Street Fighting Man

Infobox Single
Name = Street Fighting Man


Artist = the Rolling Stones
from Album = Beggars Banquet
Released = 31 August 1968
Format = 7"
Recorded = March-April, 1968
Genre = Rock
Length = 3 min 15 s
Label = London 45.900 (US)
Writer = Jagger/Richards
Producer = Jimmy Miller
Chart position =

• #48 (US)
• #21 (UK)

Reviews =
Last single = "Jumpin' Jack Flash"
(1968)
This single = "Street Fighting Man"
(1968)
Next single = "Honky Tonk Women"
(1969)
Misc = Extra tracklisting
Album = Beggars Banquet
Type = Studio
prev_track = "Jigsaw Puzzle"
prev_no = 5
this_track = "Street Fighting Man"
track_no = 6
next_track = "Prodigal Son"
next_no = 7"Street Fighting Man" is a song by English rock and roll band the Rolling Stones featured on their 1968 album "Beggars Banquet". Called the Stones' "most political song" [ [http://www.rollingstone.com/news/story/6596140/street_fighting_man "Street Fighting Man"] . "Rolling Stone". 2004 (accessed 23 July 2007).] , "Rolling Stone" ranked the song #295 on their list of the 500 Greatest Songs of All Time.

Inspiration

Originally titled and recorded as "Did Everyone Pay Their Dues?", containing the same music but very different lyrics, "Street Fighting Man" is known as one of Mick Jagger and Keith Richards' most politically inclined works to date. Jagger allegedly wrote it about Tariq Ali after Jagger attended a March 1968 anti-war rally at London's U.S. embassy, during which mounted police attempted to control a crowd of 25,000. [ [http://www.rollingstone.com/news/story/6596140/street_fighting_man "Street Fighting Man"] . "Rolling Stone". 2004 (accessed 22 July 2007).] He also found inspiration in the rising violence among student rioters on Paris's Left Bank,Roy Carr, "The Rolling Stones: An Illustrated Record", Harmony Books, 1976. ISBN 0-517-526417. p. 55.] the precursor to May 1968.

On the writing, Jagger said in a 1995 interview with Jann Wenner in "Rolling Stone",

"Yeah, it was a direct inspiration, because by contrast, London was very quiet...It was a very strange time in France. But not only in France but also in America, because of the Vietnam War and these endless disruptions. ...I thought it was a very good thing at the time. There was all this violence going on. I mean, they almost toppled the government in France; DeGaulle went into this complete funk, as he had in the past, and he went and sort of locked himself in his house in the country. And so the government was almost inactive. And the French riot police were amazing."cite web| last =Wenner| first =Jann| title = "Jagger Remembers"| work = Rolling Stone| publisher = Wenner Media| url =http://www.rollingstone.com/news/coverstory/mick_jagger_remembers/page/3| accessdate = 2007-07-22]

The song opens with a strummed acoustic riff. In his review, Richie Unterberger says of the song, "...it's a great track, gripping the listener immediately with its sudden, springy guitar chords and thundering, offbeat drums. That unsettling, urgent guitar rhythm is the mainstay of the verses. Mick Jagger's typically half-buried lyrics seem at casual listening like a call to revolution."cite web| last =Unterberger| first =Richie| title = "Street Fighting Man"| work = allmusic| publisher = allmusic| url =http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=33:fbfexx9sldke| accessdate = 2006-07-22]

Unterberger continues, "Perhaps they were saying they wished they could be on the front lines, but were not in the right place at the right time; perhaps they were saying, as John Lennon did in the Beatles' "Revolution," that they didn't want to be involved in violent confrontation. Or perhaps they were even declaring indifference to the tumult." Other writers' interpretations varied. In 1976, Roy Carr assessed it as a "great summer street-corner rock anthem on the same echelon as 'Summer in the City', 'Summertime Blues', and 'Dancing in the Street'." In 1979, Dave Marsh wrote that it was the keynote of "Beggar's Banquet", "with its teasing admonition to do something and its refusal to admit that doing it will make any difference; as usual, the Stones were more correct, if also more faithless, philosophers than any of their peers." [Rolling Stone Record Guide, Rolling Stone Press, 1979. ISBN 394-73535-8.]

Bruce Springsteen would comment in 1985, after including "Street Fighting Man" in the encores of some of his Born in the U.S.A. Tour shows: "That one line, 'What can a poor boy do but sing in a rock and roll band?' is one of the greatest rock and roll lines of all time. ... [The song] has that edge-of-the-cliff thing when you hit it. And it's funny; it's got humor to it." [Marsh, Dave. "Glory Days: Bruce Springsteen in the 1980s". Pantheon Books, 1987. ISBN 0-394-54668-7. pp. 229-230.]

Jagger continues in the "Rolling Stone" interview when asked about the song's resonance thirty years on; "I don't know if it [has any] . I don't know whether we should really play it. I was persuaded to put it [on Voodoo Lounge Tour] because it seemed to fit in, but I'm not sure if it really has any resonance for the present day. I don't really like it that much." Despite this, the song has been performed on a majority of the Stones' tours since its introduction to their canon of work. [ [http://timeisonourside.com/SOStreetFighting.html "Street Fighting Man"] . "timeisonourside.org". 2007 (accessed 22 July 2007).]

On the song, Richards said, only a few years after recording the track in a famous 1971 "Rolling Stone" interview with Robert Greenfield, that the song had been "interpreted thousands of different ways". He mentioned how Jagger went to the Grosvenor Square demonstrations in London and was even charged by the police, yet he ultimately claims, "it really is ambiguous as a song."Greenfield, Robert. "Keith Richards – Interview". "Rolling Stone" (magazine) August 19, 1971.]

