- Avid Technology
Infobox Company
company_name = Avid Technology, Inc
company_
company_type = Public (NASDAQ|AVID)
foundation = 1987
location =Tewksbury, Massachusetts , USA
key_people =
industry = Audio/Video
products = Hardware & Software
revenue = 930 million US$ (2007)
increase2.09% compared to 2006
operating_income = increase-12.62 million US$ (2007)
net_income = increase-8 US$ million (2007)
num_employees = 2,728 (2008)cite web |url=http://zenobank.com/index.php?symbol=AVID&page=quotesearch |title=Company Profile for Avid Technology Inc (AVID) |accessdate=2008-10-06]
parent =
subsid =
homepage = http://www.avid.com
footnotes =Avid Technology, Inc (NASDAQ|AVID) is an American company specializing in video and audio production technology; specifically, digital non-linear editing (NLE) systems, management and distribution services. It was created in 1987 and became a publicly traded company in 1993. Avid is headquartered in
Tewksbury, Massachusetts .Avid products are now used in the television and video industry to create
television shows , feature films, andcommercials .Media Composer isAvid 's flagship product, with HD capability at a price within the range of serious non-professionals, and can handle 1080i content from camcorders such as the Sony FX1 or Z1.Non-Linear Editing
Non-Linear Editing is a technique used in digital systems where a digital source (such as digitized film, video or audio) is used to create an edited version, not by rearranging the source file, but by creating a detailed list of edit points (ins, outs, fades, etc.) The editing software reads the edit list and creates a new version (the edit) by applying the list parameters to the playback of the source. This type of non-destructive editing is one of the advantages digital editing has over cutting film or magnetic tape. Films are generally edited by making a digital transfer from and using this process during editing. An EDL (edit decision list) is then output from the editing software, which is used to produce cuts and dissolves in the actual film using automated equipment. Increasingly though, movies are beginning to be output digitally in high resolution (1080 or 2160 lines) to make
Computer-generated imagery (CGI) possible, and cinemas are beginning to shift towards digital projection, so that it seems likely that photographic film will eventually be eliminated from the process altogether, with movies being delivered either bysatellite link or onhard disk .History
Founded by a marketing manager from Apollo Computer, Inc., William J. Warner, a prototype of their first digital nonlinear editing system (the Avid/1) was shown in a private suite at the
National Association of Broadcasters (NAB) convention in April 1988. The Avid/1 was based around anApple Macintosh II computer, with special hardware and software of Avid's own design installed.A version of the nonlinear editing software was developed by
George Lucas , titled the "Edit Droid." This software was later bought by Avid.At the NAB show in April 1989, the Avid/1 was publicly introduced. By the early 1990s, Avid products began to replace such tools as the
Moviola , Steenbeck, and KEM flatbed editors, allowing editors to handle theirfilm creations with greater ease. The first feature film edited using the Avid was "Let's Kill All the Lawyers" in 1992. By 1994 only three feature films used the new digital editing system. By 1995 dozens had switched to Avid, and it signaled the beginning of the end of cutting celluloid. In 1996Walter Murch accepted the Academy Award for editing "The English Patient" (which also won best picture), which he cut on the Avid. This was the first Editing Oscar awarded to a digitally-edited film.In 1994 Avid introduced Open Media Framework (OMF) as an open standard file format for sharing media and related metadata. In recent years the company has extended its business expertise towards the storage and management of media files, and in 2006 Avid launched new products such as Avid Interplay and Unity Isis.
In the past,
Avid has released home versions of their professional line of editors, such asXpress DV and lower cost professional versions (primarily to compete with software such as Final Cut Pro and Adobe Premiere) such asXpress Pro . Additionally,Avid Free DV was available as a free download, providing an introduction to theMedia Composer interface, but in a limited version. All of these have now been discontinued as the core Media Composer product has been lowered in price and is now heavily discounted for academic/student use.Products
*
Alienbrain
*AirPlay
*DS
*iNews
*Interplay
*Liquid
*Media Composer
*NewsCutter
*Softimage XSI
*Symphony
*Unity ISIS
*Unity MediaNetwork Discontinued products:
*CamCutter
*Cinema
*Elastic Reality
*Film Composer
*Free DV
*Matador
*MCXpress
*Media Illusion
*Videoshop
*Xpress
*Xpress DV
*Xpress Pro
*Xpress Pro Studio HD Acquisitions
*1994:
Digidesign (makers ofPro Tools ).
*1994:Basys (ITN's newsrooms system sold to DEC then Avid).
*1995:Elastic Reality, Inc. (makers of Elastic Reality morphing software).
*1995: Parallax Software Limited and 3 Space Software Limited (together “Parallax Software”). (makers of Matador, Illusion and Jester (ink-and-paint software)).
*1998:Softimage , fromMicrosoft .
*1998: Create strategic alliance withTektronix - then owners of Lightworks.
*2000: The Motion Factory.
*2000: Pluto Technology.
*2001: iNEWS.
*2002: iKnowledge.
*2003: Rocket Networks.
*2004: NXN.
*2004, January:Bomb Factory .
*2004, August:M-Audio .
*2005, April: Pinnacle Systems.
*2005, August:Wizoo .
*2006, January: Medéa Corporation.
*2006, April:Sundance Digital .
*2006, August:Sibelius Software ee also
*
Video remix
*EditDroid References
External links
* [http://www.avid.com/ Avid company website]
* [http://www.fundinguniverse.com/company-histories/Avid-Technology-Inc-Company-History.html History of Avid, 1987-1999] from "International Directory of Company Histories", Vol. 38. St. James Press, 2001.
* [http://www.nonlinear.info/ Industry and user information on nonlinear editing]
* [http://archives.bengrosser.com/avid Avid Mailing-List Archives]
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