Anthony Hill

Anthony Hill is an English artist, painter and relief-maker, originally a member of the post-World War II British art movement termed the Constructionist Group whose work was essentially in the international constructivist tradition. His lellow members in this group wereVictor Pasmore, Adrian Heath, John Ernest, Kenneth Martin, Mary Martin, Gillian Wise and Stephen Gilbert. He was born on 23 April 1930 in London, and studied at the St Martin's and the Central Schools of Art 1948–51. He began painting in the style of Dada and Surrealism in 1948 but quickly moved on to geometric abstract idioms. He made his first relief in 1954 and abandoned painting for relief-making in 1956. One feature of these reliefs has been the use of non-traditional materials such as industrial aluminium and Perspex. His first one-man show of reliefs was held at the Institute of Contemporary Arts in 1958. He has participated in exhibitions of abstract and constructivist art in the UK, Paris, Germany, Holland, Poland, Switzerland and the USA. In 1978 he exhibited in the Arts Council's exhibition, Constructive Context, alongside a number if artists such as Jeffrey Steele and Peter Lowe who had begun working in a systematised constructive mode in the mid to late 1960s and came together in the Systems Group in December 1969. Hill, however, along with the Martins, declined membership of this group. In 1983 the Hayward Gallery held a major retrospective exhibition of Anthony Hill's constructivist work.

Anthony Hill has had a lifelong fascination with mathematics, and there are many mathematicians among his circle of acquaintances. Together with his colleague John Ernest he made contributions to graph theory (crossing number)and in 1979, in recognition of a number of his mathematical papers, he was elected a member of the London Mathematical Society and made a visiting research associate in the Department of Mathematics at University College, London. But although almost all his reliefs have an underlying mathematical structure or logic, he was always insistent that in his art, in his own words, "the mathematical thematic or mathematical process can only be a component: one is calculating or organising something which is clearly not mathematical." From the late 1980s onward, working in a very different mode Anthony Hill exhibited dadaist pictures and collages under the pseudonym Achill Redo. The Tate Gallery, London has collections under both of the names Anthony Hill and Achill Redo.

An excellent summary of the life and constructivist work of Anthony Hill, together with that of the other British constructivists, is given in Alastair Grieve's authoritative book of 2005.

References

* Grieve, Alastair, Essay in exhibition catalogue 'Anthony Hill', Arts Council, London, 1983
* Grieve, Alastair "Constructed Abstract Art in England After the Second World War: A Neglected Avant Garde", Yale University Press. 2005. ISBN 978-0-300-10703-6.
* Harary, Frank and Hill, Anthony. On the number of crossings in a complete graph. "Proceedings of the Edinburgh Math. Society" (2), 13:333-338, 1962/1963.
* Hill, Anthony, editor "Data: Directions in Art, Theory and Aesthetics", Faber and Faber. 1968. ISBN 978-0571087624
* Hill, Anthony, editor "Duchamp: Passim", Craftsman House. 1994. ISBN 978-9768097781