- James Purdy
James Otis Purdy (b.
July 17 ,1923 ) is a controversial American novelist, short story-writer, poet, and playwright who since his debut ("63: Dream Palace", 1956) has published over a dozen novels, and several collections of poetry, short stories, and plays. His work has been translated into more than 30 languages. It has been praised by writers as diverse as DameEdith Sitwell (an important early advocate),Dorothy Parker ,Edward Albee ,James M. Cain ,Terry Southern ,Lillian Hellman ,A.N. Wilson ,Francis King andMarianne Moore . From the start, his work has often been at the edge of what was printable: Gollancz could not bring himself to print the word motherfucker in the 1957 UK edition of 63: Dream Palace; decades later, the German government tried to ban "Narrow Rooms", but a court threw the case out. Although many readers were scandalized, a solid cadre of distinguished critics and scholars embraced his work from the start, includingJohn Cowper Powys andSusan Sontag , who warmly defended him against prurient critics.His early novel "Malcolm" was for decades a staple of the undergraduate American Literature curriculum of most American colleges and universities. "Malcolm" may have slipped from its place in the canon in recent years due to its irregular publishing history. This is consequent upon the contractual confusion that arose when Purdy agreed to permit Edward Albee to adapt it for the stage. In spite of this ongoing and unresolved problem, "Malcolm" is currently in print.
Purdy has been the recipient of the Morton Dauwen Zabel Fiction Award from the
American Academy of Arts and Letters (1993) and was nominated for the P.E.N.-Faulkner Award for his novel "On Glory's Course" (1984). In addition, he has won twoGuggenheim Fellowships (1958 and 1962), and grants from theFord Foundation (1961), andRockefeller Foundation .Following several reissues of previously out-of-print novels, as well as a recent appreciation by
Gore Vidal in the New York Times Book Review, Purdy's work is currently (2008) enjoying a renaissance. As Edward Albee wrote long ago, there is a Purdy renaissance every ten years, like clockwork. Albee has been proved right every decade since.Purdy was born in
Hicksville, Ohio and educated at theUniversity of Chicago and theUniversity of Puebla inMexico . He has worked as an interpreter and has lectured in Europe with theUnited States Information Agency . Purdy currently lives inBrooklyn ,New York .The American composer
Robert Helps (1928-2001), a friend of Purdy's, used Purdy's texts in two of his works, "The Running Sun" and "Gossamer Noons", both of which have been recorded by the sopranoBethany Beardslee .The playwright
Edward Albee adapted "Malcolm" for the stage, but it was a notable flop, perhaps because -- for whatever reason -- Albee cut out the black characters in the book. This cuts out the very meat of the book, for the story makes no sense without the final affair between Malcolm and the young jazz singer, which echoes Purdy's relationship withBillie Holiday .Since the 1990s, when great age began to make itself felt, he has worked closely with his companion John Uecker (who was previously the last amanuensis of Tennessee Williams), a partnership that has resulted in such late masterpieces as "Gertrude of Stony Island Avenue" (1997) and "Moe's Villa" (2003, 2005). He continues to dictate to a small team of devoted friends, and ascribes his continued intellectual vigor to the drinking of green tea and the avoidance of alcohol and tobacco. His advice to young writers is to 'banish shame'.
Purdy has been writing anonymous letters since he was nine years old. His first was written to his mother's landlady who, in young Purdy's view, was grasping. Countless thousands have been written since, many now owned by persons who have no idea of their provenance or value, although the style is inimitable. One of his very latest, written when he was 83, to a redactor who had displeased him by moving from New York to Montana, can be seen at http://hermeseta.com/purdyanon.html. This features some of Purdy's drawings, which have lately been attracting some attention.
Purdy continues to dictate and to draw nearly every day.
Selected works
*"63: Dream Palace" (1956)
*"Malcolm" (1959)
*"Colour of Darkness" (1961)
*"The Nephew" (1961)
*"Children is All" (1963)
*"Cabot Wright Begins" (1965)
*"Eustace Chisholm And the Works" (1967)
*"Jeremy's Version" (1970)
*"I Am Elijah Thrush" (1972)
*"Color of Darkness Malcolm" (1974)
*"In a Shallow Grave" (1976)
*"Narrow Rooms" (1978)
*"Lessons And Complaints" (1978)
*"Dream Palaces: Three Novels" (omnibus) (1980)
*"Mourners Below" (1981)
*"On Glory's Course" (1984)
*"The House of the Solitary Maggot" (1986)
*"The Brooklyn Branding Parlors" (poems) (1986)
*"In the Hollow of His Hand" (1986)
*"The Candles of Your Eyes" (1988)
*"Garments the Living Wear" (1989)
*"Garments" (1989)
*"Out with the Stars" (1992)
*"Dream Palace: Selected Stories, 1956-87" (1992)
*"Epistles of Care" (1995)
*"Gertrude ofStony Island Avenue " (1996)
*"Moe's Villa and Other Stories" (2000, 2005)External links
* [http://www.wright.edu/~martin.kich/PurdySoc/Index.htm The James Purdy Society]
* [http://www.litencyc.com/php/speople.php?rec=true&UID=3666 The Literary Encyclopedia entry on James Purdy]
* [http://www.nytimes.com/books/99/08/15/specials/albee-purdy.html "Who Is James Purdy?" - an appreciation from Edward Albee]
*
* [http://www.martingoodman.com/writing280405.htm A conversation with James Purdy]
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