Ebenezer Prout

Ebenezer Prout (b. Oundle, March 1 1835, d. London, December 1 1909), was an English musical theorist, writer, teacher and composer, whose instruction, afterwards embodied in a series of standard works, underpinned the work of many British musicians of succeeding generations.

Prout studied pianoforte under Charles Salomon, but was otherwise self-taught. He attended the University of London intended for a career as a scholar, but chose to follow one in music through his love of it. From 1861 to 1873 he was organist of the Union Chapel, Islington. He was awarded first prizes for a string quartet (1862) and a pianoforte quartet (1865) by the Society of British Musicians. In 1871-74 he became Editor of the "Monthly Musical Record", and in 1874-79 was music critic for the "Academy".

In 1879 he was appointed professor of harmony and composition at Royal Academy of Music in London, and became music critic of the "Athenaeum". In 1884 he became professor at the Guildhall School of Music. In 1894 he was appointed Professor of Music in the University of Dublin, being awarded an Honorary Mus.Doc. in the following year. During this period he not only trained his students but delivered memorable public lecture series, notably one on the Bach cantatas illustrated by singers whom he had trained.

It was also to this period that his principal theoretical works belong, which became classics and were translated into many languages. Prout produced editions of many of the classics, not least for the Handel oratorios. He was directly connected with the rediscovery of the original wind parts for "The Messiah", from which new full and vocal scores were introduced by him to the Royal Society of Musicians in 1902. He was furthermore a composer of concert, church and chamber music.

Among his many students were Arthur Goring Thomas, Eugen d'Albert, Henry Wood and Edward German. His son Louis B. Prout (b. Hackney, 1864) was also a writer on musical theory, having trained under his father at the Royal Academy, and becoming professor at the Guildhall School. Louis Prout's principal works are an "Analysis of Bach's 48 Fugues" (Weekes); "Harmonic Analysis" (Augener); "Sidelights on Harmony" (Augener); and "Time, Rhythm and Expression" (Augener).

Compositions

*Four Symphonies
*Cantatas, including "Hereward the Wake" and "King Alfred"
*Two Organ Concertos
*Chamber music, including string and piano quartets
*Church music
*Organ arrangements
*Sonata for clarinet and piano

Theoretical works

*Harmony, its Theory and Practice (1889, rev. 1901: 20 editions by 1903)
*Counterpoint (1890)
*Double Counterpoint and Canon (1891)
*Fugue (1891). New York, Greenwood Press Edition, 1969: ISBN 0837118727 [ [http://www.worldcat.org/oclc/46384 Fugue. (WorldCat.org) ] at www.worldcat.org]
*Fugal Analysis (1892)
*Form (1893)
*Applied Forms (1895)
*The Orchestra, Vol I (1898)
*The Orchestra, Vol II (1899)

Notes

Source

A. Eaglefield-Hull, "A Dictionary of Modern Music and Musicians" (Dent, London 1924).