Walters Art Museum

The Walters Art Museum, located in Baltimore, Maryland's Mount Vernon neighborhood, is a public art museum founded in 1934. The museum's collection was amassed substantially by two men, William Thompson Walters (1819-1894), who began serious collecting when he moved to Paris at the outbreak of the American Civil War, and Henry Walters (1848–1931), who refined the collection and rehoused it in a palazzo building on Charles Street which opened in 1909. Upon his death, Henry Walters bequeathed the collection of over 22,000 works and the original Charles Street palazzo building to the city of Baltimore, “for the benefit of the public.” The collection touches masterworks of ancient Egypt, Greek sculpture and Roman sarcophagi, medieval ivories, illuminated manuscripts, Renaissance bronzes, Old Master and 19th-century paintings, Chinese ceramics and bronzes, and Art Deco jewelry.

In 2000, the Walters Art Gallery changed its name to the Walters Art Museum to reflect its image as a large public institution. The following year, the museum reopened its largest building after a dramatic three-year renovation. The Walters Art Museum is where the Archimedes Palimpsest may be seen.

Starting Sunday, October 1, 2006, the Baltimore Museum of Art and the Walters Art Museum began having free admission year-round as a result of grants given by Baltimore City and Baltimore County. [cite web | url = http://www.thewalters.org/news_art_museum/pressdetail.aspx?e_id=23 | title = FREE ADMISSION AT BALTIMORE MUSEUM OF ART AND WALTERS ART MUSEUM BEGINS OCTOBER 1 | work = Groundbreaking cooperation and financial support from Baltimore City andBaltimore County provides greater public access to world-class art | accessmonthday = September 23 | accessyear = 2006]

Permanent Collection

Ancient Art

The Walters’ collection of ancient art includes examples from Egypt, Nubia, Greece, Rome, Etruria, and the Near East. Highlights include two monumental 3,000 pound statues of the Egyptian lion-headed goddess Sekhmet, alabaster reliefs from the palace of Ashurnasirpal II, the Greek Olbia bracelets, and Roman sarcophagi from the tombs of the prominent Licinian and Calpurnian families in Rome.

Art of the Ancient Americas

In 1911, Henry Walters purchased almost 100 gold artifacts from the Chiriqui region of western Panama, creating a core collection of ancient American art. Through gifts of art and loans, the museum has added works from Central and South America, including pieces from the Mesoamerican Olmec, Aztec, and Maya cultures, as well as the Moche and Inca peoples of eastern South America.

Asian Art

Highlights of the Asian art collection assembled by William and Henry Walters include Japanese arms and armor, Chinese and Japanese porcelains, lacquers, and metalwork. Among the museum's outstanding works of Asian art is a late 12th- or early 13th-century Cambodian bronze of the eight-armed Avalokiteshvara, a T’ang Dynasty earthenware camel, and an intricately painted Ming Dynasty wine jar. The museum owns the oldest surviving Chinese wood-and-lacquer image of the Buddha (late 6th century AD), which is exhibited in a gallery dedicated solely to this work.

The museum now houses one of the largest and finest collections of Thai bronze, scrolls, and banner paintings in the world. [http://www.thewalters.org/works_of_art/asian_art_museum.aspx]

Islamic Art

Islamic art in all media are represented at the Walters. Among the highlights are a 7th-century carved and hammered silver bowl from Iran; a 13th-century candlestick made of copper, silver, and gold from Mamluk Egypt; 16th-century mausoleum doors decorated with intricate wood carvings in a radiating star pattern; a 17th-century silk sash from Moghul India; and a 17th-century Turkish tile with an image of the Great Mosque of Mecca.The museum owns an array of Islamic manuscripts. These include a 15th-century Koran from northern India, executed at the height of the Timurid empire; a 16th-century copy of the Khamsa by Amir Khusraw, illustrated by a number of famous artists for the emperor Akbar; and a Turkish calligraphy album by Sheik Handullah al Amasi, one of the greatest calligraphers of all time.

Medieval Art

Henry Walters assembled a collection of art produced during the Middle Ages, a period that stretches from the collapse of the Roman Empire to the beginning of the Renaissance. Featuring works of art in all the major artistic media of the period, the Walters' medieval collection includes examples of metalwork, sculpture, stained glass, textiles, icons, and other paintings. The collection is especially renowned for its ivories, enamels, reliquaries, early Byzantine silver, post-Byzantine art, and Ethiopian Christian art.

