Footwork (martial arts)

Footwork is a martial arts and combat sports term for the general usage of the legs and feet in stand-up fighting. Footwork involves keeping balance, closing or furthering the distance, and/or creating additional momentum for strikes.

Basic Incarnations of Footwork

Boxing Footwork

The characteristic footwork employed by most of the world's major boxing and kickboxing styles such as Western boxing and Muay Thai has changed little over the centuries, and has remained largely invariable between radically different cultures. The boxer relies on simplistic, economical "push stepping" in which the leading leg advances first in the desired direction, then upon setting down is followed by the rear, coming to rest in the exact relative position, forming the perfect boxer's stance.

Rear movement is a simple reversal of this scheme, and lateral movement involves push stepping in the same fashion, with the foot closest to the desired direction stepping laterally, followed by the opposite foot, which is used to move the body.

For the pugilist, footwork is to be deft and simplistic, allowing the fighter to maneuver into and out of striking range as quickly as possible. Proper footwork is also key to generating sufficient power and fluidity of technique in the basic strikes shared between the major boxing styles. During the jab, the lead foot can move forward to close distance or remain stationary. During the cross, the rear foot pivots inward to launch the rear shoulder forward, allowing the cross a good deal of its strength. During the left hook, the lead foot pivots in an inward manner to transfer bodyweight. The right hook's pivot is identical to the cross (assuming the boxer is orthodox). The lead uppercut, like the jab does not use any pivotal motion, the power comes from the on the transfer of bodyweight to the lead foot. The rear uppercut employs the same inward pivot as the cross. To maintain balance, both feet can step, pivot or slide as appropriate.

Kickboxing employs the same basic footwork pattern as the styles that focus only on the upper body, with the one key difference lying in the defense and positioning for lower body strikes. The kickboxer will often shift his weight backward onto his rear leg to allow his leading leg to react more quickly to an incoming blow as in a 'shield,'(right) [http://news.axkickboxing.com/images/articles/135/4.jpg] a defense used against a round kick, or to execute swift kicking maneuvers such as foot jabs and the Muay Thai "teep" or stop kick. [http://www.tawori.com/sport/teep.jpg] Radical pivoting and sudden lead changes also accommodate the wider, more powerful movement of the knees and legs. In styles that allow for the clinch [http://galleries.photographers.co.uk/data/531/100Muay_Thai_Boxers-med.jpg] , the debased balance forces movement to be more squared, and footwork to be replaced by powerful thrusting or frenetic skipping movements with the sole purpose of keeping on one's feet.

In Thailand, Muay Thai fighters will often provoke attack by tapping their lead foot or by letting it rest in the air, both considered grievous insults within that nation.

Linear Footwork

Linear movement is common to a great deal of the martial arts world, and is predominant in arts of Japanese and Korean influence such as many forms of Karate and Tae-Kwon-Do, as well as some grappling arts such as Jiu-Jitsu, Judo, Sambo and Shooto, and few forms of Chinese martial arts, such as Wing Chun and Bruce Lee's later incarnation, Jun Fan Gung Fu. Perhaps the most stark example of linear footwork, however, is that used in European fencing, especially within the modern sport aspect.

Dominated by the philosophy that the fastest and most economical way to an opponent is a straight line, arts that use linear movement as their focus adopt mostly rigid stances and behaviors, and focus primarily on the speed of advance and retreat to overcome an adversary. The striking arts of Japan and Korea utilize linear form quickly to overwhelm opponents with powerful, focused blows, whereas the Chinese arts primarily respect linear movement as a method of staying in reference to the opponent's centerline, and for its necessary use in trapping, [http://www.granthammartialarts.com/classes%20GMA/WingChun/Rusty_Wang%20Jern.jpg] or close-range grappling exchanges (See Chin Na).

Linear footwork's direct, explosive movements are natural for most grappling systems, which aim quickly to take an opponent to the floor with as little movement or adjustment as necessary. "Shooting," or rushing for the legs in order to execute a takedown, is a universal action that is an example of linear footwork's application.

Triangular Footwork

This unique and highly versatile footwork pattern is popular within the arts that populate many of the nations that once comprised the Majapahit Empire, including those of Malaysia, Indonesia, and the Philippines Principally Kali-Arnis-Escrima (see Escrima) [ [http://www.ffati.org/content/images/fight2.jpg] ] , Silat [ [http://www.cultural-tour.net/malaysia/images/silat2.jpg] ] and Panantukan. Linear or triangular footwork involves moving in triangular fashion as opposed to the direct forward or lateral movement present in boxing and other styles such as Karate or Tae-Kwon-Do. For example, a user of triangular footwork will choose to advance or retreat at a diagonal to one's opponent, as to potentially set oneself into a superior position or attack or defense, and to disorient opponents that may not be familiar with this type of unconventional movement. Users of triangular footwork appear as if zigzagging along the points of many diamonds in randomized directions.

There are three types of triangular movement: The male triangle pattern with involves advancing in a triangular pattern that is facing away from the practitioner (terminology's connotation is obvious.), the female triangle pattern that has the practitioner retreating along an inverse triangle facing opposite of the fighter, and the lateral triangle, which involves moving in a triangular pattern to the right, and left of the practitioner.

Movement in a linear fashion is achieved, principally, by a "step and slide." The fighter will first move to the desired 'point' on the triangular matrix, then swiftly slide one's rear leg to meet his leading foot. From this position, the practitioner either rests one's foot to facilitate an attack or defense, or shoot his foot out to another point to complete another step and slide motion. Advanced users of triangular footwork literally "bounce" their rear feet off the ankle or heel area of their leading foot to jut out to another point as swiftly as possible, allowing for change of direction at incredible speed. The majority of the arts that utilize triangular footwork can effectively be practiced in either right or left leads interchangeably, so they are naturally suited for this manner of movement.

Panantukan, Filipino boxing, is an exception to the standard step and slide, as it features a hybrid footwork pattern that combines triangular movement with a boxing stance, and boxing's close attention to body mechanics. A Panantukan fighter will use his unique footwork to attempt to zone his opponent to achieve the perfect striking position.

Circular Footwork

Circular movement patterns are an integral part of many forms of traditional Chinese martial arts, such as Baguazhang, Xingyiquan and Taijiquan,due principally to the strong influence of Taoism. Circular footwork is also the basic way of moving in Ashihara karate and Enshin karate. Circular footwork has the same idea as triangle footwork - to come into an angle at the opponent and reach a "blind spot" where you can hit him more easily while it becomes harder for him to hit you. Circular footwork often is considered harder to master than other types of footwork.

Unconventional Footwork

Many styles of martial arts the world over contain footwork patterns that defy categorization. Such arts include Malaysia's Harimau, and Mande Muda, aspects of Silat, and many Chinese Gung Fu styles that contain proliferant footwork methods that involve deep crouching, and closely mimic the movements and behaviors of animals, such as the tiger (harimau), monkey, or snake. The unique methods present within these arts make them philosophies unto themselves.

Footwork and Weaponry

The presence of weapons can vastly influence how a fighter moves, in order to correctly accommodate the specific weapon in hand. Most forms of swordsmanship and stickfighting advocate that the lead foot be matched with the main hand, or hand that is currently clutching the weapon, as to allow the maximum possible reach to be achieved. This is also true for the use of knives and daggers, polearms, and flexible weapons. When using a weapon, reach is paramount to all other positioning options, thus the lead-to-lead rule is almost universally present, with few exceptions. Also, you generally want to shield your body with your weapon and not vice-versa.

ee also

* Tai sabaki
* Kalaripayattu