Hei-tiki

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Materials used

Hei-tiki are usually made of pounamu (greenstone) and worn around the neck. They are often incorrectly referred to as tiki, a term that actually refers to large human figures carved in wood, and, also, the small wooden carvings used to mark sacred places.

One theory of the origin of the hei-tiki suggests a connection with Tiki, the first man in Māori legend. According to Horatio Gordon Robley, there are two main ideas behind the symbolism of hei-tiki: they are either memorials to ancestors, or represent the goddess of childbirth, Hineteiwaiwa. The rationale behind the first idea is that they were often buried when their kaitiaki (guardian) died and would be later retrieved and placed somewhere special to be brought out in times of tangihanga (mourning and associated activities). Because of the connection with Hineteiwaiwa, hei-tiki were often given to a woman by her husband's family if she was having trouble conceiving.

The most valuable hei-tiki are carved from greenstone or pounamu. New Zealand greenstone consists of either nephrite (a type of jade, in Māori: pounamu) or bowenite (Māori: tangiwai). Pounamu is esteemed highly by Māori for its beauty, toughness and great hardness; it is used not only for ornaments such as hei-tiki and ear pendants, but also for carving tools, adzes, and weapons. Named varieties include translucent green "kahurangi", whitish "inanga", semi-transparent "kawakawa", and "tangiwai" or bowenite.

Types of Hei-tiki

Traditionally there were several types of hei-tiki which varied widely in form. Modern-day hei-tiki however, may be divided into two types. The first type is rather delicate. with a head/body ratio of approximately 30/70, with small details included, such as ears, elbows, and knees. The head is on a tilt, and one hand is placed on the thigh, and the other on the chest. The eyes are relatively small. The second type is in general heavier than the first. It has a 40/60 head/body ratio, both hands are on the thighs, and the eyes are proportionately larger.

Manufacture

From the size and style of traditional examples of hei-tiki it is likely that the stone was first cut in the form of a small adze. The tilted head of the "pitau" variety of hei-tiki derives from the properties of the stone - its hardness and great value make it important to minimise the amount of the stone that has to be removed. Creating a hei-tiki with traditional methods is a long, arduous process during which the stone is smoothed by abrasive rubbing; finally, using sticks and water, it is slowly shaped and the holes bored out. After laborious and lengthy polishing, the completed pendant is suspended by a plaited cord and secured by a loop and toggle.

Current popularity

Among the other "tāonga" (treasured possessions) used as items of personal adornment are bone carvings in the form of earrings or necklaces. For many Māori the wearing of such items relates to Māori cultural identity. They are also popular with young New Zealanders of all backgrounds for whom the pendants relate to a more generalized sense of New Zealand identity. Several artistic collectives have been established by Māori tribal groups. These collectives have begun creating and exporting jewellery (such as bone carved pendants based on traditional fishhooks "hei matau" and other greenstone jewellery) and other artistic items (such as wood carvings and textiles). Several actors who have recently appeared in high-profile movies filmed in New Zealand have come back wearing such jewellery, including Viggo Mortensen of The Lord of the Rings fame, took to wearing a "hei matau" around his neck. These trends have contributed towards a worldwide interest in traditional Māori culture and arts.

External links

* [http://www.maori.info/maori_tiki.htm maori.info] Further information about Hei-tiki, with pictures
* [http://collections.tepapa.govt.nz/search.aspx?advanced=colOnlineTitle%3a%22hei+tiki%22+colCollectionGroup%3aCH Hei tiki in the collection of the Museum of New Zealand Te Papa Tongarewa]

References

* T. R. Hiroa (Sir Peter Buck), "The Coming of the Maori". Second Edition. First Published 1949. Wellington: Whitcombe and Tombs) 1974.