- V (comics)
caption = V in "
V for Vendetta"
Design by David Lloyd.
character_name = V
real_name = Unknown
publisher = Vertigo imprint of
debut = "Warrior" #1 (March 1982)
alliance_color = background:#cccccc
aliases = V (often referred to as "the terrorist" or Codename V)
powers = Artificially enhanced physiology, reflexes and mental capacity;
skilled armed and unarmed
hand to hand combatant; demolitions expert;
arsenal of weapons and equipment.
V is a
fictional characterfrom the comic bookseries " V for Vendetta", created by Alan Mooreand David Lloyd. He is a mysterious anarchist vigilanteand terrorist, easily recognizable by his Guy Fawkesmask and dark clothing. According to Moore, he was designed to be both a protagonistand antagonist, so that readers could decide for themselves whether he was a hero fighting for a cause, or simply insane.cite web | work=GIANT Magazine| title=A FOR ALAN, Pt. 1: The Alan Moore interview | url=http://www.comicon.com/thebeat/2006/03/a_for_alan_pt_1_the_alan_moore.html#more | accessdate=31 March | accessyear=2006]
Fictional character biography
The background and identity of V is largely unknown. He is at one point an inmate at the infamous "
LarkhillResettlement Camp", one of, if not the worst of many concentration camps where political prisoners, homosexuals, Jews, Pakistanis, Muslims and probably all non-Europeans are exterminated by Britain's new fascist regime, Norsefire. While there, he is part of a group of prisoners who are subjected to horrific medical experimentation, conducted by Dr. Delia Surridge, involving artificially-designed hormone injection. Lewis Prothero is the camp's commandant, and a paedophile priest, Father Lilliman, is at the camp to lend "spiritual support". All prisoners so injected soon die under gruesome circumstances, with the sole exception of "the man in room five" ("V" in Roman numerals). During that time, the man had some level of communication with Valerie Page, a lesbian former actress, kept in "room four", who wrote her autobiography on toilet paper and then pushed it through a hole on the wall.
Although there is nothing physically wrong with him, Surridge theorizes that his mind had been warped by the experimentation. Still, his actions seem to maintain a twisted logic to them. The experiments actually yield some beneficial results: he develops Olympic-level
reflexes, increased strength, and incredibly expanded mental capacity (as demonstrated consistently throughout the novel, V is a geniusin the fields of explosives, martial arts, philosophy, literature, politics, computer hackingand chemistry).
Over time, the man is allowed to grow roses (violet carsons) and raise crops for camp officials. The man eventually starts taking surplus
ammonia-based fertilizerback to his cell, arranges it in bizarre, intricate patterns on the floor. He then takes a large amount of grease solvent from the gardens. In secret, the man uses the fertilizer and solvent to make mustard gas and napalm. On a stormy night (Nov. 5th), he detonates his homemade bomb and escapes his cell. Much of the camp is set ablaze, and many of the guards who rush in to see what happened are killed by the mustard gas. The camp is evacuated and closed down. He adopts the new identity, "V", and dons a Guy Fawkes mask and costume. V then spends the next five years planning his revengeon the Norsefire government, building his secret base, which he calls the "Shadow Gallery". He then kills off most of the over 40 surviving personnel from Larkhill, making each killing look like an accident. However, he saves Prothero, Lilliman and Surridge, (the 3 most responsible for the experiments on him) for last, showing only the remorseful Surridge a bit of mercy by using a painless poison.
V's true identity is a mystery, and he visibly removes his mask only once during the entire story (at Surridge's request), at which point his back is to the reader. Surridge tells him "it is beautiful", in contrast to her personal notes, where she mentions that the man in cell V was ugly.
He doesn't even consider "V" his "name," saying "I do not have a name. You can call me V." The only explanation given regarding V's past is Surridge's diary, which V leaves out in the open for the "Finger" (Norsefire's
secret police) to find after he kills her. Inspector Finch, the head of London's police department and one of Norsefire's most powerful officials, reads through the diary, but points out that V "wanted" them to read it. V also tore out many pages, which possibly left clues to his true identity before arriving at the camp. Finch further speculates that V fabricated the version of Surridge's diary, which he left with her body, just to confuse the police.
In the comic and graphic novel, Delia Surridge states in the diary that he was ugly and possibly deformed, although she mentions "Physically, there doesn't seem to be anything wrong with him. No cellular anomalies, nothing". His confidante
Evey Hammondspeculates in the comic that V might be her own father, who was arrested years before as a political prisoner; V denies it, however, and Moore has confirmed that V is not Evey's father.cite web | title=shadowgalaxy.net | work=Who is V? | url=http://www.shadowgalaxy.net/Vendetta/whov.html | accessdate=29 March | accessyear=2006] There is also some speculation that V could actually be Valerie, the prisoner in the cell next to his whose autobiographical letter inspires V not to give up (and which he later passes on to Evey). However, Prothero and Surridge both describe V as the "man" from room five (V claims Valerie was the "Woman in room four" and also that he did not write Valerie's letter), which would seem to dispel this theory.
