- Viktor Suslin
Viktor Yevseyevich Suslin (Russian: Ви́ктор Евсе́евич Сусли́н, born
June 13 ,1942 Miass ,Ural ,Russia ) is a Russian composer living inGermany as of 1981.Biography
At age of four (1946), Suslin began to study piano and made his first attempts at composition. From 1950 to 1962 he attended
Kharkiv Music High School, and from 1961 to 1962 atKharkiv Conservatory studied composition withDimitri Klebanov andpiano with V. Topilin. From 1962 to 1966 he studied composition withNikolay Peyko and piano withAnatoly Vedernikov at theGnessin Institute inMoscow .He worked as an editor at the publishing house "Muzyka" in Moscow (1966-1980).Suslin became a member of the
Union of Soviet Composers in 1967. In 1969 his piano sonata was given an award at the Young Composers Competition. In 1971 his music was performed outside ofRussia for the first time at the Festival de Royan,France .Suslin taught instrumentation at the
Moscow Conservatory (1972-1975). In 1975 he founded the ‘Astraea’ improvisation ensemble together withVyacheslav Artyomov andSofia Gubaidulina .In November 1979 after several performances of his works in
Paris ,Cologne andVenice , Suslin was publicly denounced and blacklisted as one of the "Khrennikov's Seven " at the Sixth Congress of theUnion of Soviet Composers for unapproved participation in some festivals of Soviet music in the West.Suslin emigrated to West
Germany 1981. From 1984 he has worked as an editor at MusikverlagHans Sikorski ,Hamburg .Works
*"Music for children" for piano (1961)
*Violin Sonata (1962)
*String Quartet (1963)
*"Japanese songs" for baritone and piano (1964)
*Five pieces for piano (1965)
*Poem for orchestra (1966)
*Piano concerto (1966)
*Piano Sonata (1968)
*Violin Concerto (1969)
*"Sinfonia piccolo" for orchestra (1970)
*Trio-Sonata for flute, guitar and cello (1971)
*Three Choruses afterDaniil Kharms (1972)
*"Patience" for 2 pianos (1974)
*"Mitternachtsmusik" for volin, harpsichords and double bass (1977)
*"Poco a poco II" (Organ Sonata No. 1, 1978)
*"Terrarium" for percussion ensemble (1978)
*"Leb’ wohl" for orchesta (1982)
*"In My End is My Beginning" (Organ Sonata No. 2, 1983)
*"Chanson contre raison" (Sonata for solo cello, 1984)
*"Lamento" for Organ (1989)
*"Crossing Beyond" for viola, cello and double bass (1990
*"Le deuil blanc (White Mourning)" for bass flute, guitar, cello and percussions (1994)
*Cello Concerto (1996)
*Two pieces por piano (1996)
*"Hommage à "Hortus" by a musicus" for an ensemble of Reneissance instruments (1996)
*"Morgendämmerungsmusik" for double bass (1997)
*"Madrigal" for two cellos (1998)
*"Ton H" for cello and piano (2001)
*"Raga" for double bass and organ (2006)ee also
Khrennikov's Seven Bibliography
Kholopova, Valentina: "Viktor Suslin, The Revelation..." Article, in: Music From the Former USSR. Issue 2. Moscow: Composer, 1996, pp. 255-303 (in Russian); also in «Ex oriente...I» Ten Composers from the former USSR. Viktor Suslin, Dmitri Smirnov,
Arvo Pärt ,Yury Kasparov ,Galina Ustvolskaya ,Nikolai Sidelnikov ,Elena Firsova Vladimir Martynov ,Andrei Eshpai ,Boris Chaikovsky . Edited by Valeria Tsenova (studia slavica musicologica, Bd. 25), Verlag Ernst Kuhn – Berlin. ISBN 3-928864-84-X pp. 207-266 (in English)External links
* [http://www.sikorski.de/en/frameloader.html?frame=http%3A//www.sikorski.de/composers/composer21.html Sikorski]
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