Campaspe

Campaspe, (Or "Pancaste") [Her name is sometimes reported in Hellenized form as Pancaste] the mistress of Alexander the Great, was painted by Apelles, who had the reputation in Antiquity for being the greatest of painters. The episode occasioned an apocryphal exchange that was reported in Pliny's Natural History: [ [http://www.1stmuse.com/alex3/apelles.html John J. Popovic, "Apelles, the greatest painter of Antiquity"] Source quotes from Pliny's Natural History.(35.79-97)] seeing the beauty of the nude portrait, Alexander saw that the artist appreciated Campaspe (and loved her) more than he. And so Alexander kept the portrait but presented Campaspe to Apelles. "So Alexander gave him Campaspe as a present, the most generous gift of any patron and one which would remain a model for patronage and painters on throughthe Renaissance" Robin Lane Fox remarked. [Fox, "Alexander the Great", 1973:50.]

Apelles also used Campaspe as a model for his most celebratedpainting of Aphrodite 'rising out of the sea', the iconic Venus Anadyomene, "wringing her hair, and the falling drops of water formed atransparent silver veil around her form" (Peck, 1898).

No Campaspe appears in what we have of the five major sources for the life of Alexander. Alexander's modern biographer Robin Lane Fox traces her legend back to the Roman authors Pliny (Natural History), Lucian of Samosata and Aelian's "Varia Historia". They would have it that Campaspe was a prominent citizen of Larissa in Thessaly; Aelian surmised that she initiated the young Alexander in love.

Campaspe became a generic poetical synonym for a man's mistress; The English University wit and poet John Lyly (1553–1606), who produced his comedy "Campaspe" in 1584, also wrote::"Cupid and my Campaspe play'd:At cards for kisses—Cupid paid::He stakes his quiver, bow and arrows,:His mother's doves, and team of sparrows;:Loses them too; then down he throws:The coral of his lip, the rose:Growing on's cheek (but none knows how);:With these, the crystal of his brow,:And then the dimple of his chin::All these did my Campaspe win.:At last he set her both his eyes,:She won, and Cupid blind did rise.:O Love! has she done this to thee?:What shall (alas!) become of me?"

The Spanish playwright Pedro Calderón de la Barca wrote his own play on the Campaspe story, "Darlo todo y no dar nada" (1651).

Notes

References

* [http://www.pothos.org/content/index.php?page=lovers Pothos.org: Alexander's lovers]
* [http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0062%3Aid%3Dcampaspe Harry Thurston Peck, "Harper's Dictionary of Classical Antiquities", 1898] "Campaspe"
* [http://www.bartleby.com/101/85.html John Lyly: "Cupid and my Campaspe..."]
* [http://www.litencyc.com/php/sworks.php?rec=true&UID=6785 John Lyly: "A Moste Excellent Comedie of Alexander, Campaspe, and Diogenes" 1584]