Fatal Charm

Fatal Charm (also known as The Fatal Charm from 1978-1979) were a punk then rock/pop band from Nottingham, England.

From 1980 onwards, their musical style was difficult to define; a variation on the rock/pop genre that defied comparison with other emerging UK acts such as Echo & the Bunnymen, The Cure, New Order and Ultravox, who were darker and more introspective. Neither were they as 'poppy' as the female fronted bands that followed, such as T'Pau, The Primitives, and The Darling Buds.

Early days

Formed in 1978 by Paul Arnall, they quickly became a three-piece and then a four-piece. Over the years, recording deals came and went, due mainly to a great deal of uncertainty and volatility that existed in the music industry at that time. By 1980, the line-up was;

*"Paul Arnall" (guitar, vocals, songwriter)
*"David Barker" (keyboards)
*"Kevin Davies" (bass guitar)
*"Kevin Gallagher" (drums)

As might be expected, the collapse of various recording contracts precipitated frequent changes to the personnel, but the addition of vocalist "Sarah Simmonds" in the same year breathed new life into the band and enabled Arnall to concentrate on his writing and musicianship. On occasion, the band was even reduced to the Arnall/Simmonds duo and yet, they continued to perform live with the aid of reel to reel tapes and Simmonds playing keyboards.

Supporting big name acts like Ultravox and Orchestral Manoeuvres in the Dark on tour, ensured that the band got some media coverage, including an appearance on the first ever (1982) transmission of Channel 4's groundbreaking music programme "The Tube", hosted by Jools Holland and Paula Yates. They also played two Radio 1 'In Concert' shows, supporting Ultravox and The Cult and in 1983 appeared again on "The Tube" in the new band slot.

Debut album

The third single, 1984's "Summer Spies" (previous singles "Paris" and "Christine" had not attracted much interest) was something of a turning point. The song's hypnotic driving rhythm and occasional whispered vocals captured the imagination of UK indie music fans and despite disappointing sales, proved to be a catalyst for 1985's debut album, "Endangered Species". The singles "King of Comedy" and "You Know (You'll Never Believe)" were also released in the lead up to the album launch, but were poorly promoted. The album was however, well received and prompted more radio work.Arnall and Simmonds followed up with the single "Images of Fire" in 1986, recorded on 8-track at home released by native records and reaching number 16 in the UK Independent Chart. The song won the band many more fans. Likewise, 1987's single "Lucille" also released by native charted and finally broke the jinx that had surrounded the song; previous recording attempts having been thwarted by record company problems. Around this time, Simmonds revealed a talent for writing melodies and hook lines and the pair set about writing some more material. They also toyed with the idea of changing their name to 'The Love Brigade' and developing a more 'thrash' pop sound, but after no initial interest from native the idea fell flat.

econd album

In 1990, the band's second album, "This Strange Attraction" was greeted by critical acclaim from most quarters and another radio session arranged for Radio 1's Bob Harris. Tired of all the record company misadventures, this time the recording was on their own label - "Really Great Records". Presumably the name paid homage to, or was a parody of, the East Midlands based "Dead Good Records" later re released on native (also home to Mansfield's B-Movie), who had included 3 Fatal Charm tracks on the 1979 compilation album "East".

By now, there had been many Radio 1 sessions, for some of the station's most respected DJs, including Janice Long, Andy Peebles, Annie Nightingale and Simon Mayo.

In the wake of the second album, there was considerable media interest in the band and they were offered financial backing, a new management deal and (eventually) a contract with major label RCA Records. Consequently, the Fatal Charm name was shelved, in recognition of a new beginning, based on a more ambient dance/pop style of music. State of Grace was born in 1991 and ran through to 1998.

Third album

However, Fatal Charm were to return. In 1996, a retrospective collection of the band's earliest material was released (titled "Out of my Head", by The Fatal Charm).

Then in 2005, Arnall returned to the original tapes of various archived recordings, some of them previously unreleased and some simply unfinished. The keyboards and synthesizers were stripped back and replaced with a cleaner, more contemporary guitar sound. The resulting 'rocked-up' versions have a more assured and dynamic resonance, but crucially, remain sympathetic to Simmonds' vocals, which have greater maturity than hitherto. The third Fatal Charm album is simply entitled "Pop" and includes a re-worked version of "Western Laughter", previously only available as a flexi-disc given away free at early concerts.

"Pop", published by the band's own Cycles And Trips label is only available through the website and appears therefore to be a side-project rather than an attempt to re-launch the band in a full time capacity.

Simmonds has over the years obtained qualifications in music, trained her voice to cover a range of singing styles, become a singing teacher and has sung with internationally acclaimed vocal groups The Swingle Singers (1st alto) and Synergy. Her other credits include contributions to the soundtracks for Troy, "" and "Shrek 2"; also backing vocals for Björk at the opening ceremony of the 2004 Olympic Games.

References

* [http://www.fatalcharm.co.uk Fatal Charm Website, with Audio, Discography, History]

External links

* [http://www.leesti.demon.co.uk/FatalCharm/contents.html Fan site, Biography, Partial Discography]
* [http://www.simply-singing.com Sarah Simmonds Website with Audio]