hardcover edition),
isbn = ISBN 978-0394570259 (hardcover edition)
preceded_by =
followed_by =

"The Swimming Pool Library" is a 1988 novel by Alan Hollinghurst.

Plot introduction

In 1983 London, the aristocratic gay protagonist Will saves the life of an elderly lord when he suffers a heart-attack in a public toilet.

Explanation of the novel's title

The title has at least three meanings.

As is explained at the beginning of chapter seven, at William's school, Winchester College, prefects are known as 'librarians', the designation often taking a prefix to indicate the particular prefect's area of responsibility. Will, a keen swimmer at school as afterwards, becomes the 'Swimming Pool Librarian'. His father, writing to offer congratulation, amusedly comments, "you must tell me what kind of books are kept in the swimming pool library..."

Also, at Charles Nantwich's home there is a room that has served as a library and was itself once a Roman bath.

And, Will exchanges trashy homoerotic novels with one of the lifeguards at the swimming pool at the Corinthian club. This as well, then, is a swimming pool library.

Plot summary

William Beckwith is a highly privileged, cultivated and promiscuous young gay man. He is the grandson and heir of Viscount Beckwith, an elder statesman and a recent peer. As the novel opens, we learn that Will is currently seeing a young, working-class, black man named Arthur. Will is deeply sexual and physically very attractive. His preoccupation with Arthur is almost entirely physical.Will is a member of the Corinthian Club (‘the Corry’) at which he swims, exercises and cruises men. The Corry is never explicitly described as a gay club but there is a pervasive homoerotic atmosphere.

Whilst cruising a young man in a London park, Will enters a public toilet to find a group of older men cottaging. One of them suddenly suffers what is perhaps a minor heart attack and collapses. Will applies artificial respiration and saves the man’s life. He returns home to find Arthur bleeding and terrified. He has accidentally killed a friend of his brother Harold's, after an argument about drugs. Will agrees to shelter Arthur.

At the Corry, Will meets the old man again. He is Lord Charles Nantwich. Charles invites Will to lunch at Wicks': his club. Wicks' is filled with men “of fantastic seniority”.

Trapped in close confinement with Arthur, Will begins to resent him. Their boredom and tension occasionally erupts in bouts of vaguely abusive sex. Will goes to a cinema that shows gay pornography and has anonymous sex. On the train home, Will reads Valmouth, a novel by Ronald Firbank, given to him by his best friend, James. James is a hard-working doctor who is insecure and sexually frustrated as a gay man. The novel by Firbank echoes themes central to The Swimming Pool Library; secrets and discretion; extreme old age, colonialism, race and camp; the sense of deeper truths residing behind a thin façade of artifice.

Back at the flat, William finds his small nephew Rupert, an enchantingly self-possessed boy of six, who has run away from home. Rupert loves Will and is interested in homosexuality. Despite his youth, Rupert exhibits a strong gay sensibility. Together they look at Will’s photo album. Will then calls his sister Philippa and her husband Gavin comes to collect Rupert. Will goes to the Corry with James; on their return, Arthur has vanished.

Will visits Charles at his home, where he lives with his servant Lewis. Lewis is curt, even slightly aggressive and seems jealously protective of Nantwich. Charles’s house is filled with memorabilia and books; there are homoerotic paintings as well as a portrait of a beautiful African boy. In the cellar, they look at some Roman mosaics and Charles asks Will to write his biography for him.

At the Corry, Will is attracted to Phil, a young bodybuilder. Despite his physique, Phil is shy and a sexual novice. Will suspects that Phil is the man with whom he had sex in the cinema.

James believes that Will is wasting his intelligence and his literary skill and urges him to write Charles’s biography. Will returns to Charles’s house to find him locked in his bedroom by Lewis. Their master/servant relationship is complex and fraught. Will takes Charles’ diaries and notes home.

On the train, Will cruises a young man whom he takes home; they engage in sexual intercourse. He begins to read Charles’s papers.

