Esther Bubley

Infobox Person
name =Ester Bubley


image_size =200px
caption =Esther Bubley, self-portrait c. 1950
birth_date =February 16, 1921
birth_place =Phillips, Wisconsin
death_date =March 16, 1998.
death_place =New York City, New York
occupation =American photographer
spouse =Edwin Locke (Divorced)
parents =Louis and Ida Bubley
children =

Esther Bubley (1921 - 1998) was an American photographer who specialized in expressive photos of ordinary people in everyday lives.

Biography

She was born February 16, 1921 in Phillips, Wisconsin, the fourth of five children of Russian Jewish immigrants Louis and Ida Bubley. She became interested in photography in high school in Superior, Wisconsin, and, after two years at Superior State Teachers College (now the University of Wisconsin-Superior), transferred to the Minneapolis School of Art (now the Minneapolis College of Art and Design) specifically for their one-year photography program.

After college in 1941, Bubley moved to Washington, D.C. seeking work as a photographer, having become interested in photojournalism and in the documentary photography produced by the Farm Security Administration and published in various magazines before the US entry into World War II. Failing to find work in Washington, Bubley moved to New York City. During the 1941 Christmas season, she landed a position at "Vogue" in New York, but she didn't like the work. Early in 1942, she returned to Washington when she was offered a job as a microfilmer for the National Archives and Records Administration.

In the fall of 1942, Roy Stryker hired her as a darkroom assistant at the Office of War Information (OWI), which succeeded the Farm Security Administration photographic unit. With the encouragement of Stryker and some of the more senior photographers she moved to taking pictures for the OWI historical section, documenting life on the home front during the war. Her most challenging assignment was a noted series on the bus system in the Midwest and South.

In late 1943, when Stryker left the OWI to work on a public relations project for the Standard Oil Company (New Jersey), she accompanied him, along with other photographers, including Gordon Parks and John Vachon. The "Bus Story" series she produced for Standard Oil, a reprise of her earlier "Bus Story" for the OWI, earned the award for Best Picture Sequence in the Encyclopædia Britannica/University of Missouri School of Journalism "News Pictures of the Year" in 1948. During this period, she was briefly married to Edwin Locke, Stryker's administrative chief, but they soon divorced.

By 1947, Bubley was expanding her horizons beyond Stryker and Standard Oil. She began working for the Children's Bureau, a Federal child welfare agency. Over the next several years, she contributed thousands of images to their files, and her work appeared on more than 30 covers of their journal "The Child".

In 1949, Bubley's photo essay on mental illness for the "Ladies' Home Journal" was given the first place award for a feature in the Encyclopædia Britannica/University of Missouri School of Journalism contest, winning Bubley a second set of the Encyclopedia. She continued working for the "Ladies' Home Journal", producing a dozen photo stories for their celebrated series "How America Lives," which ran intermittently between 1948 and 1960.

In 1951, Bubley started freelancing for "Life", eventually contributing 40 photo stories, including two cover stories. Bubley was one of the first women to successfully support herself working as a freelance photographer for the major magazines.

In 1951, she also produced a notable series on the Pittsburgh Children's Hospital for Stryker, who was then establishing the Pittsburgh Photographic Library. Edward Steichen, Directory of Photography at the Museum of Modern Art (MoMA), used 13 prints from this series in the 1952 exhibition "Diogenese with a Camera". He also mounted and displayed her contact sheets to show how she used every frame. This series led to medical themes becoming a major part of her portfolio. In 1953, she was hired by UNICEF and the French government to travel to Morocco to photograph a program to treat trachoma, an infectious disease that causes blindness. Bubley entered a photo from this assignment in the international division of a contest sponsored by "Photography" magazine in 1954. She became the first woman to win first place, and she received a trophy depicting a male photographer.

In 1955, Steichen included her work in his monumental "The Family of Man" exhibition.

In 1956, Pepsi-Cola International hired Bubley to cover Latin America for their company magazine "Panorama". In the mid-1960s, Pan American World Airways sent her around the world twice to make images for their corporate photographic library.

In the late 1960s, Bubley reduced her workload as sales of photographic magazines declined, and she wearied of the grueling travel schedule. She spent more time at home in New York City where she pursued projects of personal interest, producing two children's books about animals and a book featuring macro photography of plants.

A devoted animal lover, she spent her mornings in Central Park walking her dog, taking photographs, and making notes that she hoped to turn into a book about the park. In 1991 the Minneapolis College of Art and Design awarded Bubley an honorary doctorate. She died in New York City, of cancer, on March 16, 1998.

