- The Red Squirrel
Infobox Film
name = La ardilla roja
image_size =
caption = Movie poster
director =Julio Medem
producer =Fernando de Garcillán Enrique López Lavigne
writer =Julio Medem
narrator =
starring =Emma Suárez Nancho Novo
music =Txetxo Bengoetxea Alberto Iglesias
cinematography =Gonzalo F. Berridi
editing =María Elena Sáinz de Rozas
distributor =Colifilms Distribution
released =April 21 1993
runtime = 114 mins
country = flagicon|SpainSpain
language = Spanish, German
budget =
preceded_by =
followed_by =
website =
amg_id = 1:147583
imdb_id = 0106305"The Red Squirrel" (Spanish: "La ardilla roja") is a
1993 dramafilm by the Spanishfilmmaker Julio Medem , starringEmma Suárez andNancho Novo .Plot
Jota (Novo), a failed musician whose girlfriend has recently left him, is about to commit suicide by jumping off a bridge when a girl on a motorcycle, Sofía (Suárez), crashes off it. Rushing to help her, he discovers she has lost her memory, even forgetting her name. After telling the paramedics and staff at the hospital, that she is his girlfriend, he later tells her the same. He invents an entire identity for her, giving her the name Lisa, and a history of their relationship according to his own fantasies. With the hospital psychiatrist starting to become suspicious, he spirits her out of the hospital and away on a trip to the 'Ardilla Roja' campsite, which he claims they have been planning for some while. As their relationship becomes intimate, their behaviour sparks the suspicions of a family of fellow campers (
Karra Elejalde andMaría Barranco ) and it becomes clear that Lisa/Sofía's memory is not entirely missing and she is hiding her own past secrets -- notably, the existence of a psychotic ex-boyfriend, Félix (Carmelo Gómez ), who is rampaging across the country in search of her."La ardilla roja" and issues of Basque regional identity
Though Medem is a Basque, and others of his films have dealt explicitly with Basque regional identity, it is not an immediately obvious theme in "La ardilla roja". The main characters are played by non-Basques (Suárez is from
Madrid , Novo from Galicia, Barranco indelibly Andalusian in popular consciousness after her role in "Mujeres al borde de un ataque de nervios "), and much of the action is set at the campsite in La Rioja, a liminal region between the Basque country and Castile.Nevertheless, touches of Basqueness are apparent. Major characters' names are Basque ('Elisa Machinbarrena Fuentes', 'Jota Fernández Arregui') and place names are given in their
Euskera forms rather than Spanish ('Donostia' forSan Sebastián ). Attention is given specifically to questions of identity: when Jota checks in at the campsite, for instance, he signs 'vasco' ('Basque') for his nationality. There are also recurrent echoes of the semi-mythic past that Basque nationalism has reconstructed for the Basque country: video clips of Jota's group "Las moscas" ('The Flies') are reminiscent of the Basque country's supposedpre-Indo-European stone age ancestry; settings including the forest, lake and zoo evoke mythology or ruralised narratives of Basque history. Finally, if violence in a Basque context has a very specific connotation -- that ofETA -- which is represented in Félix's random violence and self-mutilation, then Lisa/Sofía's amnesia can be read as an attempt on the part of Basque society to forget and escape from the violence of the past and establish a new identity for the Basque country that is not founded around ETA.External links
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