The Unpleasant Profession of Jonathan Hoag

Infobox short story |
name = The Unpleasant Profession of Jonathan Hoag
title_orig =
translator =
author = Robert A. Heinlein
country = United States
language = English
series =
genre = Science fiction short story
published_in = Unknown Worlds, October, 1942
publisher =
publication_type = Magazine
media_type = Print (Periodical & Paperback)
pub_date = October 1942
english_pub_date =
preceded_by =
followed_by =

"The Unpleasant Profession of Jonathan Hoag" is a novella by Robert A. Heinlein. It was originally published in the October 1942 edition of "Unknown Worlds" magazine under the pseudonym of "John Riverside". It also lends its title to a collection of Heinlein's short stories published in 1959. Soon to be adapted into a movie by director Alex Proyas.

Plot summary

A man comes to an investigator with an odd request: he wants to have himself followed, because he has no idea what his own profession is. The story evolves into a discussion of the reality of both life and art.

Jonathan Hoag, a lover of art and fine dining living in Chicago, realizes that he has no memory of his daytime activities when asked, at an evening dinner, what he does for a living. Furthermore, when he washes his hands in the evening, he discovers a red-brown substance, possibly dried blood, under his fingernails.

He contacts a detective agency, Randall & Craig, and asks them to follow him during the day. The partners, actually the husband and wife team of Ted and Cynthia Randall, agree to this. The mystery begins immediately: they routinely try to collect fingerprints from their clients, but find that Hoag left none, even when not wearing gloves. Such memories as Jonathan Hoag has turn out to be false, except for his home address, and a doctor, Potiphar T. Potbury, whom Hoag consulted about the substance under his fingernails. The doctor had thrown him out of his office and told him not to return.

The first time the pair tails Hoag, Cynthia sees him turn and talk to her husband. Then Cynthia is menaced by Hoag after she tails him in an office building. When she is reunited with Ted, he tells her that he had a completely different experience: after uneventfully tailing him into the building and up to his office on the thirteenth floor, Ted discovers that Hoag is a jeweler working for a company called Detheridge & Co., and that the red substance was jeweler's rouge. Both realize that something is terribly wrong, especially once they discover that the building has no thirteenth floor.

Ted has a series of "dreams" in which he is taken through a mirror into the offices of Detheridge & Co., where he is told to leave Hoag alone by an assembly of conservative businessmen. He ignores the dreams, until in one final dream Cynthia is taken through as well. The businessmen reveal themselves as "Sons of the Bird", disciples of an old pagan religion; Hoag is a nemesis of theirs. They cause something to be sucked out of Cynthia into a bottle, and return her and Ted to their apartment.

Ted wakes up to find Cynthia in an apparent coma. He realizes that the dreams were true, and in a manic burst of activity, paints over all the mirrors in the apartment. He then calls Potbury, the only doctor he knows, to come and examine Cynthia. Potbury diagnoses her with "lethargica gravis", but when Ted repeats the mantra of the Sons of the Bird to him, "The Bird is Cruel!", Potbury covers his face just as the Sons did. Realizing Potbury is one of them, Ted overpowers him and locks him in the bathroom. He calls Hoag, who comes to the apartment. Told about Potbury, Hoag says that "lethargica gravis" is just a way of saying "deep sleep". They open the bathroom door, only to find that Potbury is gone, and the mirror has been scraped free of paint with a razor. However they find a bottle in Potbury's black bag. When they open it, Cynthia revives.

To solve the mystery once and for all, they take Hoag to their office and subject him to questioning under drugs. After a few questions, Hoag wakes up with a strong, dominant personality—completely different from the nervous, weak man they have heretofore worked with. He declares the session over, and tells them to meet him later in a park just outside the city. He gives them a list of things to bring, and leaves them in a state of some puzzlement.

Reaching the park, with the collection of fine foods and wines Hoag requested, Ted and Cynthia find him there. They picnic on the epicurean fare, and are told that Jonathan Hoag was in fact, a personification of an art critic. The art in question is their entire world, created by an "artist" as a student project. Critics have to live as inhabitants in the world, not knowing they are Critics, in order to judge the experiences. One such experience is eating and drinking, as "Hoag" points out, since the simple act of gaining energy to live had not been thought of as an "experience" previously. Another is sex, but this is thought to be ridiculous until Hoag realizes that it is the basis for "the tragedy of human love" that he sees between Ted and Cynthia. Hoag's artistic judgment is that, while there is much that is amateurish in the world, overall its Creator has real promise.

The Sons of the Bird were an early artistic mistake, hurriedly "painted over" rather than eliminated in the rush to complete the work, but still holding power. They are responsible for all the things that Ted and Cynthia have seen, including the times they saw "Hoag" during the day. The "real" Hoag was only encountered in their home and office. Now the Sons are to be expunged completely. Hoag was recruited to report on them; the substance under his fingernails is their ichor, placed there to make them fearful.

Hoag tells the couple to leave the city, not stopping to talk to anyone on the way, places one last grape in his mouth, and then becomes still. Leaving his inert body, the two drive through town, but finally yield to the urge to tell someone about Hoag's body. When they roll down their car windows, however, all that is outside their automobile is a pulsing, luminous mist, though all the other windows show an apparently normal scene. They drive on in a state of shock.

In the epilogue, the Randalls now live in an unnamed remote rural area by the sea. They do everything together, have no mirrors in their home, and every night before going to sleep "he handcuffs one of her wrists to one of his".

External links

*isfdb title|id=67629|title=The Unpleasant Profession of Jonathan Hoag
* [http://www.heinleinsociety.org The Heinlein Society]