Greek mythology, Hymenaios (also "Hymenaeus", "Hymenaues", or "Hymen"; Ancient Greek: Polytonic|Ὑμέναιος) was a god of marriageceremonies, inspiring feasts and song. A "hymenaios" is also a genre of Greek lyric poetry sung during the procession of the bride to the groom's house in which the god is addressed, in contrast to the " Epithalamium", which was sung at the nuptial threshold.
Hymenaios was supposed to attend every wedding. If he didn't, then the marriage would supposedly prove disastrous, so the Greeks would run about calling his name aloud. He presided over many of the weddings in
Greek mythology, for all the deities and their children.
Hymenaios was celebrated in the ancient marriage song of unknown origin "Hymen o Hymenae, Hymen" delivered by
G. Valerius Catullus. Both the term hymnand hymenare derived from this celebration. [Encyclopaedia Britannica, "hymen".] [ [http://www.religioromana.net/romanprayers-piscinus/cattulus.htm Temple of Religio Romana - G. Valerius Catullus] ]
At least since the
Italian Renaissance, Hymenaios was generally represented in art as a young man wearing a garland of flowers and holding a burning torch in one hand.
Hymenaios was mentioned in
Homer's " Iliad", in the description of the forging of the shield of Achilles:
He is also mentioned in
Virgil's " Aeneid" and in five plays by William Shakespeare: " Hamlet", [ln. 3.2.147.] "The Tempest"," Much Ado about Nothing" [In 5.3.] , " Titus Andronicus", and " As You Like It", where he joins the couples at the end —:"'Tis Hymen peoples every town;:High wedlock then be honoured.:Honour, high honour, and renown,:To Hymen, god of every town!"
Hymenaios also appears in the work of the 6th- to 7th-century Greek poet
Sappho(translation: M.L. West, "Greek Lyric Poetry", Oxford University Press)::High must be the chamber –:Hymenaeum!:Make it high, you builders!:A bridegroom's coming –:Hymenaeum!:Like the War-god himself, the tallest of the tall!
He was the son of Bacchus (god of revelry) and
Aphrodite(goddess of love); or, in some traditions, Apolloand one of the Muses.
Other stories give him a legendary origin. In one of the surviving fragments of the "
Catalogue of Women" associated with Hesiod, it's told that Magnes"had a son of remarkable beauty, Hymenaeus. And when Apollo saw the boy, he was seized with love for him, and wouldn't leave the house of Magnes" [http://sunsite.berkeley.edu/OMACL/Hesiod/frag2.html] . Aristophanes' "Peace" ends with Trygaeus and the Chorus singing the wedding song, with the repeated phrase "Oh Hymen! Oh Hymenaeus!" [http://www.web-books.com/Classics/Nonfiction/Drama/Aristophanes/Peace/Aristophanes_PeaceP12.htm] , a typical refrain for a wedding song. [Encyclopaedia Britannica, "hymen".]
Later story of origin
According to a later Romance, Hymenaios was an Athenian youth of great beauty but low birth who fell in love with the daughter of one of the city's wealthiest men. Since he couldn't speak to her or court her, due to his social standing, he instead followed her wherever she went.
Hymenaios disguised himself as a woman in order to join one of these processions, a religious rite at
Eleusiswhere only women went. The assemblage was captured by pirates, Hymenaios included. He encouraged the women and plotted strategy with them, and together they killed their captors. He then agreed with the women to go back to Athensand win their freedom, if he were allowed to marry one of them. He thus succeeded in both the mission and the marriage, and his marriage was so happy that Athenians instituted festivals in his honour and came to be associated with marriage.
*Leonhard Schmitz, " [http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0104;query=id%3D%239043;layout=;loc= Hymen] ." "A dictionary of Greek and Roman biography and mythology", William Smith, editor. (11.57).
*P. Maas, "Hymenaios" "REF" 9 (1916) pp. 130-34.
Ovid. " Medea" and "Metamorphoses", 12.
Virgil. " Aeneid", 1
Catullus, Poem 62.
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