Charles’s early life vividly illustrates themes central to the experience of being homosexual, privileged and British. Will reads of his boyhood at public school, where he experienced sexuality by turns brutal and tender. He is cruelly raped by one boy but later taken under the protection of an older boy, Strong, who treats him gently. We learn that Strong became a soldier in the Great War, was badly injured and died insane. Charles becomes aware that he is strongly attracted to black men when he is openly propositioned by an American soldier. He experiences feelings of desperate arousal, fear and revulsion and flees.

As a student, Charles goes on a spree with some friends in the country. They go to an abandoned hunting lodge and drink champagne. Charles has sex with one of them; a young man who feels insecure about his (comparatively) modest background and sexual inexperience.

As a young man, Charles enters the Foreign Service and travels to Sudan to act as a regional administrator. He is enchanted by the land and powerfully drawn to African men but finds himself cut off by his race, his rank and his position as a colonial. Charles ruminates on the sense of devotion that homosexuality can foster between men and how that devotion aids duty and right action.

Phil invites Will back to his lodgings in the Hotel where Phil works as a waiter. Phil wants sex but is too shy so Will seduces him. Will goes to the opera with James and his grandfather. The opera is Billy Budd. Will is struck almost to tears by the homoerotic and emotional power of the work. During the conversation afterwards, the subject of Benjamin Britten’s own homosexuality arises and they talk about his relationship with E. M. Forster, who co-wrote the libretto. The relationship between gay sexual expression and art is gently explored.

Will continues reading Charles’s diaries. On the way to a boxing club patronized by Nantwich, Will has an unpleasant encounter with a working class boy, who offers him sex for money. Will refuses; there are undertones of fear and violence.At the match, Will meets Bill: a man he knows from the Corry. Bill is a weightlifter; a large muscular man who coaches teenage boxers. Trapped inside his body, Bill seems a fearful man. He is devoted to Nantwich, his patron, and to the boys he coaches. He is also carrying a torch for Phil.

From the diaries, Will learns that Nantwich has been to Egypt and then returned to London, where he met with Ronald Firbank; an extraordinary portrait of effete decrepitude; camp and alcoholic.

Will takes Phil to visit Staines, a successful studio photographer who echoes Cecil Beaton. Staines is a gossipy queen and socialite. His lover is a “school tart” grown old; a kept man drinking too much. Staines poses Phil bare-chested and oiled; as pornography. This episode overtly deals with gay artifice, staging and the image. Phil is idealized and objectified. Staines reveals that Charles’s brother was homosexually insatiable, exploited his servants and was subsequently beaten to death and that Charles’s uncle was likewise into rough trade.

At Nantwich’s house, Will and Charles talk about Ronald Firbank. Charles gives Will a beautiful edition of one of Firbank’s novels as a gift. Afterwards, Will goes to Arthur’s address in a working class area of London and calls but there is no answer. Returning, he encounters a group of skinheads who demand his watch, attack and queer-bash him, destroying the Firbank novel in the process. Will goes home, where James patches him up but beauty is temporarily ruined. He reads Charles’s diary aloud to Phil: Charles describes a North African trying to covertly sell him gay pornography and is disturbed at being ‘outed’ in a foreign culture.

Will returns to Staines with Nantwich. There are several other men there, including two youths and a black chef, Abdul, who works at Charles’s club. Will is powerfully attracted to Abdul. It transpires that Staines and Nantwich are collaborating on the production of a pornographic film in which Abdul and the two youths are performing. The theme of voyeurism alienates Will, who finds it embarrassing and quietly leaves.

Will takes Phil out clubbing at The Shaft. He has not been there for many months and there are vivid descriptions of a night on the gay ‘scene’. Will and Phil drink, dance and meet several gay ‘types’, including a Brazilian bodybuilder. He has quick sex in the toilet with an ex-lover.

Will gets a telephone call from James; he has been arrested whilst seeking sex. This is ironic since James’s sex-life is non-eventful compared to Will’s. It appears to be a case of police-entrapment, with an undercover officer soliciting sex from homosexual men.Charles’ diaries have entered the Second World War; he is entering middle-age and the tone is melancholy. He is passionately devoted to an African man; the beautiful boy whose portrait hangs in Charles’ house. The boy is now grown up and about to get married to a woman.

