A Woman in Flames (film)

Infobox Film
name = A Woman in Flames


caption =
director = Robert van Ackeren
producer = Robert van Ackeren
Dieter Geissler
writer = Robert van Ackeren
Catharina Zwerenz
starring = Gudrun Landgrebe
Mathieu Carrière
Hanns Zischler
Gabriele Lafari
Matthias Fuchs
music = Peer Raben
cinematography = Jürgen Jürges
editing = Tanja Schmidbauer
distributor =
released = 1983
runtime = 106 min.
country = Germany
language = German
awards =
budget =
preceded_by =
followed_by =
amg_id =
imdb_id = 0083949

"A Woman in Flames" (Die Flambierte Frau) is a German drama film from 1983, directed by Robert van Ackeren, starring Gudrun Landgrebe, Mathieu Carrière, and Hanns Zischler. The running time is (104 minutes).

Plot summary

Eva, an upper class housewife, becomes frustrated and leaves her arroganthusband. She is drawn to the idea of becoming a call girl. With the aid of a prostitute named Yvonne, Eva learns the basics and then they both set out looking for Johns together. She meets a charming man who she falls in love with and comes to his house late at night for a romantic tryst. He turns out to be a gigolo. Consequently, they move into his penthouse, large enough for both of them to offer their services separately.

Then slowly Eva enters the world of sado-masochism. She finds being a dominatrix extremely satisfying, and begins to take pleasure in controlling others and causing them intense pain. She discovers this in a scene in which a man is hiding under a table. Eva can see that his hands are sticking out from under the table and are clearly visible. Coldly, and with intense inner satisfaction, Eva proceeds to crush the man's hands by slowly walking over them with her stiletto-heeled boots.

Chris, the gigolo begins getting jealous of her, wants to know what's going on upstairs and why she's making so much money. She tells him it's from hurting men, and the more she hurst them, the more money she gets. This upsets him greatly. She also becomes jealous of his boyfriend/client, a man who's been coming to him for many years. The scenes in the upstairs room intensify. One day he sneaks up and observers her in a scene dominating a man tied to a chair. He has a look on his face like "see, this is what you truly are," and the look on her face says proudly "yes, this is what I truly am." He tries to wisk her away from all of it, buying her furs, talking about marriage. She tells him that she's been dreaming about hitting him, and in the dream he likes it.

The setting is all there for a romantic ending, and yet, he panics, he takes all their money and invests it in a restaurant that she doesn't want to be part of. She tries to walk out on him, and he gets angry, throws her against the wall, hits her, pours alcohol on her, and lights her on fire.

But the last scene shows her unscathed, happy with her friend the sex worker/madame, and they're getting thrown out of a bar that Chris owns.

The movie thus extols female independence from men, though in its ending stops short of endorsing a female-dominant/male-submissive romance.

Links

[http://www.imdb.com/title/tt0083949/ imdb.com]

ee also

*Sadism and masochism in fiction