- Gibbon's Tennis Court
Gibbon's Tennis Court was a building off Vere Street and
Clare Market , nearLincoln's Inn Fields inLondon ,England . Originally built as areal tennis court, it was used as aplayhouse from 1660 to 1663, shortly after theEnglish Restoration . As a theatre, it has been variously called the "Theatre Royal, Vere Street", the "Vere Street Theatre", or (as inSamuel Pepys ' diary) simply "The Theatre". It was the first permanent home forThomas Killigrew 'sKing's Company and was the stage for some of the earliest appearances by professionalactress es.Tennis-court theatres
Tudor-style real tennis courts were long, high-ceiling buildings, with galleries for spectators; their dimensions — about 75 by 30 feet — are similar to the earlier theatres, and much larger than a modern tennis court. [Styan, John (1996). "The English Stage: A History of Drama and Performance". Cambridge University Press. p. 238.] The tennis courts were not used exclusively for tennis. In 1653, seven years before it saw lawful use as a theatre, an underground production of Killigrew's "Claricilla" was planned for Gibbon's court. The production was broken up before it debuted, reportedly betrayed to the army by one of the actors. [Clare, Janet. (2004). "Theatre and Commonwealth". Milling and Thomson "The Cambridge History of British Theatre". Cambridge University Press. p. 462.]
After the
English Restoration in 1660, Charles II grantedLetters Patent to two companies to perform "legitimate drama" in London: theDuke's Company under the patronage of the Duke of York, led byWilliam Davenant , and theKing's Company , led byThomas Killigrew . Both companies briefly performed in the theatrical spaces that had survived the interregnum and civil war (including the Cockpit and the Red Bull), but scrambled to quickly acquire facilities that were more to current tastes. Killigrew and Davenant both chose a solution that had been used in France: converting tennis courts into theatres.Killigrew's remodelled Gibbon's Tennis Court opened first, on
8 November 1660 , just two months after being given permission by the Crown.Langhans, Edward (2000). "The theatre". Fisk, Deborah "The Cambridge Companion to English Restoration Theatre". Cambridge University Press. p. 2.] The design was similar to the earlier Elizabethan-era "private" theatres, such as the theatre in Blackfriars: a stage devoid of scenery facing a benched-filled pit on the auditorium floor and surrounded by one or two levels of U-shaped galleries.Competition
Not long after the opening, on
20 November , avid theatre-goerSamuel Pepys attended his first performance at Vere Street:…Mr. Shepley and I to the new Play-house near Lincoln’s-Inn-Fields (which was formerly Gibbon’s tennis-court), where the play of "Beggar’s Bush" was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone, [Actor
Michael Mohun .] who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England. [ [http://www.pepysdiary.com/archive/1660/11/20/index.php The Diary of Samuel Pepys] , Tuesday20 November 1660 .]Pepys' high praise for the theatre is often taken to reflect his excitement regarding London's burgeoning theatrical scene rather than as commentary than on the quality of the tennis-court theatre itself. John Styan says it "seems a questionable statement about so makeshift a theatre." [Styan, John. (1986). "Restoration Comedy in Performance". Cambridge University Press. p. 19.] Killigrew's competition, Davenant, would take another seven months to open his new theatre in nearby
Lisle's Tennis Court ; working more from the model of court masque venues such asInigo Jones ’Cockpit-in-Court , he equipped it with a stage complete with aproscenium arch and moveable scenery, painted onto a series of sliding panels. Opening in late June, 1661, Davenant's theatre would steal much of Vere Street's thunder.Before then, though, Killigrew would generate some more excitement of his own, by being the first to stage plays with actresses, instead of actors, playing female roles. The first occasion, based on its newly-written prologue, is thought to have been a performance of "
Othello " on8 December 1660 ; authorities differ as to the name of the actress who played Desdemona. [Latham, Robert and Matthews, William (1995). "The Diary of Samuel Pepys." Volume 2. London: Harper Collins. Footnote, p. 5.] Pepys records a3 January 1661 restaging of "Beggar’s Bush" as "the first time that ever I saw women come upon the stage." [ [http://www.pepysdiary.com/archive/1661/01/03/index.php The Diary of Samuel Pepys] , Thursday3 January 1661 .]After Davenant’s theatre in Lisle’s Tennis Court opened, Vere Street’s popularity waned. Pepys,
4 July 1661 : "I went to the theatre [in Vere Street] and there I saw "Claracilla" (the first time I ever saw it), well acted. But strange to see this house, that use to be so thronged, now empty since the opera begun—and so will continue for a while I believe." [ [http://www.pepysdiary.com/archive/1661/07/04/index.php The Diary of Samuel Pepys] , Thursday4 July 1661 .] To remain competitive, Killigrew decided to construct a purpose-built theatre more to modern tastes. On7 May 1663 , just two-and-a-half years after the theatre in Lisle's Tennis Court opened, the King's Company moved to the new Theatre Royal in Bridges Street.According to an 1811 Robert Wilkinson image, Gibbon's Tennis Court was destroyed by fire on
17 September ,1809 . [Described at [http://www.martayanlan.com/cgi-bin/display.cgi/Books/3/30/10/452? Martayan Lan Rare Books] . Retrieved21 August 2006 .] In the 20th century, theStoll Theatre and thePeacock Theatre would be built at the same site. [ [http://www.sadlerswells.com/home/peacock_history.asp The Peacock Theatre - A brief history] . Sadler's Wells. Retrieved21 August 2006 .]Notes and references
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