Bridabani Sarang

Brindabani Sarang is a Hindustani classical raga.

= Theory =

Writing about the musical theory of Indian classical music is fraught with complications. First of all, there have been no set, formal methods of written notation. Indian music is an aural tradition, and therefore writing is not an essential part of attaining talim(knowledge).

Arohana & Avarohana

Arohana
Ni Sa Re Ma Pa Ni Sa

Avarohana
Sa Ni(Komal) Pa Ma Re Sa

Vadi & Samavadi

Vadi

Samavadi

Pakad or Chalan

Organization & Relationships

Related ragas: List related ragas here, making each raga a link with .

Thaat: Choose closely applicable thaat here. Choices are Bilawal, Khamaj, Kafi, Asawari, Bhairavi, Marwa, Purvi, Todi.

Behavior

Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be "accurate," but it can attempt to reflect how the music existed.

Samay (Time)

Madhyanah (noon)

easonality

Certain ragas have seasonal associations.

Rasa

NOTATIONS

SNS NP | MP NP NNS | NSRSR

Origins

Important Recordings

References

Bor, Joep "(ed)." Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane "(co-authors)" "The Raga Guide: A Survey of 74 Hindustani Ragas". Zenith Media, London: 1999.

Links

[http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas]
[http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats]
[http://www.sawf.org/music/articles.asp?pn=Music Rajan Parrikar on Ragas]

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