- Rabih Abou-Khalil
Infobox Musical artist
Name = Rabih Abou-Khalil
Img_capt = "Cactus of Knowledge" concert inBonn ,Germany , withLuciano Biondini
Img_size = 300
Background = non_vocal_instrumentalist
Born = birth date|1957|8|17|mf=y
Origin =Beirut ,Lebanon
Instrument =Oud ,flute
Genre =Jazz
Label =Enja Records
Occupation = Musician, composer,bandleader
Years_active = 1980–presentRabih Abou-Khalil ( _ar. ربيع أبو خليل, born
August 17 ,1957 inLebanon ) is anoud player andcomposer .Life
Rabih Abou-Khalil grew up in
Beirut and moved toMunich , Germany during the civil war in 1978. He lives partly in Munich and partly in the South of France with his wife and two children.Music
From early on, he learnt to play the
oud , a fretless string instrument, similar to the Europeanlute . He studied in the Beirut conservatory from oud virtuoso Georges Farah. After moving to Germany, he studied classical flute at the Academy of Music in Munich under Walther Theurer.He has often blended traditional
Arab music withjazz , rock and classical music, and has earned praise such as "aworld music ian years before the phrase became a label — makes the hot, staccato Middle Eastern flavour and the seamless grooves of jazz mingle as if they were always meant to." [http://www.guardian.co.uk/print/0,3858,4420370-103686,00.html] Together withAnouar Brahem he has helped highlight the oud as a vehicle of eclectic "world jazz". Abou-Khalil's oud playing style has often been likened to jazz guitar: "Abou-Khalil spins more oud notes in 10 seconds than most jazz guitarists do in their short commercial lifespans." [http://www.orlandoweekly.com/music/story.asp?id=4533]Abou-Khalil's music uses elements from Arab music traditions, together with many jazz, rock and classical references, particularly to the school of
Ornette Coleman and Don Cherry, which itself broke ground in terms of introducing new global influences. Other influences include Frank Zappa, Bela Bartok, and such unexpected musicians like the Mighty Sparrow and Lord Kitchener from Trinidad. Jazz elements are present in most of his recorded work, for instance in the use of the acoustic pizzicato bass, generally played by recognized jazz musicians likeSteve Swallow andGlen Moore . At the Beijing Jazz Festival of 2003 he performed to great acclaim accompanied bytuba andclarinet as well as the percussion he has always favoured.Albums
In his first CD release for the ECM company, "Nafas", (1988) largely traditional Arabic elements are to the fore, although a combination of drums of different national origin signals the
eclecticism to come. In "Al-Jadida" and "Blue Camel," (1992) the former with alto saxophonistSonny Fortune and the latter with alto saxophonistCharlie Mariano andflugelhorn player Kenny Wheeler, Turkish influence comes to the fore, in the form of complex time signatures (like 11/4 for the composition "Sahara"). Classical Turkish metres like 10/8 (phrased as 3+2+2+3), are found widely in Abou-Khalil's opus ("Nightfall" on "Between Dusk and Dawn," "Ziriab" on "Blue Camel," "After Dinner" on "Tarab", and "On a Bus " on "Yara"). In recent years mixtures of these metres have emerged, setting new standards in complexity while retaining freshness, wit and the jazz value ofswing ."Nafas" and "Tarab" make use of the
ney , the Turkish end-blown flute. 1995's "Arabian Waltz" featured Abou-Khalil's compositions forstring quartet (performed by theBalanescu Quartet ), along with oud, tuba (or serpent), and framedrum s."Morton's Foot" (2004) brings in Luciano Biondini on accordion and
Sardinia n singer Gavino Murgia whose base vocals evokeTibetan throat singing to create a bizarre, exotic blend of European and Eastern traditions."Journey to the Centre of an Egg" (2005) features a trio of oud, piano (Joachim Kühn, who doubles on
alto saxophone ) and drums.Live performances have made heavy use of digital vocalisation devices, and the end of these innovations is not in sight. Abou-Khalil and his associates are arguably creating a new international platform for improvised music, comparable to John McLaughlin and his associates in
Shakti .Visions of Music
Rabih Abou-Khalil hosted the television series "Visions of Music". This 13-part documentary series produced by EuroArts Entertainment set out to explore the blending of jazz with traditional music (Caribbean salsa, Brazilian samba, Argentine tango, French musette, Spanish flamenco, Jewish klezmer, New Orleans R&B and Mississippi blues, as well as West African, South African, Indian and Middle Eastern music) through historical footage and interviews of musicians (by Abou-Khalil). The music of the TV-series was released on the album "Visions of Music - World Jazz" by Enja Records in 1998.
