Allan Ramsay (poet)

Allan Ramsay (poet)

Infobox Writer
name = Allan Ramsay


caption = Portrait by William Aikman (1682—1731) [Ramsay's friend, Sir John Clerk of Penicuik, owned Aikman's portrait of Ramsay, in imitation of whose verse he had written on the back of the canvas:
"Here painted on this canvas clout
by Aikman's hand is Ramsay's snout" [http://www.natgalscot.ac.uk/collections/artist_search.php?objectId=3526]
]
birthdate = birth date|1686|10|15|mf=y
birthplace = Leadhills, Lanarkshire, Scotland
deathdate = death date and age|1758|1|7|1686|10|15|mf=y
deathplace =
occupation = poet
nationality = Scottish

Allan Ramsay (15 October 1686—7 January 1758) was a Scottish poet.

Life and career

Allan Ramsay was born at Leadhills, Lanarkshire to John Ramsay, superintendent of Lord Hopetoun's lead-mines and his wife, Alice Bower, a native of Derbyshire. He was educated at the parish school of Crawford, and in 1701 was apprenticed to a wig-maker in Edinburgh. He married Christian Ross in 1712; a few years after he had established himself as a wig-maker (not as a barber, as has been often said) in the High Street, and soon found himself in comfortable circumstances. They had six children. His eldest child was Allan Ramsay, the portrait painter.

Ramsay's first efforts in verse-making were inspired by the meetings of the Easy Club (founded in 1712), of which he was an original member; and in 1715 he became the Club Laureate. In the society of the members he assumed the name of "Isaac Bickerstaff," and later of "Gawin Douglas," the latter partly in memory of his maternal grandfather Douglas of Muthill (Perthshire), and partly to give point to his boast that he was a "poet sprung from a Douglas loin." The choice of the two names has some significance, when we consider his later literary life as the associate of the Queen Anne poets and as a collector of old Lowland Scots poetry.

By 1718 he had made some reputation as a writer of occasional verse, which he published in broadsheets, and then (or a year earlier) he turned bookseller in the premises where he had hitherto plied his craft of wig-making. In 1716 he had published a rough transcript of "Christ's Kirk on the Green" from the Bannatyne manuscript, with some additions of his own. In 1718 he republished the piece with more supplementary verses. In the following year he printed a collection of "Scots Songs". The success of these ventures prompted him to collect his poems in 1722. The volume was issued by subscription, and brought in the sum of four hundred guineas. Four years later he removed to another shop, in the neighbouring Luckenbooths, where he opened a circulating library (the first in Scotland) and extended his business as a bookseller. [ [http://www.nls.uk/catalogues/resources/sbti/rae_reynolds.html Scottish Book Trade Index] ]

Between the publication of the collected edition of his poems and his settling down in the Luckenbooths, he had published a few shorter poems and had issued the first instalments of "The Tea-Table Miscellany" and "The Ever Green" (both 1724-1727). "The Tea-Table Miscellany" is "A Collection of Choice Songs Scots and English," containing some of Ramsay's own, some by his friends, several well-known ballads and songs, and some Caroline verse. Its title was suggested by the programme of The Spectator: and the compiler claimed the place for his songs "e'en while the tea's fill'd reeking round," which Addison sought for his speculations at the hour set apart " for tea and bread and butter."

In "The Ever Green", being a "Collection of Scots Poems" wrote by the Ingenious before 1600, Ramsay had another purpose, to reawaken an interest in the older national literature. Nearly all the pieces were taken from the Bannatyne manuscript, though they are by no means verbatim copies. They included his version of Christ's "Kirk" and a remarkable pastiche by the editor entitled the "Vision". While engaged on these two series, he produced, in 1725, his dramatic pastoral "The Gentle Shepherd". In the volume of poems published in 1722 Ramsay had shown his bent to this genre, especially in "Patie and Roger," which supplies two of the dramatis personae to his greater work. The success of the drama was remarkable. It passed through several editions, and was performed at the theatre in Edinburgh; its title is still known in every corner of Scotland, even if it be no longer read.

Ramsay wrote little afterwards, though he published a few shorter poems, and new editions of his earlier work. A complete edition of his Poems appeared in London n 1731 and in Dublin in 1733. With a touch of vanity he expressed the fear lest "the coolness of fancy that attends advanced years should make me risk the reputation I had acquired." He was already on terms of intimacy with the eading men of letters in Scotland and England. He corresponded with William Hamilton of Bangour, William Somervile, John Gay and Alexander Pope. Gay visited him in Edinburgh, and Pope praised his pastoral--compliments which were undoubtedly responsible for some of Ramsay's unhappy poetic ventures seyond his Scots vernacular. The poet had for many years been a warm supporter of the stage. Some of his prologues and epilogues were written for the London theatres. In 1736 he set about the erection of a new theatre, "at vast expense," in Carrubber's Close, Edinburgh; but the opposition was too strong, and the new house was closed in 1737. In 1755 he retired from his shop to the house on the slope of the Castle Rock, still known as Ramsay Lodge. In this house, called by his friends "the goose-pie," because of its octagonal shape. [ [http://www.google.ca/books?id=vIQBAAAAYAAJ&d Chambers, Robert. "Traditions of Edinburgh" 1825, pages 105-108] ]

He is buried at Greyfriars Kirkyard, Edinburgh.