As Finch comments on the pages V tore from Surridge's diary, "What was on the missing pages, eh? His name? His age? Whether he was Jewish, or homosexual, or black or white?" He later describes himself to Finch as "an idea." That Evey genuinely takes over the persona upon the death of her predecessor suggests V is something transcending the individual physically donning the mask, akin to
Doctor Mabuseor the Phantom. Late in the story, Evey, having taken over V's mission, also appears to consider herself as anarchy incarnate. In effect, V is an Everyman: potentially, "anyone" oppressed by their government could become a revolutionary avenger.
Four years after his escape from Larkhill, V begins his vendetta against the government by blowing up Parliament on
November 5, Guy Fawkes Day. V then kidnaps Prothero, who is now the "Voice of Fate" on the government's propagandaradio, and drives him insane by destroying his prize doll collection in a satireof the exterminations that occurred at Larkhill. V kills now-Bishop Lilliman by forcing him to eat a communion wafer laced with a lethal dose of cyanide. Norsefire had infused a perversion of religion into their rhetoric, saying that those who were exterminated were not pure in the eyes of God, and V's black joke was in forcing Lilliman to put some of his religious rhetoricto the test of transubstantiation. V then kills Surridge, the one Larkhill official who feels remorsefor her actions, by injecting her with a poison that painlessly kills her. Having thus leveled the playing field, V moves his plans forward.
V stages an attack on the government's propaganda broadcasting station, strapping himself with explosives and forcing the staff to follow his orders under threat of detonating them. V then broadcasts a message to the people, telling them to take responsibility for themselves and rise up against their government. Finally, V destroys the government's CCTV
surveillancebuildings, eroding its control over British citizens. However, V is mortally wounded when he is shot by Finch, and he staggers back to the Shadow Gallery, where he dies in Evey's arms. Evey then puts him in state, surrounded by lilies and gelignite, in an Underground train that stops at a blockage along the tracks right under 10 Downing Street, where the explosives-laden cab detonates, giving V a viking funeral, as per his final request of her, in the process. Evey then takes on the mantle of "V."
The 2006 film adaptation of the graphic novel starred
Hugo Weavingas V. In the film, V is portrayed as a charismatic freedom fighter rather than as an anarchistterrorist. Also, in contrast to the comic book series and graphic novel, he is disfigured and much more human and personable, and more willing to spare the lives of those collaborating with the government.
Near the climax of the film, V admits to having fallen in love with Evey. There are strong elements from the "
The Count of Monte Cristo" and " The Phantom of the Opera" in this interpretation of V that are not as pronounced in the original story. V's history is also very different from that given in the graphic novel; his powers are no longer the result of a hormonal experiment, but an end result of a series of biological weapons experiments.
Another addition to the character's
biographyis that, prior to his escape from Larkhill, he claims to have forgotten his past in its entirety, including his name, transforming him totally into the " everyman" persona he adopts in both the original story and in the film. When Finch finds Surridge's journal, no torn pages are seen or described.
Unlike the comic book series, where he kills dozens, if not hundreds of government workers indiscriminately, the V of the film kills only to fulfill his vendetta and those who are an immediate threat to his plans. He only bombs two buildings, the
Old Baileyand Houses of Parliamentbuilding.
V is revealed to have suffered severe burns, whereas in the novel, he is assumed to have been unscarred by his escape from Larkhill (nonetheless, Dr. Delia Surridge describes him as being physically unattractive). In the doctor's description of him as a patient she mentions that there is something "different" about his eyes.
In the end, Creedy and his men supposedly kill V with automatic weapons fire, instead of Finch from the comic book series. V keeps a steady stance during the rounds. When the soldiers run out of bullets, V attacks them all with knives, killing them all, and executes Peter Creedy. It is revealed afterwards that V was wearing a metal breastplate, but some bullets mortally wounded him.
Mortally wounded, V dies in Evey's arms. She places his body aboard the explosive-laden train, which in the film detonates under the Houses of Parliament rather than Downing Street.
Also, in the film it is not specified whether Evey takes on the role of V. But the final scene in which she is standing on the roof conversing with Finch implies a sense of closure and conclusion, which connotes that it's "all over", so to speak.
*"Warrior" #1 - 16, 18 - 23, with an Alan Moore V for Vendetta feature in #17
* "V for Vendetta"
** Vol. I of X "V for Vendetta" September 1988
** Vol. II of X "V for Vendetta" October 1988
** Vol. III of X "V for Vendetta" November 1988
** Vol. IV of X "V for Vendetta" December 1988
** Vol. V of X "V for Vendetta" December 1988
** Vol. VI of X "V for Vendetta" December 1988
** Vol. VII of X "V for Vendetta" January 1989
** Vol. VIII of X "V for Vendetta" February 1989
** Vol. IX of X "V for Vendetta" March 1989
** Vol. X of X "V for Vendetta" May 1989
United States- Vertigo Comics(ISBN 0-930289-52-8)
United Kingdom- Titan Books(ISBN 1-85286-291-2)
* [http://www.qualitycommunications.co.uk/warrior/ "Warrior" publishing records] on qualitycommunications.co.uk
* [http://www.milehighcomics.com/cgi-bin/backissue.cgi?action=list&title=91598257450&snumber=1 "V for Vendetta" publishing records] on milehighcomics.com
Wikimedia Foundation. 2010.