Weird War

Infobox musical artist
Name = Weird War

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Img_capt = Current Weird War lineup
Img_size =
Landscape =
Background = group_or_band
Birth_name =
Alias = Scene Creamers
Born =
Died =
Origin = Washington, D.C.
Instrument =
Genre = Indie rock
Occupation =
Years_active = 2001–present
Label = Drag City Records
Associated_acts = Nation of Ulysses, The Frumpies, The Make-Up, Golden, Extra Golden, Trans Am
URL = [http://www.weirdwarworld.com Official website]
Current_members = Ian Svenonius Michelle Mae Alex Minoff Sebastian Thomson
Past_members = Neil Hagerty Jessica Espeleta Steve McCarty Blake Brunner
Notable_instruments =

Weird War, briefly known as Scene Creamers, is an eclectic indie rock band based out of Washington, D.C.. The current lineup consists of Ian Svenonius on vocals, Michelle Mae on bass guitar, Alex Minoff on guitar, and Sebastian Thomson on drums.cite web
title = Mommy, What's a Weird War?
publisher = Drag City
url = http://www.dragcity.com/press/pimages/pdf/weirdwar.pdf
format = PDF
accessdate = 2007-05-27]

Weird War was initially formed as an umbrella organization in 2001 to encompass disparate anti-authoritarian groups and to "challenge the idiocy of the new epoch." While the current lineup appears on the group's first release "I'll Never Forget What's His Name," the group's first full length, self-titled release featured Neil Hagerty (of Royal Trux) and Jessica Espeleta (formerly of Love as Laughter) on guitars, and Steve McCarty (later of Dead Meadow) on drums.cite web
last = Gale
first = Thomas
title = The Make-Up Biography
publisher = eNotes
date = 2005
url = http://arts.enotes.com/contemporary-musicians/make-up-biography
accessdate = 2007-06-13] These collaborators soon left to pursue other programs, and the band became known as The Scene Creamers, with Ian Svenonius on vocals, Michelle Mae on bass, Alex Minoff (of Golden) on guitar, and Blake Brunner on drums. In this incarnation, the band released "I Suck on that Emotion", through Drag City Records.

After being threatened with a legal suit for the name Scene Creamers by a French graffiti artist collective of the same name, the band reverted back to the name Weird War.cite web
last = Holliy
title = Not Going to Mars
publisher = Drowned in Sound
url = http://www.drownedinsound.com/articles/9254.html
accessdate = 2007-03-21] Since then, as its membership has become static, with the addition of Argentinian Sebastian Thomson (of the group Trans Am) on drums, its intent has become more cosmic.

Ideology

Weird War claims that they are "the sole answer to the hype-based careerism, empty formalism and vacuity which has infected what was once a genuinely creative underground rock 'n' roll scene."

Such rhetoric however is not necessarily mirrored by the group's lyrical content. Svenonius told an interviewer "I don't actually like rock and roll lyrics that are political because lyrics are almost irrelevant in rock and roll. What lyrics are is just an incantation, a kind of spell. A political band isn't a band with political lyrics. A political band is a group that's creating a narrative that guides the culture towards, well, towards destroying the ruling class, in whatever way."cite web
last = Laurence
first = Alexander
title = The portable-infinite: Weird War
date = 2005-08-09
url = http://portable-infinite.blogspot.com/2005/08/weird-war.html
format = Blog
accessdate = 2007-03-21]

In comparison to their own music, Weird War often reference a cookie-cutter aesthetic of other bands and musicians as neo-conservative political forces: "Weird War see the clone nature of the revisionist groups as a direct analogue to the fascism and conformity which defines 21st century America, and their general idiocy an infiltration conspiracy by counter-intelligence forces."

According to Svenonius, Weird War's brief stint as The Scene Creamers was as a result of politically-motivated, collective-dream:

cquote| We were on tour and we went to a hotel one night. In that hotel we had a dream. It was a collective dream. In that dream we knew how to read. We started to read a book which featured the artist Salvador Dali. In the book, he theorized that Adolf Hitler, the famous dictator, was just acting a Wagnerian obsession. Dali thought Hitler loved opera so much, that he wanted to die heroically, in a German way. And when we awoke we were filled with hope. Because we realized that if we could construct a narrative. If we rock and roll people could make a narrative that was similarly made, we could drive our own president to kill himself in his own bunker. He could take a little cyanide pill sewn into his suit jacket. That is what our music is all about.cite web
last = Laurence
first = Alexander
title = Scene Creamers Interview
publisher = Free Williamsburg #37
date = 2003-05
url = http://www.freewilliamsburg.com/april_2003/scene-creamers.html
accessdate = 2007-03-21]

Songs like "AK-47" address "the technology gap which faces modern Anti-colonial guerilla sic fighters" and that similar songs "could be called a celebration of nationalist resistance movements worldwide which fight Anglo-American imperialism."

Discography

tudio albums

*"Weird War" (Drag City) (2002)
*"I Suck on that Emotion" (as Scene Creamers) (Drag City) (2003)
*"If You Can't Beat 'Em, Bite 'Em" (Drag City) (2004)
*"Illuminated by the Light" (Drag City) (2005)

DVD / Video

*appears on "" (Trixie) (2005)

7 inch singles

:

Appearances on compilations

:

Comics

:

References

External links

* [http://www.weirdwarworld.com Official website]
* [http://www.dragcity.com/press/pweirdwar.html Drag City Records page]
* [http://dissonance.libsyn.com/index.php?post_id=205034 Ian Svenonius interview on Dissonance Radio, December 2006]