Tiran Porter

Tiran Porter is a US bass and guitar player, vocalist and composer. Born in 1948, he rose to fame as a member of the Doobie Brothers, replacing original bassist Dave Shogren on their second album "Toulouse Street" in 1972.

[http://www.whitealbumlive.com/whitealbum/img-bios/porter.jpg]

His vocal talents were mostly restricted to the background in the studio, although he contributed "For Someone Special" (an affectionate tribute to ill bandleader Tom Johnston) to "Takin' It To The Streets" (1976) and the creatively syncopated "Need A Lady" to "Livin' On The Fault Line" (1977). In concert, Porter usually performed lead vocals on one or two songs. During the 1989 tour, for example, he sang "Road Angel" while original vocalist Johnston rested his pipes.

Indisputably, Tiran Porter's most notable contributions to the Doobie Brothers' sound were his busy and punchy bass lines; his distinctive tone permeates all of the band's classic compositions and hits. Often pictured with his trusty Gibson basses during the seventies (usually with a Thunderbird or Ripper bass and earlier with an EB-O Long Scale), Porter has also played Fender instruments, most notably the Jazz bass model. His early technique, with rich chordal attack, was based mostly on his picking style, favouring the guitar pick over fingerstyle playing. The hit title track from "Takin' It To The Streets", which prominently features Porter's thundering, picked notes, is a prime example of this technique. More recently, even performing the old repertoire with the Doobies, Porter has been playing new, custom-made instruments almost exclusively fingerstyle.

Porter left the Doobies in 1980, citing frustration with the hectic and constant touring schedule. His replacement was session man Willie Weeks, later famous for his collaboration with Michael Jackson and other Quincy Jones proteges. After guesting onstage with his former bandmates briefly during the 1982 farewell tour, he rejoined the Doobies in 1987. Porter played on "Cycles" (1989), whose title was taken from an unused song he wrote, [Liner notes from "Playing To An Empty House"] and "Brotherhood" (1991). Neither album featured a Porter composition or lead vocal, and his bass is often buried in the mix. After five years of touring in support of "Cycles" and "Brotherhood", Porter finally quit the Doobies for good in 1992. He was reportedly still frustrated with constant touring and the band's preference for recording familiar sounding material instead of his own, more diverse compositions.

Porter released a self-produced solo album, "Playing To An Empty House", in 1995. It is an interesting mix of rock, progressive and jazz, featuring Porter on all of the instruments and vocals. The album features surprising jazz solos sculpted on exotic chord progressions. (Strangely, it features little or no bass guitar, focusing instead on lead guitar and sequenced keyboards.) Currently, Porter plays bass in the California-based Beatles tribute band White Album Ensemble as well as Stormin' Norman and the Cyclones. He has also toured with Moby Grape during its occasional partial reunions.

Albums

with the Doobie Brothers

*"Toulouse Street" (1972) (US #21)
*"The Captain and Me" (1973) (US #7)
*"What Were Once Vices Are Now Habits" (1974) (US #4)
*"Stampede" (1975) (US #4)
*"Takin' It to the Streets" (1976) (US #8)
*"Livin' on the Fault Line" (1977) (US #10)
*"Minute by Minute" (1978) (US #1)
*"One Step Closer" (1980) (US #3)
*"Cycles" (1989) (US #17)
*"Brotherhood" (1991) (US #82)

olo

* [http://www.amazon.com/dp/B000005YH8?tag=bandhuntcom&camp=14573&creative=329585&linkCode=as1&creativeASIN=B000005YH8&adid=0CF9H23JM39WNFFPTPXM&"Playing To An Empty House"] (1995)

References