Work

Ramsay's importance in literary history is twofold. As a pastoral writer ("in some respects the best in the world," according to James Henry Leigh Hunt) he contributed, at an early stage, to the naturalistic reaction of the 18th century. His "Gentle Shepherd", by its directness of impression and its appreciation of country life, anticipates the attitude of the school which broke with neo-classical tradition. It has the "mixed" faults which make the greater poem of his Scots successor, Thomson, a " transitional " document, but these give it an historical, if not an individual, interest. His chief place is, however, as an editor. He is the connecting-link between the greater "Makars" of the 15th and 16th centuries, and Robert Fergusson and Robert Burns. [ [http://www.poetryfoundation.org/archive/poet.html?id=955 Poetry Foundation article "Robert Burns (1759 - 1796)"] ] He revived the interest in vernacular literature, and directly inspired the genius of his greater successors. The preface to his "Ever Green" is a protest against "imported trimming" and "foreign embroidery in our writings," and a plea for a return to simple Scottish tradition. He had no scholarly interest in the past, and he never hesitated to transform the texts when he could give contemporary " point " to a poem; but his instinct was good, and he did much to stimulate an ignorant public to fresh enjoyment. In this respect, too, he anticipates the reaction in England which followed securely on the publication of "Percy's Reliques".

"The Tea-Table Miscellany" was reprinted in 1871 (2 vols., Glasgow; John Crum); "The Ever Green" in 1875 (2 vols., Glasgow; Robert Forrester); "The Poems of Allan Ramsay" in 1877 (2 vols., Paisley; Alex. Gardner). These volumes are uniform in size and binding, though issued by different publishers. A selection of the "Poems" appeared in 1887 (1 vol. 16mo, London; Walter Scott). There are many popular reprints of "The Gentle Shepherd".

Books

* Ramsay, Allan. "The Tea-table Miscellany". First ed. (1 January 1724) 128 pages [http://www.google.ca/books?id=V7UDAAAAQAAJ&dq=editions:0JF0iQtcNJELlogmkY3]
* Ramsay, Allan. "The Tea-table Miscellany, Or, A Collection of Choice Songs, Scots and English" Eleventh ed. (1750) 448 pages [http://www.google.ca/books?id=1KwiAAAAMAAJ&d]
* Ramsay, Allan. "The Tea-table Miscellany, Or, A Collection of Choice Songs, Scots and English" Twelfth ed. [http://www.google.ca/books?id=V7UDAAAAQAAJ&dq=editions:0JF0iQtcNJELlogmkY3]
* "The Ever Green"
* "The Poems of Allan Ramsay"
* "The Gentle Shepherd" (1725)
* "Kirk"

Footnotes

References

* Burns Martin, "Allan Ramsay: A Study of his Life and Works"

External links

* More information, including full text, on Ramsay's [http://www.library.unt.edu/music/virtual/Ramsay_Shepherd/background.html Gentle Shepherd] at the University of North Texas Music Library's Virtual Rare Book Room
* [http://www.library.unt.edu/music/assets/vrbr/Ramsay_1796.pdf The Gentle Shepherd (Full text - 16 MB)]
* [http://www.robertburns.org/encyclopedia/RamsayAllan1686-1758.728.shtml "Ramsay, Allan (1686-1758)", article in The Burns Encyclopedia] ----
*
*

Persondata
NAME= Ramsay, Allan
ALTERNATIVE NAMES=
SHORT DESCRIPTION= Scottish poet
DATE OF BIRTH= 15 October 1686
PLACE OF BIRTH= Leadhills, Lanarkshire, Scotland
DATE OF DEATH= 7 January 1758
PLACE OF DEATH=


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  • Ramsay, Allan — (1686 1758)    A Scottish poet who wrote in the Scots tongue, he was born in Lanarkshire, where his father was manager of a lead mine. He spent most of his life as a prosperous wig maker in Edinburgh. He soon established himself as a poet and… …   British and Irish poets

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  • Ramsay — [ram′zē] 1. Allan 1686 1758; Scot. poet & bookseller 2. George see DALHOUSIE Earl of 3. Sir William 1852 1916; Brit. chemist, born in Scotland …   English World dictionary

  • Ramsay — Ram•say [[t]ˈræm zi[/t]] n. 1) big Allan, 1686–1758, Scottish poet 2) big George DalhousieGeorge Ramsay, Earl of. 3) big James Andrew Broun DalhousieJames Andrew Broun Ramsay, 1st Marquis and 10th Earl of. 4) big Sir William, 1852–1916, English… …   From formal English to slang

  • Ramsay,Allan — Ram·say (rămʹzē), Allan. 1686 1758. Scottish poet noted for his patriotic and pastoral works, including the drama The Gentle Shepherd (1725). * * * …   Universalium

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