- Linford S. Haines
Linford S. Haines (born Simon Linford Haines on
March 11 ,1967 ) is aliterary critic ,author ,lecturer , as well as a formeractor andmusician .Biography
Simon Haines was born illegitimately in
California ,U.S.A. toGeorge Dowle , an American filmmaker, and Emily de Fox, an English actress: he took his birth father's surname. His parents' career moved the family to numerous places around the globe such asCasablanca ,Palma , and the South ofFrance where he spent most of his childhood. At the age of twelve, the family returned to England to live in Stratford, where his mother was accepted into theRSC for a 7 year spell.He was educated at the
Lycée Français Charles de Gaulle in London, and went on to graduate from St Catharine’s College, Cambridge. Haines was strongly associated with the influentialHalifax Circle of critics in the late 1980s, especiallyJ R Teasdale andDavid Somerton , with whom he has co-authored critical studies. He edited a compendium of 18th century drama and has written introductions to a collection of Elizabethan prose fiction and an edition of fin-de-siècle short stories.As an actor, he became know by his current
pseudonym due to a misprint in a programme for a production ofCat on a Hot Tin Roof where he understudied Brick, but was thrust into the lead role when the actor cast as the protagonist, ironically, broke his ankle and his leg a week before opening night. He enjoyed a long career as a sought after pianist, singer and actor - renowned for his Jacobean and contemporary American drama (especially Alfieri in Miller'sA View from the Bridge .He now works as an author and a literary critic, known for his skill in synthesising conventional and innovative readings of
Shakespeare . His 2007 book, co-authored with friend and former teacher (respectively) David G. Somerton and JP Doolan-Yorke, "Notes for Literature Students on the Tragedy ofOthello " was successful due to its mix of clear and simple formatting as well as in depth analysis. It places great emphasis on the reader forming their own ideas, using the text as a springboard. Haines sporadically writes a column for the Mercury.
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