Warszawa (song)

Song infobox
Name = Warszawa


Artist = David Bowie
Album = Low
Released = start_date|1977|1|14
track_no = 8
Recorded = 1976
Genre = Art Rock
Length = 6:23
Label = RCA
Writer = David Bowie and Brian Eno
Producer = David Bowie and Tony Visconti
prev = A New Career in a New Town
prev_no = 7
next = Art Decade
next_no = 9

"Warszawa" is a mostly instrumental song by David Bowie, co-written with Brian Eno and originally released in 1977 on the album "Low".

The arrangement is meant to evoke the desolation of Warsaw at the time of Bowie's visit in 1973. The mysterious lyrics and the piece of melody in the middle part of the song are based upon a recording of a Polish folk choir "Śląsk". Probably this theme based on the melody and words of the old Polish Silesian song "Helokanie", recorded in advance by choir "Śląsk". However, there is no information about this, and it remains more or less unanswered.

The piece was developed using many of Eno's spontaneous and deeply experimental techniques, with Bowie choosing the creation of a texture over creating a piece that fit in context with his other songs. Resorting to Eno's techniques of "planned accidents," first a click track of 430 clicks was created by hand. From these clicks, a few were selected at random and catalogued. Eno and Bowie would each wait for their randomly selected clicks to sound, which would cue them to play a chord. When the clicks were removed, the song's basic skeleton of chord changes remained, and the gaps were filled by their writing, with Eno on instrumentals and Bowie on vocals.

All vocals were composed and performed entirely by Bowie, despite the presence of 110 voices. Eno remarked that despite his tendency to work slowly as his own synthesizer technician, Bowie managed to complete his portion of the track rather quickly, recording all his voices in 20 minutes.

It was used as a live opener on Bowie's 1978 and 2002 tours. Rather than quickly delving deeply into loud rock music, the song was used to intentionally provoke the audience into a calm, holding them initially in deep suspense. Bowie's choice to maintain a low profile during 1978 was expressed through his entrance to the stage during this song, not singing, but simply sinking into the band and playing the Chamberlin until his cue to sing the lyrics.

The band Joy Division was originally named Warsaw in honor of this song, and it features in the recent film about Ian Curtis called 'Control'.

Live versions

* A live version recorded on the "Heroes tour" at the Philadelphia Spectrum, start_date|1978|4|28 - end_date|1978|4|29, was released on the live album "Stage".

Other releases

* It appeared in the "Sound and Vision" box set (1989)
* It was featured in the movie "Christiane F." and the accompanying soundtrack.
* It features on the "All Saints" instrumental collection.

Cover versions

* De Benedictus/Maroulis - "A Tribute to the Music and Works by Brian Eno" (1997)
* Emulsion - ".2 Contamination: A Tribute to David Bowie" (2006)
* Phillip Glass - "The Low Symphony" (1993)
* Nine Inch Nails - live recording, with David Bowie (1995)
* Simon Haram - "Alone..." (1999)

ources

*Greatorex, Johnathan. "Just a Mortal With Potential." Teenage Wildlife. Nov. 1996. 06 Mar. 2006 .
*Miles, Barry. "David Bowie Black Book". London: Omnibus Press, 1980.