Benedict Carpenter

Infobox Person
name = Benedict Carpenter

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image_size = 200px
caption = Maquette for a public sculpture in Middlesbrough by Benedict Carpenter
birth_date = 1975
birth_place = Great Malvern, Worcs
death_date =
death_place =
occupation = Artist
spouse =
parents =
children =

Benedict (Ben) Carpenter is a British sculptor and artist based in the West Midlands.

He works in traditional materials such as bronze, as well as more modern substances such as polyurethane foam, bread, rubber and spray paint.

Biography

Born in 1975, he was educated at Malvern College; the University of Gloucestershire, where he was taught by James Castle; Chelsea College of Art; and the Royal College of Art in London. In Spain, he shows with Galeria Canem; and in Germany with Galerie Ferdinand-Ude.

In 2001, Benedict was awarded the Jerwood Sculpture prize for his sculpture "Universal Object"; in 2005 his work was exhibited as part of Swansong, an installation curated by the Centre of Attention, and shown at the Venice Biennale; and in the same year, "40,000 Years of Modern Art", a public sculpture, was unveiled at Manhattan Gate in Middlesbrough, UK. The maquette for this work is shown to the right.

In 2006, he was appointed a Senior Lecturer in Architecture, Art and Design at the University of East London; and since January 2008, he has been a Senior Lecturer in Fine Art (Sculpture) at the University of Wolverhampton.

culpture

His sculptural work is typified by a variety of blobby abstraction that teeters on the brink of figuration. As his entry in the Jerwood Sculpture Park catalogue has it:

"... Carpenter would never want his sculpture to be pinned down to one meaning. His proposal for the grounds of Witley Court follow on from work that he displayed at the Jerwood Space two years ago. Based on Rorschach tests, the celebrated ink-blots that triggered a naming process in psychological experiments, they made Carpenter view his work for Witley Court as a 'blank cnavas, on which viewers can project their own interpretations.'", the purpose of this being to stimulate a "fertile uncertainty in the onlooker's mind", that will not allow the sculpture "to settle into a stable identity".¹

Bibliography

1) Richard Cork from 'The Jerwood Sculpture Park Catalogue'; exhibition catalogue, published by the Jerwood Foundation in 2001

External links

* [http://www.benedictcarpenter.co.uk Benedict Carpenter, own website]
* [http://www.jerwoodsculpture.org/downloads/jspcatalogues/jsp_catalogue_2001.pdf PDF of the Jerwood Sculpture Park Catalogue]
* [http://www.jerwoodsculpture.org/?lid=2099 Benedict Carpenter, Jerwood website]
* [http://www.jerwoodsculpture.org/?lid=2082 Benedict Carpenter, Universal Object]
* [http://www.commissionsnorth.org/showcase/portfolio/278 Benedict Carpenter, Arts Council, Manhattan Gate, Middlesbrough]
* [http://news.bbc.co.uk/1/hi/entertainment/arts/2069793.stm Benedict Carpenter, BBC]

Persondata
NAME = Carpenter, Benedict
ALTERNATIVE NAMES =
SHORT DESCRIPTION = Sculptor, artist and lecturer
DATE OF BIRTH = 1975
PLACE OF BIRTH = Great Malvern, Worcs
DATE OF DEATH =
PLACE OF DEATH =