- John MacMurray
for the third time.
Early career
John MacMurray — "Moose" to those who knew him — was a latecomer to the
trumpet . He considered himself amusician first and a trumpeter second, and this is reflected in the fact that he began instrumental studies at the comparatively late age of fifteen, by which time most would have completed their Grade VIII exams.Starting not as a child, but as a young adult, he progressed quickly through his native Canadian and American
universities with the renowned teachersWilliam Vacchiano andArmando Ghitalla . His rapid development brought him toLondon in 1981 at the age of twenty-two to study atGoldsmiths College . By now he had acquired so much maturity and style that his musical personality shone out, just like his trumpet sound itself. And it was that sound — with the full resonance but not the hard edge of many American-trained players — that made him unique.The Hallé Orchestra
Although his first concert as Principal
Trumpet with theHallé Orchestra was2 November 1986 at the age of twenty-seven, he had already been Co-principal for almost three years with John Dickinson, impressing everyone when stepping up to play first. Despite the early end to his career, only two people have held the principal position longer, going back beforeHarry Mortimer to Alex Harris in 1919.Bringing extensive experience to
trumpet -playing from his travels, from his role models and teachers who instilled in him an appreciation formusic as a whole, but also from his own unique strength of character, he was able to succeed where others might flounder. His attitude to preparation, attention to detail, awareness in rehearsals, differentiation between musical styles, and overall professionalism in the most unrewarding or trying of circumstances, were all typical of his character. He took inspiration from a widerartistic standpoint and his personal contribution in sound andphrasing were a particular highlight, expressing a depth of feeling beyond the written notes.In his
teaching too, his maturity and example of integrity to themusic as well as to oneself, the challenge to focus in a personal way, to look behind the notes on the page, made him a formative influence, not just atrumpet player . As well as holding teaching posts at such institutions asChetham's School of Music and theRoyal Northern College of Music , he also taught select students privately, including famed French footballerEric Cantona for a short while. Students and colleagues alike noted his wonderful sense ofhumour , and his great intuition and wisdom outside ofmusic , showing genuine concern and encouragement in difficult times.He experienced two periods of
cancer , but overcame both the physical and emotional hurdles to re-emerge in his characteristic style, first with a performance ofMahler 's Symphony No. 5 and then withShostakovich 'sConcerto forPiano ,Trumpet and Strings, broadcast live onBBC radio in February 2006 after seven months absence. This was testament to his immense professionalism and strength of character.His Death
In July 2006 the
cancer with which he had struggled for several years returned for a third time. Word quickly spread of the seriousness of its third assault and colleagues, friends and many of his devoted former students were able to contact him for the very last time.He died on Sunday
20 August and his funeral took place on29 August near his home inMacclesfield . There hundreds of friends, family, colleagues, former colleagues and students spilled out of the cemetery building — proof of just how loved and respected he was. As well as tributes, recordings of some of his favouritemusic were heard, includingBach 's Prelude and Fugue No. 1 in C, Itzhak Periman’sCinema Paradiso ,Eva Cassidy ’s Way Beyond the Blue, and also a recording of his own performance ofMahler ’s Blumine from February of that year.On Thursday
20 September 2006 , theHallé dedicated its eveningconcert at theBridgewater Hall to his memory with a performance ofBach 'sBrandenburg Concerto No.5 and an electrifying performance ofMahler 's Symphony No.5. Conductor,Mark Elder , spoke glowingly of his former colleague to a full house, and an obituary was provided in the programme notes by fellowtrumpeter and personal friend, Ken Brown, who noted how profoundly he would be missed not only by colleagues at theHallé but also by the discerning and committedHallé audiences who over the years had grown so accustomed to the presence of this exceptionalmusician .External links
* [http://www.bbc.co.uk/radio3/performanceon3/pip/7ba4p/ 2006 Performance on BBC Radio 3 feat. John MacMurray as a soloist]
* [http://youtube.com/watch?v=mIok1BJ8lDw 1997 TV Documentary about Chetham's School of Music feat. John MacMurray and students]
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