Carlo Ridolfi

Carlo Ridolfi (1594 - 1658) was an Italian art biographer and painter of the Baroque period.

Painter

He was born in Lonigo near Vicenza, and died in Venice. He was a pupil of the painter Antonio Vassilacchi (Basilico). He painted a "Visitation" for the Ognissanti in Venice. Among Ridolfi's pupils was Giovanni Battista Amigazzi. However he was certainly best known, in his own day and ever since, as an author on art.

Author

He wrote a biography of the Venetian painters in 1648 titled "Le maraviglie dell’ Arte ovvero, Le vite degli Illustri Pittori Veneti and dello Stato". He also wrote "La vita di Giacopo Robusti" (The Biography of Tintoretto) in 1642. He was awarded the kinghthood of the Golden Cross by Pope Innocent X and a chain of gold and a medal of St. Mark by the Republic of Venice, essentially for his books rather than his painting. Subsequent Venetian chroniclers who have quoted Ridolfi include Boschini, Antonio Maria Zanetti, Luigi Lanzi, and Lodovico Cadorin.

As Vasari's Vite was famously weaker on Venetian painters than Florentine ones, Ridolfi remains an important source for Venetian painting between the beginning of the Renaissance and his own day, although his accuracy is often doubted, and many of his numerous attributions, especially to Giorgione, are no longer accepted:"...the enormous number of paintings attributed to Giorgione by Ridolfi gravely weakens his authority". [ Michael Hirst in Jane Martineau (ed), "The Genius of Venice, 1500-1600", p. 210, 1983, Royal Academy of Arts, London.]

One purpose of his work was to supply a corrective to Vasari, and just as Vasari ascribes all progress in art to Florentines, Ridolfi attempts something similar for the Venetian tradition, with its closer connection to Byzantine art. He was well educated in the classics, and his style is much given to rhetorical flourishes, classical comparisons and references to poetry, whilst rather lacking Vasari's talent for telling anecdote. He approached the larger lives in a scholarly fashion, and quoted many documents, often now vanished, that remain invaluable to art historians. His work gives great insight into the way art was seen in his own day, as well as during the lives of his subjects. [Jody Ribin Shifman, Introduction to "The "Life of Titian" by Carlo Ridolfi", trans Peter and Julia Conaway Bondanella, 1996, Penn State Press, ISBN 0271016272 - also Translators Note]

References

*cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum | pages= page 146-7 | publisher= Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006| id= | url= http://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters | authorlink=

Norman E. Land, "Poetry and anecdote in Carlo Ridolfi’s Life of Titian," The Cambridge Companion to Titian, ed, Patricia Meilman (Cambridge UP, 2004), pp. 205-224.

External links

* [http://www.metmuseum.org/Works_of_Art/viewOne.asp?dep=16&viewmode=0&item=175T49+R43 portrait and notes from the Metropolitan]