Humor
Humor is a very important ingredient in Abou-Khalil's art and live performances. For instance, the song "Dr. Gieler's Wiener Schnitzel" (Morton's Foot, 2004) is inspired by an alleged Austrian dentist who settles in
Abu-Dhabi to open a restaurant where hisWiener schnitzel soon establishes a reputation for healing the blind and deaf. The restaurant, however, is banned and closed by the authorities which forces Dr. Gieler back to Austria where he is now selling ties to businessmen. Various compositions are inspired by such humorous stories, common to many is the absurdity of "commuting between cultures".CD cover design
Rabih Abou-Khalil's CDs are conspicuous for their high quality covers depicting Arabic non-figurative art, some designed by the author himself.
Major/recent collaborators
*
Howard Levy (harmonica)
*Glen Velez (frame drums, percussions)
*Milton Cardona (conga)
*Sonny Fortune (alto saxophone)
*Glen Moore (bass)
*Steve Swallow (bass)
*Gabriele Mirabassi (clarinet)
*Luciano Biondini (accordion)
*Michel Godard (tuba)
*Gavino Murgia (vocals, tenor saxophone)
*Jarrod Cagwin (drums)
*Selim Kusur (vocals, nay)
*Setrak Sarkissian (darabukka)
*Joachim Kühn (piano, alto saxophone)
*Ramesh Shotham (Indian percussion)
*Alexander Balanescu (violin)
*Nabil Khaiat (percussion)
*Charlie Mariano (alto saxophone)
*Gevorg Dabagyan (duduk)Discography
* Compositions & Improvisations (MMP, 1981)
* Bitter Harvest (MMP, 1984)
* Between Dusk And Dawn (MMP, 1987; Enja Records, 1993)
* Bukra (MMP, 1988;Enja Records , 1994)
* Nafas (ECM, 1988)
* Roots & Sprouts (MMP/Enja Records, 1990)
* World Music Orchestra: East West Suite (Granit Records, 1990)
* Al-Jadida (Enja Records , 1990)
* Blue Camel (Enja Records, 1992)
* Tarab (Enja Records, 1992)
* The Sultan's Picnic (Enja Records, 1994)
* Arabian Waltz (Enja Records, 1996)
* Odd Times (Enja Records, 1997)
* Yara (Enja Records, 1998)
* The Cactus of Knowledge (Enja Records, 2001)
* Il Sospiro (Enja Records, 2002)
* Morton's foot (Enja Records, 2004)
* Journey to the Centre of an Egg (Enja Records, 2005)
* Songs for Sad Women (Enja Records, 2007)
* Em Portugues (Enja Records, 2008)As guest musician
* Chris Karrer: Dervish Kish (Schneeball/Indigo, 1990/91)
* Michael Riessler: Heloise (Wergo, 1992)
* Charlie Mariano & Friends: Seventy (veraBra records, 1993)
* Glen Moore: Nude Bass Ascending (Intuition, 1996/97)
* Ramesh Shotam: Madras Special (Permission Music, 2002)Other
* Jakob Wertheim & Rabih Abou-Khalil: KopfKino (cassette, Ohrbuch-Verlag, 1988)
* The Jazz Club Highlights (DVD, TDK JAZZ CLUB, 1990)
* Rabih Abou-Khalil presents Visions of Music - World Jazz (accompanying TV series,Enja Records , 1999)External links
* [http://www.myspace.com/rabihaboukhalil The Official myspace.com Page]
* [http://www.enjarecords.com/bio.php?artist=Rabih%20Abou-Khalil Rabih Abou-Khalil page at ENJA Records]
* [http://www.allaboutjazz.com/php/musician.php?id=8343 Rabih Abou Khalil at All About Jazz]
* [http://www.geocities.com/BourbonStreet/Quarter/7055/Rabih/index.htm RABIH ABOU-KHALIL - LIST OF ISSUED RECORDS compiled by Johann Haidenbauer]
* [http://www2.mcdaniel.edu/german/arab-german/khalil.htm Rabih Abou-Khalil]
* [http://www.jazzfoto.at/konzertfotos07/rabih_abou_khalil// Fotos Rabih Abou Khalil & Termites at work - 2007 jazzit]
* [http://www.qantara.de/webcom/show_article.php/_c-587/_nr-20/i.html?PHPSESSID=5 Portrait of Rabih About-Khalil on Qantara.de by Lewis Gropp]
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