- The Offence
Infobox Film | name = The Offence
caption =original film poster
director =Sidney Lumet
producer =Denis O'Dell
writer = John Hopkins
starring =Sean Connery Trevor Howard Vivien Merchant Ian Bannen Peter Bowles Derek Newark Ronald Radd
music =Harrison Birtwistle
cinematography =Gerry Fisher
editing =John Victor-Smith
distributor =United Artists
released = 1972
runtime = 112 min.
language = English
budget = $1,000,000
imdb_id = 0070468"The Offence" is a 1972
drama film, based upon the acclaimed 1968 stage play "This story of yours" by John Hopkins, directed bySydney Lumet under the working title "Something like the truth". It starsSean Connery as a frustrated, obsessively aggressive policedetective who snaps and kills a suspect (Ian Bannen ) for personal reasons which are explored over the course of the film yet not fully revealed until the end. The tagline is "After 20 years what Detective-Sergeant Johnson has seen and done is destroying him."Plot summary
Detective-Sergeant Johnson (Connery), has been a police officer for 20 years, and is deeply affected by the
murder s,rape s, and other serious crimes he has investigated.His anger surfaces while interrogating a suspected child molester, Baxter (Ian Bannen in a BAFTA-nominated role), whom he brutally beats and kills. Johnson is suspended, goes home for the night to his unloving wife (
Vivien Merchant ). Johnson is interrogated by Detective Superintendent Cartwright (Trevor Howard ) the next day, and during the interrogation he remains uncooperative and aggressive, constantly referring to the horrors of his job.Over the course of the film, flashbacks occur to the night when Johnson killed the suspect, and we find out that at first we only saw limited glimpses of the actual events. In the end it is revealed that Johnson's constant referral to his job as an excuse are just a facade; Johnson
torture d and killed Baxter because of his repressed desire to commit the crimes Baxter is accused of. The film's defining line of dialogue turns out to be Baxter's disgusted and terrified "Don't beat me for thoughts in your head, things that you like to do! I wouldn't have your thoughts!" Johnson later admits the real events in secret at the end of the film.Background
When Connery agreed to return as
James Bond in "Diamonds Are Forever ",United Artists pledged to back two of Connery's film projects of his own free choosing, including free choice for his own role, provided they would be costing $2m or less. "The Offence", made under the working title of "Something like the truth" due to Connery's choice of Hopkins' script, was completed in one month with a budget of $1 million. The action sequences of the physical interaction between Connery and his suspect Bannen were designed by an uncredited Bob Simmons who had designed similar action scenes for the Bond films. [ [http://www.imdb.com/title/tt0070468/fullcredits#cast The Offence (1972) - Full cast and crew ] ]It was a commercial failure and did not yield a profit for nine years, even going unreleased in several markets including
France . United Artists pulled out of the deal and the next project, a film version of "Macbeth " that Connery was to direct, was scotched byRoman Polanski 's adaptation.Critics
"A fascinating look at the human
- Britmoviepsyche based on "Z Cars" scriptwriter John Hopkins acclaimed stage play "This Story of Yours", "The Offence" is an expertly crafted study ofevil and human weakness that demands to be watched in its entirety. " [...] " it still packs quite a punch and features compelling performances from both Sean Connery and Ian Bannen.""Less well-known than his other British pictures ("
- Fernando F. Croce, CinepassionThe Hill ", "The Deadly Affair ", "Murder on the Orient Express "), this unrelentingly somber policier inaugurates a newfound force in Lumet’s work. The story, adapted by John Hopkins from his play, abounds in stylistic tics (recurring visualmotif s, various events replayed several times,color coding ), but the flashiness that pockmarked much of the director’s earlier work has been pruned to hushed, concentrated intensity. Likewise, the movie looks ahead to the bathed-in-gray thematics of Lumet’s later studies of law & order ambivalence -- Connery’s pressure-cooker copper, plagued with lurid images palpitating inside his brain, is the template for the protagonists of "Serpico ", "Prince of the City " and "Q & A". Connery pinpoints some fantastic shadings of bullying, dissatisfaction and self-disgust, matched by Bannen’s peerless razzing -- the culminating pounding is less liberating purgation than guilt transference, christened by Bannen’s bloodied leer.""The notion of a 'good cop' becoming corrupted by the day to day horrors of his job is nothing new, but it plays out in a way that is completely engrossing, even edge-of-your-seat suspenseful. " [...] " Ultimately Lumet is less concerned with constructing a whodunit than he is in exploring the dynamic between these two seemingly disparate men, who become more and more alike as their interrogation plays out. " [...] " The end result is Connery's realization ("unspoken") that he is, in fact, of the same '
- DVD Maniacsspecies ' as the people he has so bitterly denounced throughout the film. " [...] " His moment of clarity is not a moment of 'redemption' so much as it is an acceptance of personal guilt.
The central performances are absolutely brilliant. Connery has never been better, even if he did win anAcademy Award for "The Untouchables " (1987). " [...] " had this film been better received in 1972, his performance would have garnered him an Oscar nomination. Bannen takes a character that, on the printed page, may have seemed completely unsavory and makes him oddly likable. " [...] " Trevor Howard and Vivien Merchant also do superb work in their smaller roles " [...] ".
An absolutely fantastic film, "The Offence" deserves to be far better known and revered. Few films have been as successful at being so ambiguous as well as so dialogue-heavy."See also
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List of films portraying paedophilia or sexual abuse of minors References
External links
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