Beshkempir

Infobox Film
name = Beshkempir the Adopted Son


caption = "Beshkempir" DVD cover
director = Aktan Abdykalykov
producer = Irizbaj Alybayev
Marc Baschet
Frédérique Dumas-Zajdela
Cédomir Kolar
writer = Aktan Abdykalykov
Avtandil Adikulov
Marat Sarulu
starring = Mirlan Abdykalykov ("Beshkempir")
Adir Abilkassimov
Mirlan Cinkozoev
Bakit Dzhylkychiev
Albina Imasheva ("Aynura")
music = Nurlan Nishanov
cinematography = Khassan Kydyraliev
editing = Tilek Mambetova
distributor = Kyrgyzfilm
Noé Production
released = 1998
runtime = 81 mins
country = Kyrgyzstan
language = Kyrgyz
budget =
preceded_by =
followed_by =
website =
amg_id =
imdb_id = 0166503

Beshkempir (released as Beshkempir the Adopted Son in Anglophone countries, Le fils adoptif : Beshkempir in Francophone countries) is a 1998 Kyrgyz language film. Shot and produced in Kyrgyzstan, it is representative of the first wave of independently produced cinema in the country after its independence from Soviet Union. It was directed by Aktan Abdykalykov, and stars the director's son Mirlan Abdykalykov in the lead role. This simple bildungsroman went on to receive critical acclaim, and won numerous international awards including the "Silver Leopard Prize" at the 1998 Locarno International Film Festival.

Plot

The movie starts with an adoption ceremony presided over by five old women ("Beshkempir" literally means "five grandmothers"), in a village in Kyrgyzstan. The movie then flashes forward a decade or so to show the coming of age of the adopted child - Beshkempir. He is shown indulging in childhood pranks and activities with friends in a rural setting, like stealing honey from beehives and going to watch screened Hindi movies. However, approaching adolescence leads the boys to spy on a village woman's breasts, make clay models of the female form and pretend to make love and eye girls. Beshkempir is even shown as the message carrier between an older boy and his girlfriend.

Rivalry over a girl "Aynura" leads to Beshkempir's friend divulging the fact of his adoption to Beshkempir by calling Beshkempir a foundling, who had been unaware of his roots till then. Even though his grandmother denies the story, Beshkempir is upset, and this leads to numerous scuffles with his friend. Hostility is also shown between Beshkempir's adoptive mother and his friend's mother on numerous occasions, culminating in the friend's mother coming to Beshkempir's house to complain about Beshkempir beating up his son.

Beshkempir's adoptive father beats Beshkempir over the incident, who runs away and joins a fisherman. Meanwhile, Beshkempir's grandmother dies and asks that Beshkempir be told the truth in her will. Beshkempir is located and brought home, and is reconciled with adoptive family and friends. The funeral ceremony shows Beshkempir suddenly growing up by giving the customary speech at the funeral where he pledges to repay his grandmother's debts (if any) and to forgo any outstanding debts to his grandmother. The film ends with Beshkempir courting "Aynura" and a brief shot of an engagement ceremony.

Critical appeal

The film is a bildungsroman, treating universal issues of growing up in a rural landscape (see Pather Panchali for a famous movie of similar form). The movie shows little or no Kyrgyzstan-specific footage, except for a brief glimpse of money at one point. However, it depicts several Kyrgyz customs - including the ceremony of placing a baby in a cradle ("biseke salu"), the funerary ceremony and the engagement ceremony. The ceremonies depict several ethnic Kyrgyz artifacts, like the tekemet rugs of the region, the kigiz felt carpets and the Kyrgyz cradle or besik.

The storytelling is simple and direct, and the plentiful visuals of nature and village life is complemented by soundtrack recordings of accentuated village sounds and the sounds of nature. The film is shot in black and white, occasionally interspersed with color sequences. The color sequences typically depict colorful focal themes like the girl "Aynura", colorful Tekemet rugs, or a hoopoe (a kind of bird). Some critics have placed the film in the Neorealist school. [J. Hoberman, [http://www.villagevoice.com/film/9907,hoberman,4006,20.html Review] , Village Voice, Feb 17 - 23, 1999]

Most of the shooting took place on location in the village of Bar-Boulak in Kyrgyzstan.

Awards

The movie won several awards in international film festivals, including:
*The "Silver Leopard Prize" at the Locarno International Film Festival in Switzerland, 1998
*The "Jury Award for Artistic Contribution" at the Buenos Aires International Festival of Independent Films in Argentina, 1999
*The "Silver Film Can Award" and the FIPRESSI Award at the Singapore International Film Festival, 1999

References

External links

*imdb title|id=0166503
* [http://movies2.nytimes.com/mem/movies/review.html?title1=Beshkempir%20%28Movie%29%20%20&title2=&reviewer=Stephen%20Holden&pdate=19990217&v_id=168225 Review] at the NY Times
* [http://www.kinokultura.com/CA/reviews/beshkempir.html Review] at a website for Russian film studies "kinokultura.com"
* [http://www.premiersplans.org/premiersplans/lyceens/dossiers/fils_adoptif/Dialogues_Bechkempir.pdf Screenplay] based on the French subtitling