Will goes to an exhibition of photographs by Staines. The theme is soft-core homo-erotica. He is surprised to find Gavin there. Talking with Staines, he discovers that he and Charles have produced three pornographic films of the type that play in the cinema where Will first had sex with Phil.

From the diaries, Will learns how Charles’s life was ruined. The African man whom he loved died. Heartbroken and unable to share his grief, Charles wanders the streets of London and desolately solicits a man for sex. The man is a policeman, who arrests Charles for public indecency. Despite his rank, Charles is ruthlessly prosecuted by a conservative politician of the time, who wants to make an example of him. The politician is William’s grandfather; now the Viscount Beckwith. Will’s wealth, his rank and his leisured gay existence are all built on a foundation of homosexual persecution. He also learns that Charles and Bill met in prison, where Bill, then a young man, had been thrown for having a love-affair with a boy three years younger than himself. The theme of natural love and sexuality destroyed by government oppression is very powerful. Will decides that he cannot now write Charles’ biography, nor was he intended to do so. Charles has been educating him on his own past.

Will talks on the phone with Gavin, his brother in law. Gavin tells Will that he knew it was Will’s grandfather who imprisoned Charles.

Rupert has been told to watch out for Arthur; he reports that he has seen him with his brother Harold.Will goes to Phil’s hotel. He encounters a rich Argentinian who propositions him. Will accepts until he finds that the man is obsessed with gay pornographic conventions, costumes and sex toys. Will finds this all slightly ridiculous and is not aroused. He refuses to consent to sex and leaves.

Upstairs, he discovers Phil having sex with Bill. Disoriented, he leaves and wanders to James’s and then the Corry, where Charles Nantwich reveals his designs in giving Will the diaries. Will and James go to Staines’s to see a film, not a piece of pornography but an archive recording of Ronald Firbank in old age. The novel closes.

Characters in "The Swimming Pool Library"

* William Beckwith, 25 years old, an idle young aristocrat; sometimes also called Will.
* Lord Charles Nantwich, 83 years old, an old aristocrat; he was jailed for being a homosexual.
* Lewis, Lord Nantwich's butler before he gets fired.
* Arthur Edison Hope, William Beckwith's black boyfriend at the outset; eastender.
* Harold Edison Hope, Arthur's brother, a drug dealer.
* Tony, a friend of Harold's whom Arthur killed in a scuffle.
* James Brook, a friend of William's; a practitioner.
* Bill, a man at the Corry, in muscular middle age, he knows Nantwich from jail.
* Robert Staines, a photographer.
* Phil, the second of William's boyfriend's in the book, met at the Corry. He lives in the dingy staff quarters of a famous hotel and likes to read.
* Rupert Croft-Parker, a.k.a. Roops, William's young nephew, 6 years old.
* Philippa Croft-Parker, William's sister; a stay-at-home mum.
* Gavin Croft-Parker, Philippa's husband; an archaeologist.
* Colin, a gay policeman who arrests James; William has had sex with him before.
* Gabriel, a gay Argentinian who is obsessed with porn.

Major themes

* The novel is pervaded with references to Ronald Firbank, up until the very last page.
* Homophobia is addressed in many forms, namely through getting arrested by the police (Nantwich; Bill; James) and gay-bashing (William and the skinheads).
* Through Nantwich's diary, the novel is also concerned with the lives gay men before the gay liberation movement, both in London and in the colonies of the British Empire.

References to other works

* Many of Ronald Firbank's books are mentioned - "The Flower Beneath the Foot", "Valmouth", "Caprice", "Vainglory", "Inclinations", among other ones.

Literary significance & criticism

The Swimming Pool Library won the Somerset Maugham Award in 1989.

In 1988, Edmund White called it, 'surely the best book about gay life yet written by an English author.' [Penguin Book 1988 paperback edition, backcover (quotation from the "Sunday Times")]

References to actual history

* The Falklands War is mentioned by Gabriel, the porn-obsessed gay Argentinian.

Footnotes