The Dining Room

The Dining Room is a play by the American playwright A.R. Gurney. It was first produced in New York in 1981.

The play is a drama as well as a comedy, set in a single dining room where 18 scenes from different households overlap and intertwine. Presumably, each story is focused around a different family during different time periods who has in their possession the same dining room furniture set, manufactured in 1898. Most of the stories are about WASP families, but a few deal with other similar cultures or households in America. Some scenes are about the furniture itself, and the emotional attachment to it, while other scenes simply flesh out the culture of the kind of people who tend to own these kinds of dining room sets. Overall, it tells the story of the dying (and relatively short-lived) culture of upper-middle class Americans, and the transition into a much more efficient society with less emphasis on tradition and more emphasis on progress. Some characters are made fun of, as is the culture itself, but there is also a genuine longing for the sense of stability, comfort and togetherness that the culture provides.

From the back of the playbook:

The play is set in the dining room of a typical well-to-do household, the place where the family assembled daily for breakfast and dinner and for any and all special occasions. The action is comprised of a mosaic of interrelated scenes—some funny, some touching, some rueful—which, taken together, create an in-depth portrait of a vanishing species: the upper-middle-class WASP. The actors change roles, personalities and ages with virtuoso skill as they portray a wide variety of characters, from little boys to stern grandfathers, and from giggling teenage girls to Irish housemaids. Each vignette introduces a new set of people and events; a father lectures his son on grammar and politics; a boy returns from boarding school to discover his mother's infidelity; a senile grandmother doesn't recognize her own sons at Christmas dinner; a daughter, her marriage a shambles, pleads futilely to return home, etc. Dovetailing swiftly and smoothly, the varied scenes coalesce, ultimately, into a theatrical experience of exceptional range, compassionate humor and abundant humanity.

First performance

It was first produced at the Studio Theatre of Playwrights Horizons, in New York City, opening January 31, 1981, with the following cast (with the various roles they played):

# 1st Actor: Remark Ramsay- Father, Michael, Brewster, Grandfather, Stuart, Gordon, David, Harvey and Host
# 2nd Actor: John Shea - Client, Howard, Psychiatrist, Ted, Paul, Ben, Chris, Jim, Dick and Guest
# 3rd Actor: William H. Macy-Arthur, Boy, Architect, Billy, Nick, Fred, Tony, Standish, and Guest
# 1st Actress: Lois de Banzie- Agent, Mother, Carolyn, Sandra, Dora, Margery, Beth, Kate, Claire, and Ruth
# 2nd Actress: Ann McDonough- Annie, Grace, Peggy, Nancy, Sarah, Harriet, Emily, Annie, and Guest
# 3rd Actress: Pippa Pearthree- Sally, Girl, Ellie, Aggie, Winkie, Old Lady, Helen, Meg, Bertha, and Guest

It was directed by David Trainer. Loren Sherman designed the set, Deborah Shaw the costumes, and Frances Aronson the lighting. The production stage manager was M. A. Howard.

Performed also at Bishops University Lennoxville Quebec opening Oct 15th 2008 with the following cast
# 1st Actor: Micheal Wighton - Father, Michael, Brewster, Grandfather, Stuart, Gordon, David, Harvey and Host
# 2nd Actor: Neil Brown - Client, Howard, Psychiatrist, Ted, Paul, Ben, Chris, Jim, Dick and Guest
# 3rd Actor: Kurt Shantz -Arthur, Boy, Architect, Billy, Nick, Fred, Tony, Standish, and Guest
# 1st Actress: Stephanie Izsak- Agent, Mother, Carolyn, Sandra, Dora, Margery, Beth, Kate, Claire, and Ruth
# 2nd Actress: Rachel Thompson - Annie, Grace, Peggy, Nancy, Sarah, Harriet, Emily, Annie, and Guest
# 3rd Actress: Megan Wanless - Sally, Girl, Ellie, Aggie, Winkie, Old Lady, Helen, Meg, Bertha, and GuestIt was directed by Greg Tuck