The Walters' medieval collection features unique objects like The Rubens Vase and the earliest surviving image of the Virgin of Tenderness. The Sculpted heads from the royal Abbey of St. Denis are rare surviving examples of portal sculptures that are directly connected with the invention of Gothic art in 12th-century France. An ivory casket covered with scenes of jousting knights is one of only about a dozen such objects to survive in the world.

Renaissance and Baroque Art

This collection of European Renaissance and Baroque art features holdings of paintings, sculpture, furniture, ceramics, metal work, arms and armor. The highlights include Hugo van der Goes' "Donor with Saint John the Baptist", Heemskerck’s "Panorama with the Abduction of Helen Amidst the Wonders of the Ancient World", Veronese’s "Portrait Of Countess Livia da Porto Thiene and her Daughter Porzia", El Greco's "Saint Francis Receiving the Stigmata", Bernini's "Risen Christ", Tiepolo’s "Scipio Africanus Freeing Massiva", and "The Ideal City" attributed to Fra Carnavale.

Eighteenth and Nineteenth Century Art

William and Henry Walters collected works by both late 19th century French academic masters and Impressionists. Highlights of the collection include Claude Monet’s "Springtime", Alfred Sisley's panoramic view of the Seine Valley, and Edouard Manet’s realist masterpiece, "The Café Concert". Henry Walters was particularly interested in the courtly arts of 18th-century France. The museum’s collection of Sèvres porcelain includes a number of pieces that were made for members of the court at Versailles. Portrait miniatures and the examples of goldsmiths' works, especially snuffboxes and watches are displayed in the Treasury along with some exceptional 19th- and early 20th-century works. Among them are examples of Art Nouveau jewelry by René Lalique, jeweled objects by the House of Fabergé, including two Russian imperial Easter eggs, and precious jewels by Tiffany and Co. The Walters’ collection presents an overview of 19th-century European art, particularly art from France. From the first half of the century come major paintings by Ingres, Géricault, and Delacroix. As a result of his stay in Paris with his family during the Civil War, William Walters developed a keen interest in contemporary European painting. He either commissioned directly from the artists or purchased at auctions major works by the Barbizon masters, including Millet and Rousseau, the academic masters Gérôme and Alma-Tadema, and the modernists Monet, Manet, and Sisley.

Museum Buildings

The Charles Street Building

Henry Walters’ original gallery was designed by William Adams Delano and erected between 1904 and 1909. Its exterior was inspired by the Renaissance-revival style Hôtel Pourtalès in Paris and its interior was modeled after the 17th-century Collegio dei Gesuiti (now the Palazzo dell’Università) built by the Balbi family for the Jesuits in Genoa. The arts of the Renaissance and Baroque periods, French decorative arts of the 18th and 19th centuries, and manuscripts and rare books are now exhibited in this palazzo-like building. [Guide to the Collections, p. 14-15]

The Centre Street Building

Designed by the Boston firm of Shepley, Bullfinch, Richardson, and Abbott, in the “Brutalist” style prevailing in the 1960s, this building opened in 1974. It was substantially altered in 1998-2001 to allow for a four-story glass atrium, a suspended staircase, a café and an enlarged museum store and a library. The ancient, Byzantine, medieval, Ethiopian, and 19th-century European collections are housed in this building as is the museum’s conservation laboratory, which is one of the oldest in the country. [ [http://www.thewalters.org/museum_art_baltimore/themuseum_history_gallery.aspx Walters Art Museum website: From Gallery to Museum] ]

Hackerman House

This Greek-revival mansion, designed by John Rudolph Niernsee and erected between 1848 and 1850 for Dr. John Hanson Thomas, was long regarded as the most “elegant” house in Mount Vernon Place. Among the Thomas’s distinguished guests were the Prince of Wales, the future King Edward VII, and General Kossuth, the Hungarian freedom fighter. Since 1991, the house has been devoted to the Walters’ holdings of Asian art. [Guide to the Collections, p. 18]

Notes

References

The Walters Art Gallery, Guide to the Collections, 1997, Scala Books, ISBN 0-911886-48-6

External links

* [http://www.thewalters.org/html/home.asp Walters Art Museum official website]
* [http://www.archimedespalimpsest.org/ Archimedes Palimpsest Project Web Page]

ee also

* Baltimore Museum of Art
* William Henry Rinehart