Nahid Persson Sarvestani

Nahid Persson Sarvestani (born 1960 in Shiraz, Iran) is an award-winning Iranian-Swedish filmmaker and director.

Her most famous documentary films are Prostitution Behind the Veil, My Mother - A Persian Princess, The End of Exile, and The Last Days of Life. In 2007, after having been arrested and briefly imprisoned by the authorities in Iran for allegedly having shamed her native country with her documentary on two prostitutes in Tehran, she completed the documentary Four Wives - One Man under difficult and dangerous conditions. The film which portrays a polygamous family south of Shiraz, was smuggled out of Iran and finally edited in Sweden. As of November 2008, Persson Sarvestani recently finished the production of The Queen and I, a 90-minute documentary in which the director's year-long, complex relationship with the Iranian former Empress Farah Pahlavi is examined. The film had its North American premiere at Sundance Film Festival in 2009 and is under worldwide release in conjunction with the 30-year anniversary of the Islamic Revolution in 2009.

Persson Sarvestani has received several awards for her films. The Last Days of Life received the Swedish Cancer Foundation's (Cancerfondens) Journalist Prize in 2002. The film Prostitution Behind The Veil, a controversial and painfully revealing account of the lives of two prostitutes in Tehran, received an International Emmy nomination, as well as the Golden Dragon at the Krakow Film Festival, Best International News Documentary at the TV-festival 2005 in Monte Carlo, as well as The Crystal Award (Kristallen) by SVT (Swedish State Television) and the Golden Scarab (Guldbaggen) by the Swedish Film Institute in 2005.

Persson Sarvestani also shares TCO's (Tjänstemännens Centralorganisation) 2005 Cultural Prize with the author Marjaneh Bakhtiari.

Criticism

Persson Sarvestani has been criticized by Iranian-Swedish feminist scholar Golbarg Bashi for her consistent choice of themes critical of Islam in nearly all her documentaries dealing with Iranian themes.^[1] Golbarg Bashi has also criticized Persson for portraying vulnerable people in her films, especially women and children, for commercial gains.^[1]

References

1. ^ ^{a b} http://www.tidningenkulturen.se/content/view/2453/48/

External links

• Production company web site

Persondata
Name	Persson Sarvestani, Nahid
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Date of birth	1960
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