- Halo Original Soundtrack
Infobox Album | Name = Halo Original Soundtrack
Type =Soundtrack
Artist = Martin O'Donnell, Michael Salvatori
Released =June 11, 2002
Recorded =
Genre = Video game soundtrack
Length = 65:08
Label =Sumthing Else Music Works
Producer =Martin O'Donnell ,Michael Salvatori The "Halo Original Soundtrack" is a
soundtrack for thevideo game "". Composed and produced byMartin O'Donnell andMichael Salvatori forBungie Studios , the soundtrack was released on June 11, 2002. Most of the music from "Halo: Combat Evolved" is present on the CD, although some songs have been remixed by O'Donnell in medley form for "more enjoyable" listening. The first piece O'Donnell wrote, known as "Halo", became the basis for "Halo"'s "signature sound" which has been heard in the other games of the main trilogy.The soundtrack features a wide range of musical styles, including chanting, string orchestra, and percussion. Upon release, the soundtrack was well received by critics. Some complimented the wide range of musical styles, while most agreed that playing the game is not required to enjoy the soundtrack. A special edition of the soundtrack was released on October 28, 2003, featuring a
DVD with a trailer, demo movie, and high quality music for "Halo 2 ".Background
As the audio director for
Bungie ,Martin O'Donnell was tasked with writing the music for "Halo: Combat Evolved".cite web|author=Carlson|year=2001|url=http://www.xbox.com/en-US/games/h/halo/themakers3.htm|title=Just the Right Sense of "Ancient"|publisher=Xbox.com|accessdate=2008-04-22] He had scored previous Bungie projects, including ' and ', while working for his audio company, TotalAudio, along withMichael Salvatori .cite web |url= http://download.microsoft.com/download/d/8/5/d85ce76f-0cb2-41df-aaae-a8c96790332b/Bungie_Podcast_121207.mp3|title= Podcast Ep. 51: With Martin O'Donnell|accessdate=2008-06-21 |author= O'Connor, Frank; O'Donnell, Martin; Smith, Luke; Jarrard, Brian|date= 2007-12-12|work= |publisher=Bungie.net ] O'Donnell was nervous about the project, saying he approached it, "with fear and trepidation". O'Donnell stated his main influences were music he liked—"a littleSamuel Barber meetsGiorgio Moroder ". Bungie's Director of cinematics,Joseph Staten told O'Donnell, "the music should give a feeling of importance, weight, and sense of the "ancient" to the visuals of Halo". O'Donnell's first piece of music, "Halo", which would become the "the signature theme for "Halo", was written and recorded in three days. O'Donnell recruited Salvatori and three other colleagues he had recorded jingles with—Robert Bowker, Jeffrey Morrow, and Rob Trow—to produce the "chanting monks" that open the piece. Originally, he had intended theQawwali accents to be sung by one of the professionals, but after singing an example of what he wanted, the others suggested using O'Donnell's own rendition instead. The theme premiered at the 1999 Macworld Conference & Expo demonstration of "Halo: Combat Evolved".The remaining themes were simultaneously written, recorded, and produced from July to September of 1999. The music was written with a variety of equipment including, "keyboards, synths, and samplers as well as digital recording equipment controlled by computers". Live instrumentations, from members of theMusic Sample:The piece used for the MacWorld Expo 1999 "Halo" announcement.Chicago Symphony and Chicago Lyric Opera Orchestra, were added where needed.cite web|author=O'Donnell, Martin, Wu, Louis|year=1999|url=http://nikon.bungie.org/music.html|title=TotalAudio Questions and Answers|work=Halo.Bungie.Org |accessdate=2008-04-13] The soundtrack features a wide range of sounds, O'Donnell described it as, "Gregorian chant , string orchestra, percussion and just a bit of a 'Qawwali voice'". Working closely with level designers, O'Donnell divided the music "into chunks". Based on these "chunks", " ["Halo"' s] audio engine could play [the music] back dynamically based on the player's actions". For the soundtrack release, O'Donnell rearranged the music featured in the game in order to make listening to the soundtrack "more enjoyable".Reception
Reception of the soundtrack was generally positive from critics.
IGN praised the soundtrack for its wide use of instruments stating, "Where other videogame scores tend to miss their mark when combining electronic and organic elements, O'Donnell and Salvatori seem to have found a rather stable balance between the two divergent sounds." Adding, overall, the soundtrack is "one of the better videogame oriented musical experiences out there" and playing the game is not required to find enjoyment within the score. [cite web |url= http://music.ign.com/articles/822/822717p1.html|title= Halo Original Soundtrack|accessdate=2008-05-30 |author= Spence D.|date= 2007-09-24|work= |publisher=IGN ] Reviewing for Monsters At Play, Michael Johnson called the soundtrack "66 minutes of orchestral goodness" citing the wide range of music covered as a strong point. [cite web |url= http://games.monstersatplay.com/review/soundtrack/halo.php|title= Halo Original Soundtrack|accessdate=2008-05-30 |author= Michael Johnson|date= |work= |publisher=Monsters at Play] Nuketown gave the soundtrack 9 out of 10, stating, "the soundtrack is a welcome and invigorating reminder of good times had blasting unstoppable alien hordes". [cite web |url= http://www.nuketown.com/node/489|title= Halo: The Soundtrack|accessdate=2008-05-30 |author= Kenneth Newquist |date= 2004-09-09|work= |publisher=Nuketown] The release went on to sell over 40,000 copies. [ON TWO / `Halo 2' has music out the kazoo; [2 STAR Edition] STEVE TRAIMAN. Houston Chronicle. Houston, Tex.: Nov 3, 2004. pg. 2]Track listing
All music was written and composed by Martin O'Donnell and Michael Salvatori.
# "Opening Suite" – 3:33
# "Truth and Reconciliation Suite" – 8:25
# "Brothers in Arms" – 1:29
# "Enough Dead Heroes" – 3:00
# "Perilous Journey" – 2:26
# "A Walk in the Woods" – 1:52
# "Ambient Wonder" – 1:57
# "The Gun Pointed at the Head of the Universe" – 2:26
# "Trace Amounts" – 1:51
# "Under Cover of Night" – 3:41
# "What Once Was Lost" – 1:40
# "Lament for Pvt. Jenkins" – 1:14
# "Devils, Monsters" – 1:30
# "Covenant Dance" – 1:57
# "Alien Corridors" – 1:48
# "Rock Anthem for Saving the World" – 1:17
# "The Maw" – 1:06
# "Drumrun" – 1:01
# "On a Pale Horse" – 1:35
# "Perchance to Dream" – 1:00
# "Library Suite" – 6:47
# "The Long Run" – 2:12
# "Suite Autumn" – 4:22
# "Shadows" – 0:59
# "Dust and Echoes" – 2:49
# "Halo" – 4:22Personnel
All information is taken from the CD credits.cite album-notes |notestitle=Soundtrack credits |year=2002 |title=Halo Original Soundtrack|publisher=
Sumthing Distribution ]
*Martin O'Donnell (ASCAP) – Writer, composer, musician, and singer
*Michael Salvatori (ASCAP) - Writer, composer, musician, and singer
*Harry Hmura - musician
*Arnold Roth - musician
*Peter Labella - musician
*Everett Zlatoff-Mirsky - musician
*Elliott Golub - musician
*Niasanne Howell - musician
*Marylou Johnston - musician
*Kevin Case - musician
*Barbara Haffner - musician
*Larry Glazier - musician
*Judy Stone - musician
*Robert Bowker - singer
*Jeffrey Morrow - singer
*Rob Trow - singerReferences
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