Recording

Recording on "Street Fighting Man" began at Olympic Sound Studios in March of 1968 and continued into May and June later that year. With Jagger on lead vocals and both he and Richards on backing, Brian Jones performs the song's distincitve sitar and also tamboura. Richards plays the songs acoustic guitars as well as bass. Charlie Watts performs drums while Nicky Hopkins performs the song's piano which is most distinctly heard during the outro. Shehnai is performed on the track by Dave Mason. On the "Did Everybody Pay Their Dues" version, Rick Grech played a very prominent electric viola. [ [http://timeisonourside.com/SOStreetFighting.html "Street Fighting Man"] . "timeisonourside.org". 2007 (accessed 22 July 2007).]

Watts said in 2003,

"'Street Fighting Man' was recorded on Keith's cassette with a 1930s toy drum kit called a London Jazz Kit Set, which I bought in an antiques shop, and which I've still got at home. It came in a little suitcase, and there were wire brackets you put the drums in; they were like small tambourines with no jangles... The snare drum was fantastic because it had a really thin skin with a snare right underneath, but only two strands of gut... Keith loved playing with the early cassette machines because they would overload, and when they overload they sounded fantastic, although you weren't meant to do that. We usually played in one of the bedrooms on tour. Keith would be sitting on a cushion playing a guitar and the tiny kit was a way of getting close to him. The drums were really loud compared to the acoustic guitar and the pitch of them would go right through the sound. You'd always have a great backbeat." [ISBN 0-8118-4060-3 "According to The Rolling Stones". "Chronicle Books". 2003 ]

On the recording process itself, Richards remembered,

"The basic track of that was done on a mono cassette with very distorted overrecording, on a Phillips with no limiters. Brian is playing sitar, it twangs away. He's holding notes that wouldn't come through if you had a board, you wouldn't be able to fit it in. But on a cassette if you just move the people, it does. Cut in the studio and then put on a tape. Started putting percussion and bass on it. That was really an electronic track, up in the realms."

Release

Released as "Beggars Banquet"'s lead single on August 31, 1968, "Street Fighting Man" was popular on release but was kept out of the Top 40 (reaching number 48) of the US Charts in response to many radio stations refusal to play the song based on what were perceived as subversive lyrics. This attitude would be enforced as the song was released within a week of the riots at the 1968 Democratic National Convention in Chicago. The B-side was album-mate "No Expectations". "Street Fighting Man" would not be released in the United Kingdom until 1970.

It has been included on the compilations albums "Through the Past, Darkly (Big Hits Vol. 2)", "Hot Rocks 1964-1971", "" (the single version) and "Forty Licks". A staple at Stones live shows since the Stones' American Tour of 1969, live recordings have been captured and released for the live albums "Get Yer Ya-Ya's Out!", "Stripped", and "Live Licks".

Legacy

"Street Fighting Man" has been covered by many artists. The song can be found on the fourth and last studio album by Rage Against the Machine entitled "Renegades". It is interesting to note that, when the chorus is sung, the instrumental sounds like the song "Techno Syndrome" by The Immortals, which in turn is best known for being the theme to the "Mortal Kombat" motion picture.

Rod Stewart also covered it on the debut solo album "An Old Raincoat Won't Ever Let You Down". It appears on Mötley Crüe's "Red, White and Crüe" album as well as the Ramones' 2002 re-release of "Too Tough to Die". The band Prima Donna performed a live cover early in their career. The band Tesla also covered this song on their cover's album Real to Reel which can be found on the rare disk 2 track number 5. (You needed to attend a concert during the Reel to Reel tour to obtain this disk.) British rock band Oasis recorded a version that was released as the B-side to their 1998 single "All Around the World".

Guitarist Pete Townshend of the Who has claimed that the staccato beat/rhythm structure of "Street Fighting Man" is the inspiration for "I'm Free" on "Tommy". [ [http://www.thewho.net/discography/songs/ImFree.html "I'm Free"] . "www.thewho.net". 2001 (accessed 6 August 2007).] From a musical perspective it is interesting that it is produced entirely on acoustic instruments apart from the electric bass.

Appearances in popular culture

*This song is used in the closing credits to the film "V for Vendetta", based on the Alan Moore and David Lloyd graphic novel of the same name.
*The song is also referenced by Chris Farley's character in the movie "Dirty Work". Farley means to play the song during a bar brawl, but ends up playing "Escape (The Piña Colada Song)" instead.
*The song is used as the title of Dennis Jones's novel, "Street Fighting Man", which chronicles the life of a teenager growing up in Brooklyn, NY in the mid-1960s. The main characters often reference the Rolling Stones in the novel, which focuses on the redemptive power of Rock & Roll to save kids from the streets. [ISBN-10-1401052975 Street Fighting Man". "Xlibris Corporation ". 2002 ]
*The song was used in the trailer for Michael Moore's "Sicko" and also in a scene in the film itself.
*The Rage Against the Machine version is featured prominently by American radio duo Opie and Anthony. They play it as part of the opening of their nationally syndicated morning show.
*The song is on the play-list given to Jack Fate (Bob Dylan) in the 2003 film "Masked and Anonymous".
*The song is referenced in the Styx song "Cold War" when Tommy Shaw sings "The skinny boy's a street fighting man."
*Top of the Poppers covered the song on their Top of the Pops, Volume 18 album.

References

External links

* [http://www.rollingstones.com/discog/index.php?v=so&a=1&id=115 Complete Official Lyrics]