Simmias of Thebes

Simmias of Thebes (Greek: Σιμμίας; lived late 5th century BCE–early 4th century BCE) was a disciple of Socrates, and a friend of Cebes. In his "Memorabilia", Xenophon included him in the inner circle of Socrates' followers.

Named in:
* Plato: "Phaedo" (Cebes and Simmias as main discussion partners of Socrates), "Crito" 45b, "Phaedrus" 242b, Epistle XII, 363a
* Xenophon: "Memorabilia" 1.2.48, 3.10.17.

Character in Plato's "Phaedo"

Simmias is one of Socrates' interlocutors in Plato's "Phaedo". This is a philosophical dialogue by Plato, so the analogy presented in it by the character Simmias, although summarized here, need not reflect the views of the historical Simmias.

Simmias Attunement Analogy (Plato: Phaedon, 86a)
# Body is visible, composite and mortal.
# A harp is visible, composite and mortal.
# When the harp is destroyed the tune which is ethereal, invisible and divine is also destroyed.
# The soul is like a tune (harmonia) of the parts of the body. If the body is destroyed, the tune cannot survive.

Socrates attacks Simmias's Analogy with four different arguments (Plato: Phaedon, 92a7-95a6):
# Harmonia-argument would be a contradiction to the anamnesis-argument that Simmias had already agreed on before.
# If the soul would be a tune, and bodies can be tuned differently, there would be more or lesser souls - which is not possible.
# Virtue is the proper attunement of the soul, and vice the lack of such an attunement. But if the soul itself is an attunement, then virtue and vice would be attunments of an attunement. But an attunement can't participate in non-attunement. So if a a soul is a perfect attunement, it could not have virtue or vice.
# The soul is the ruling principle of the body. But attunement is governed by the material of the musical instrument. By analogy, that would make the body the ruler of the soul.

Thus, Simmias' argument cannot be upheld.

Later tradition

In addition to the references in Plato and Xenophon, Diogenes Laertius (2.124) mentions Simmias as the author of 23 brief dialogues, now lost, including "On Philosophy" and "On Music".