Diary of a Madman (film)

Diary of a Madman (film)
Diary of a Madman

Promotional movie poster for the film
Directed by Reginald Le Borg
Produced by Robert Kent
Edward Small
Written by Robert Kent
Starring Vincent Price
Nancy Kovack
Lewis Martin
Music by Richard LaSalle
Cinematography Ellis W. Carter
Editing by Grant Whytock
Distributed by United Artists
Release date(s) March 6, 1963 (U.S.)
July 12 (Finland)
August 26 (Sweden)
Running time 96 minutes
Country United States
Language English

Diary of a Madman is a 1963 horror film directed by Reginald Le Borg and starring Vincent Price, Nancy Kovack, and Chris Warfield.

The screenplay, written by producer Robert Kent, is an adaptation of Guy de Maupassant's short story "Le Horla" ("The Horla"), written in 1887.[1] Kent's rendition is notably divergent from the source material, especially in relation to the religious and moral themes of the film, which contradict not only those of the short story, but Maupassant's as well. Additionally, Kent borrowed the title of the film from a different story authored by Nikolai Gogol entitled "Diary of a Madman".

Contents

Plot

The film centers on Simon Cordier (Vincent Price), a French magistrate and amateur sculptor who comes into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control. Cordier first interacts with the horla when he meets a prisoner whom the horla drove to commit murder. The horla possesses the inmate and attempts to kill Cordier, who in self-defense accidentally kills the man. The magistrate inherits the prisoner's troubles as the horla turns its hauntings toward him. As the horla begins to destroy Cordier's life, he fears he is going mad and seeks help from a psychologist, who effectively suggests a hobby. Cordier chooses to pick up his old interest in art, meeting a model along the way. The horla insists the model is not the charming jewel that Cordier sees, but instead a conniving gold digger, and compels Cordier to treat her as such. This sets up a conflict in Cordier, that he might not be the astute judge of character that his title indicates. As his and others' lives are put in jeopardy, he becomes convinced of the horla's existence and decides drastic measures are needed to end the horla's evil.

Cast

References

  1. ^ New York Times, film overview.

External links


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