- Stanley Hollingsworth
Stanley Walker Hollingsworth (born
August 27 ,1924 , Berkeley, California – diedOctober 29 ,2003 , Rocklin, California) was an Americancomposer and teacher. He was a student of composerDarius Milhaud from 1944-46, and ofGian Carlo Menotti from 1948-50. As a composer he is probably best known for his operatic trilogy of children's stories: "The Mother", "The Selfish Giant", and "Harrison Loved his Umbrella".Hollingsworth was conversant in all the vocal and instrumental forms, examples of which are his "Five Songs" (1960) for solo voice and piano, "Death Be Not Proud" (1978) for mixed chorus and piano or orchestra, Sonata for Oboe (1949), and his Concerto for Piano (1980). A notable success was achieved with his opera "La Grande Breteche" when it was commissioned for broadcast by NBC television in 1957. Hollingsworth was also honored with the Prix de Rome (1955-1958), the
Guggenheim Fellowship (1958), and residencies at the Montalvo Center for the Arts, theMacDowell Colony , theYaddo Arts Colony,Wolf Trap , and the Ossaba Island Project. He received commissions from the Curtis Institute, Fedora Horowitz, Meadowbrook Music festival, and the National Endowment for the Arts.He taught composition and orchestration at the
Curtis Institute of Music as an assistant toGian Carlo Menotti from 1949-1955, was a lecturer at San Jose State College (nowSan José State University ) on composition, harmony, counterpoint and piano 1961-63. From 1963 to 1970 he composed and orchestrated for the Harkness Ballet, followed by acting as an operatic and stage director in Austria and Turkey from 1970-72. Hollingswort was also composer-in-residence at theAmerican Academy in Rome .His teaching and composing career from 1976 to 1993 was centered at
Oakland University , where he was composer-in-residence and finally retired as Professor Emeritus. He was much appreciated and loved by his students, from whom he required an appreciation and practical mastery of counterpoint and orchestration, as exemplified in the following quote: "Inspiration is fine, but when you get stuck you must have craft." Among composers who were his students from that time period may be counted [http://www.capstonerecords.org/CPS-8654.html Harold Boatrite] , [http://www.gottmusik.com/ Mark Gottlieb] , and [http://members.sibeliusmusic.com/jencka Daniel Jencka] . Many anecdotes and thoughts of Stanley Hollingsworth are preserved in hours of recordings created as part ofYale University 's [http://www.yale.edu/oham/"Oral History, American Music"] project. His works are housed in the Edwin Fleisher Collection of Orchestral Music at theFree Library of Philadelphia , and atOakland University .election of Works
tage
"The Mother" (1949), a one-act opera with libretto by the composer and John Fandel, after
Hans Christian Andersen . (Often performed as a trilogy with "The Selfish Giant" and "Harrison Loved His Umbrella")"La Grande Bretèche" (1954), a one-act opera with libretto by the composer and Harry Duncan, after
Honoré de Balzac "The Unquiet Graves" (1958), a one-act ballet with choreography by John Butler
"The Selfish Giant" (1981), a one-act opera with libretto by the composer, after
Oscar Wilde "Harrison Loved His Umbrella" (1981), a one-act opera/musical cartoon with libretto by the composer and Rhoda Levine.
Orchestral
"I Saltimbanchi" (1960) for flute, oboe, clarinet, harp and string orchestra, (version of chamber work)
Concerto for piano and orchestra, (1980)
"Divertimento" (1982)
"Three Ladies beside the Sea" (1984) for speaker and small orchestra (text by Rhoda Levine)
"Concerto Lirico" (1991) for violin and orchestra.
Chamber Music
Sonata for oboe and piano (1949)
"I Saltimbanchi" (1960) for flute, oboe, clarinet, harp, string quartet and double bass (also version with string orchestra instead of 5 strings)
"Three Impromptus" (1974) for flute and piano
"Ricordanza" (in memoriam for
Samuel Barber ) (1981) for oboe, violin, viola and cello"Academic Festival Procession" (1984) for two French horns, three trumpets, two trombones, tuba and timpani
"Reflections and Diversions" (1985) for clarinet, piano.
Choral
"Dumbarton Oaks Mass" (1953) for mixed chorus and string orchestra/orchestra
"Stabat Mater" (1957) for mixed chorus, orchestra
"A Song of David" (text from the
Book of Psalms ) (c. 1960s) for tenor, mixed chorus and orchestra"Death Be Not Proud" (text by
John Donne ) (1978) for mixed chorus and piano (also version for mixed chorus, orchestra, c. 1980)Vocal
"Five Songs" (1960) (text by
Emily Dickinson ) for voice and piano (also versions for voice, harp, string quartet, double bass and for voice, harp, string orchestra, 1960)Piano
"Five Fancies in Six Minutes" (2000) (unfinished)
External links
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