Telemachy

The "Telemachy" is a term traditionally applied to the first four books of Homer's epic poem the "Odyssey". They are named so because -- just as the "Odyssey" tells the story of Odysseus -- they tell the story of Odysseus' son Telemachus as he journeys from home for the first time in search of news about his missing father.

The "Telemachy" as an introduction to the "Odyssey"

The "Odyssey" is a "nostos" that recalls the story of Odysseus' journey home to Ithaca, finally completed ten years after the Trojan War. Odysseus, however, does not directly appear in the narrative until Book 5. Instead, the "Telemachy"'s subject is the effect of Odysseus' absence on his family, Telemachus in particular. The first four books of the "Odyssey" give the reader a glimpse of the goings-on at the palace in Ithaca. There are a multitude of suitors vying for Penelope's hand in marriage, consuming the absent king's estate. They have been a terrible drain on the family's wealth, as they have been nearly permanent houseguests while Penelope put off her choice for three to four years. A brooding Telemachus wants to eject the suitors, and in fact announces his intention to do so; but he is not strong enough to act on the threat. Homer thus provides Telemachus with a motive for leaving Ithaca, and the reader with this portrait of Ithaca to place Odysseus' homecoming in context and to underscore the urgency of his journey.

Telemachus' Rites of Passage

Homeric scholarship is unanimous in recognizing the "Telemachy" as the story of its eponymous hero's journey from boyhood to manhood. [Literally. Every general guide, overview, literary commentary, and so-called companion to the "Odyssey" -- and I mean, "all" of them -- makes the argument contained in this section. See, e.g., the 2007 reprint of the "Companion" to the Richmond Lattimore translation; the 1993 "Commentary" to the Robert Fitzgerald translation; and James Morrison's 2007 commentary, "A Companion to Homer's Odyssey".] It is only after having gone through this journey that Telemachus will be equipped to help Odysseus kill the suitors in Book 22. His first step toward manhood is a figurative one: in Book 1 Penelope tries to dictate what songs a bard should sing for the suitors. Telemachus (345ff.) admonishes her, and directs her to go back to her room; this signals the first time that Telemachus asserts himself as the head of the household in the "Odyssey".

In Book 2 Telemachus further tries to assert his authority when he demands that the suitors leave his estate. But since Telemachus is, in his own words (61-2), "a weakling knowing nothing of valor," the suitors refuse. Telemachus then announces his intention to visit Sparta and Pylos in search of news about his father. This first journey away from home is an important part of the figurative journey from boyhood to manhood.

In Book 3 Telemachus is schooled in the ancient Greek social contract between hosts and their houseguests. The concept, called "xenia", is simple: the host should offer the houseguest anything he wants, and the houseguest should not abuse this generosity, for he might find himself playing the part of host in the future. Nestor, the king of Pylos, exemplifies this social contract. Furthermore, Nestor's storytelling allows Homer to relate myths that fall outside of the "Odyssey"'s purview. He reflects on the Trojan War, praising Odysseus for his cunning. Telemachus begins to learn and appreciate what kind of man his father was. The story Nestor tells of Orestes in particular serves as a model for Telemachus to emulate: just as Orestes killed the overbearing suitor who occupied his father Agamemnon's estate, so should Telemachus kill the suitors and reclaim his own father's estate.

In Book 4 Telemachus visits Menelaus in Sparta. Through the story-telling of Menelaus, Homer further narrates myths of the Trojan War that are not strictly the Odyssey's purview. Menelaus tells Telemachus of his own detour in Egypt on his way home from the Trojan War, during which he learned that Odysseus is still alive, a virtual captive of the nymph Calypso. His wife Helen recalls one of Odysseus' exploits during the war, which prompts Menelaus to tell his own story about Odysseus' heroism in the war. These tales of bravery and cunning both further educate Telemachus about his father, and serve as further examples of heroism to which he should aspire. The story of Orestes is revisited, again, to inspire Telemachus to take action against the suitors. Telemachus takes his own steps toward manhood when he leaves Sparta. Whereas he arrived at Pylos afraid to even speak to Nestor, upon leaving Menelaus he has enough confidence in himself to ask for a gift more appropriate for an inhabitant of rocky Ithaca. Menelaus obliges, and exchanges the chariot and team of horses he had given him for a wine bowl made by Hephaestus. Telemachus then begins his journey back home. But in Ithaca, the suitors have decided to ambush and kill Telemachus before he reaches his (669) "measure of manhood" and begin making trouble for them: in Book 2 Telemachus is considered a boy who poses no threat; by the end of Book 4 they fear his becoming a man who could stand up to them. The Telemachy abruptly draws to a close with this cliffhanger.

Typically, in the hero's journey he will receive occasional aid from a mentor figure. In the "Odyssey", Athena serves as mentor to both Odysseus and Telemachus. In Book 1 she visits Telemachus disguised as the mortal Mentes to spur the young man to action. She alternately advises Telemachus in the guise of a man actually named Mentor -- hence the word "mentor" in English. [http://www.m-w.com/dictionary/mentor] [The names Mentes and Mentor actually amount to the same thing, etymologically: one who instills "menos" (strength, passion, resolve). [http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3D%2366289] ]

Foreshadowing in the "Telemachy"

The Orestes paradigm treated above is perhaps the most overt example of foreshadowing events in the "Odyssey"'s later books. The stories told about Odysseus serve a similar purpose. In the "Telemachy" both Nestor and Menelaus praise Odysseus for his cunning. In telling of his own detour in Egypt, Menelaus emphasizes how the use of cunning and subterfuge was instrumental in his return to Sparta. It was only by hiding under a seal skin that he was able to ambush and capture Proteus, the only one who can direct Menelaus how to reach home. Although the scheme was not of Menelaus' devising, it does demonstrate that while the battlefield inspires bravery from its heroes, wily cunning also has its place when the situation demands. These recollections of stealth and subterfuge point to the tactics that Odysseus will eventually employ upon his return to Ithaca.

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