In 2001 a retrospective exhibition of Bubley's work appeared at the UBS Art Gallery in New York City. In 2005 Aperture Foundation published a monograph about Bubley by photographic historian Bonnie Yochelson with Tracy A. Schmid, archivist for the Bubley Estate.

elected exhibitions

* "Beaking the Frame: Pioneering Women in Photojournalism," Museum of Photographic Arts, San Diego, CA, 2006.
* "Esther Bubley: American Photojournalist," UBS Art Gallery, New York, NY, 2001.
* "The American Century: Art & Culture 1900 – 1950," Whitney Museum of American Art, New York, NY, 1999.
* "Photographs by Esther Bubley," Phillips Collection, Washington, DC, 1995.
* "Esther Bubley: On Assignment, Photographs Since 1939," University at Buffalo, Buffalo, NY, 1990.
* "On Assignment: Documentary Photographs from the 1930’s and 1940’s by Marion Post Wolcott and Esther Bubley," Art Institute of Chicago, Chicago, IL, 1989.
* "Documenting America, 1935 – 1943," Library of Congress, Washington, DC, 1988.
* "Out of the Forties," Amon Carter Museum, Fort Worth, TX, 1983.
* "Esther Bubley," Limelight Gallery, New York, NY, 1956.
* "Family of Man," Museum of Modern Art, New York, NY, 1955.
* "Diogenes with a Camera, Museum of Modern Art," New York, NY, 1952.
* "Six Women Photographers," Museum of Modern Art, New York, NY, 1950.
* "In and Out of Focus," Museum of Modern Art, New York, NY, 1948.

Awards

* Honorary doctorate, Minneapolis College of Art and Design, 1991.
* First Award, Art Directors Club, 1958.
* First Prize, Photography Magazine, International Contest, 1954.
* Third Prize, Life magazine contest for young photographers, 1951.
* First awards from the University of Missouri School of Journalism and the Encyclopædia Britannica, 1948 and 1949.
* Distinctive Merit, Art Directors Club, 1943.

Monographs

* "Zoo pals: Big cats, great apes -- a look at zoo life", January 1, 1960
* "How Puppies Grow", 1971, Millicent E. Selsam (Author), Esther Bubley (Illustrator), ISBN 978-0-590-40974-2
* "How Kittens Grow", 1973, Millicent E. Selsam, ISBN 978-0-590-07409-4
* "A Mysterious Presence: Macrophotography of Plants", text by Percy Knauth, July 1979, ISBN 978-0-911104-99-8
* "Esther Bubley's World of Children in Photographs", June 1982, ISBN 978-0-8446-5880-3
* "Charlie Parker", November 1995, Hank O'Neal (Text), Esther Bubley (Photographer), ISBN 978-2-85018-223-5
* "Esther Bubley: On Assignment", April 2005, Bonnie Yochelson, ISBN 978-1-931788-57-1

Further reading

* "Black & White & Noir." Paula Rabinowitz, Columbia University Press, New York, NY, 2002.
* "The Faces of Photography: Encounters With 50 Master Photographers." Tina Ruisinger and Ted Croner, Edition Stemmle, Zürich, 2002.
* "Making Connections: The Long-Distance Bus Industry in the USA." Margaret Walsh, Ashgate Publishing, 2000.
* "Witness to the Fifties: The Pittsburgh Photographic Library, 1950-1953." Constance B. Schulz and Steven W. Plattner, eds. The University of Pittsburgh Press, Pittsburgh, PA, 1999.
* "Out of the Forties." Nicolas Lemann, Texas Monthly Press, Austin, TX 1983, reprint Smithsonian Institution Press, 1998.
* "A History of Women Photographers." Naomi Rosenblum, Abbeville Press, New York, NY, 1994.
* "Documenting America 1935-1945." Carl Fleischauer and Beverly W. Brannan, eds. University of California Press and Library of Congress, Berkeley, CA, 1988.
* "The Highway As Habitat: A Roy Stryker Documentation, 1943-1955." Ulrich Keller, University of Washington Press, Seattle, WA, 1986.
* "Let Us Now Praise Famous Women: Women Photographers for the U.S. Government 1935 to 1944." Andrea Fisher, Pandora Press, New York, NY 1987.
* "Roy Stryker, U.S.A. 1943-1950,." Steven W. Plattner, University of Texas Press, Austin, TX, 1983.
* "In This Proud Land: America 1935-1943 As Seen in the FSA Photographs." Roy E. Stryker and Nancy Wood, New York Graphic Society Ltd., Greenwich, CT, 1973.

External links

* [http://www.estherbubley.com/ Esther Bubley official website]
* [http://www.loc.gov/rr/print/coll/womphotoj/bubleyintro.html Women Photojournalists: Esther Bubley (Prints and Photographs Reading Room, Library of Congress)]
* [http://www.loc.gov/exhibits/wcf/wcf0012.html Women Come to the Front (Library of Congress Exhibition)] covering her World War II career
* [http://www.clpgh.org/exhibit/photog6.html The Photographers : Esther Bubley] Carnegie Library of Pittsburgh
* [http://query.nytimes.com/gst/fullpage.html?res=9504E4DF153EF934A2575BC0A9679C8B63 Photography Review, "The New York Times", August 17, 2001]
* [http://smithsonianmag.com/issues/2004/march/indelible.php Private Eye "Smithsonian Magazine", March 2004]