- Henry Bradley
Henry Bradley (1845 – 1923) was a British
philologist andlexicographer of theVictorian era who succeeded James Murray as senior editor of the "Oxford English Dictionary ".Bradley came to Murray’s attention in February 1884 when he reviewed the first fascicle of the
Dictionary , A-Ant, in the "Academy", a weekly literary magazine run by J. S. Cotton inLondon . Bradley’s review praised the clear format and simple design of the Dictionary and its economy in using quotations, but it also challenged Murray’setymology , and this caused quite a stir. At the time, Bradley was an unknown freelance writer with no official academic credentials, yet his essay, showing a close knowledge of several languages, contained criticism that none of Murray’s colleagues had been able to provide. "Anemone" could not correctly be rendered as “daughter of the wind," for example, because the Greek suffix was not “exclusivelypatronymic ,” and "alpaca" was notArabic in origin, as Murray had written, but more likely Spanish.Bradley’s triumph was that both his praise and his criticism were fair and well-tempered; he was admiring without being sycophantic and corrective without being hostile. Recognizing that he had found a worthy peer who could prove invaluable in creating the Dictionary, Murray hired Bradley, first as an assistant editor, then as joint senior editor.
He has been overshadowed by James Murray, and it must be conceded that Bradley was a slower, less durable worker, frequently ill. However, he remains a noteworthy linguistic scholar, largely self-taught. Much like Murray, Bradley had humble beginnings—as a farmer’s son in Nottinghamshire—but by adolescence he was already steeped in several languages of Classical learning, and he is supposed to have learned Russian in only 14 days.
Simon Winchester records that some of Bradley’s childhood notebooks, discovered by a friend, contained“…lists of words peculiar to the
Pentateuch orIsaiah , Hebrewsingletons , the form of the verb "to be" in Algerine, Arabic, bardic and cuneiform lettering, Arabisms and Chaldaisms in theNew Testament , with vocabularies that imply he was readingHomer ,Virgil ,Sallust and the HebrewOld Testament at the same time. In another group the notes pass from the life ofAntar ben Toofail by ‘Admar’ (apparently of the age ofHaroun Arrashid ) to the rules ofLatin verse, Hakluyt and Hebrew accents, whereupon follow notes onSir William Hamilton andDugald Stewart and a translation of parts ofAeschylus ’ "Prometheus"…”Remarkably precocious as this erudition was, Bradley had found no public outlet for it before writing his column in the "Academy". For a long time, he was employed as a simple corresponding clerk for a cutlery firm in Sheffield, and he was already 39 years old when he began editing the Dictionary. Soon afterward he began to get the recognition he deserved, receiving
honorary degree s fromOxford andHeidelberg and becoming a fellow of Magdalen College and theBritish Academy . He also served as President of London’sPhilological Society , which still exists, and helped found the Society for Pure English, along with the renownedHenry Watson Fowler and others.It was for the S.P.E. that Bradley wrote his last piece, an introduction to “Tract No. XIV: On the Terms Briton, British, Britisher.” He wrote the first three paragraphs, suffered a
stroke , and died two days later. The piece was finished byRobert Bridges and published along with Fowler’s “Preposition at End” and a briefobituary . Short papers such as this one—another example being “On the Relations Between Spoken and Written Language,” read before the International Historical Congress in 1919—are available in The "Collected Papers of Henry Bradley." Longer works include a history entitled "TheGoths " (1887) and "The Making of English" (1904).Because it does not showcase his linguistic brilliance, "The Goths" misses the essence of Bradley. The truly interesting book is "The Making of English", the culmination of a philological life. It assesses change in English and the reasons for its borrowings from other tongues down through history, all without resorting to the obscure sets of
symbol s so unhappily relied on by specializedlinguistics . In his Author’s Preface, Bradley addresses the book “to educated readers unversed in philology,” and he succeeds in popularizing his specialty and making it readable rather than resorting tojargon , which he considered an affront to plain English.Arguably, there would be far less popular interest in Bradley today if he had not been included in Simon Winchester’s history "The Meaning of Everything", which honors the fascinating society of scholars who worked on the "O.E.D". Winchester’s book treats Bradley at greater length than any of the other histories in which he has appeared, and has revived a stronger curiosity about him than others have managed to do. Those researching James Murray and Henry Watson Fowler will also find Bradley mentioned in "Caught in the Web of Words", by Elisabeth Murray, James’s granddaughter, and in "The Warden of English", by
Jenny McMorris .References
Henry Bradley, "The Making of English", 1904.
Jenny McMorris, "The Warden of English: The Life of H.W. Fowler", 2001. ISBN 0-19-866254-8.
K.M. Elisabeth Murray, "Caught in the Web of Words: James A.H. Murray and the Oxford English Dictionary", 1977. ISBN 0-300-02131-3.
Simon Winchester, "The Meaning of Everything", 2003. ISBN 0-19-517500-X.
External links
* [http://oed.com/about/editors/bradley.html "Oxford English Dictionary" website entry for Henry Bradley]
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