De ludo scachorum

De ludo scachorum
De ludo scacchorum
Palazzo Coronini Cronberg library, Gorizia, Italy
Also known as Schifanoia
Date c. 1500
Place of origin Mantua, Duchy of Mantua
Language(s) Latin
Author(s) Luca Pacioli
Illuminated by Leonardo da Vinci (?)
Dedicated to Isabella d'Este
Francesco II Gonzaga
Size Forty-eight pages
Contents Chess problems
Discovered 2006

De ludo scacchorum or De ludo scachorum (Latin: On the Game of Chess), also known as Schifanoia (the Boredom Dodger),[1] is a manuscript on the game of chess written around 1500 by Luca Pacioli, a leading mathematician of the Renaissance. Created in the times when rules of the game (especially the way queen and bishop move) were evolving to the ones we know today, De ludo scacchorum contains over a hundred chess problems, to be solved – depending on the problem – using the old or the modern rules.

The long-lost manuscript was rediscovered in 2006 and gathered public attention in 2008, after the suggestion that the chess pieces in its illustrations were designed or perhaps even drawn by Leonardo da Vinci.

Contents

Discovery

The manuscript was discovered in 2006 by book historian Duilio Contin, in the 22,000-volume Palazzo Coronini Cronberg library in Gorizia, Italy.[1][2][3] The owner, count Guglielmo Coronini, bought it alongside other old books from an unnamed "Venetian poet and bibliophile" in 1963.[1] De ludo scacchorum gathered public attention in February 2008, after Franco Rocco, who was researching the work, suggested that the chess pieces in diagrams illustrating it were designed or perhaps even drawn by Leonardo da Vinci.[1]

History and contents

Pacioli, c. 1500
Solid white.svg a b c d e f g h Solid white.svg
8 a8 black king b8 black king c8 black king d8 black rook e8 black knight f8 black bishop g8 black king h8 black king 8
7 a7 black king b7 black king c7 black king d7 black king e7 black king f7 black king g7 black king h7 black bishop 7
6 a6 black king b6 black king c6 black king d6 black king e6 black king f6 black king g6 white rook h6 black rook 6
5 a5 black king b5 black king c5 black king d5 black king e5 black queen f5 black king g5 black king h5 black king 5
4 a4 black king b4 black king c4 white king d4 black king e4 white bishop f4 black king g4 black king h4 white knight 4
3 a3 black king b3 black king c3 black king d3 black king e3 black king f3 black king g3 white rook h3 black king 3
2 a2 black king b2 black king c2 black king d2 black pawn e2 black king f2 black pawn g2 white pawn h2 white bishop 2
1 a1 black king b1 white queen c1 black king d1 white knight e1 black king f1 black king g1 black knight h1 black king 1
Solid white.svg a b c d e f g h Solid white.svg
Black to move, white to win

Luca Pacioli created De ludo scacchorum at the beginning of the 16th century, soon after the new way of movement for queen and bishop was introduced to the rules of chess in the 1470s, making those pieces considerably stronger.[4] In addition, pawn promotion became more dangerous, since getting an additional queen now had bigger impact on the game.[4] The forty-eight pages long manuscript contains over a hundred[5] educational positions and chess problems, drawn in red and black,[2] featuring both the original and the new rules, the latter known as a la rabiosa (meaning "mad" or "angry" in Spanish), a reference to the enhanced powers of the queen.[4]

Leonardo's involvement

It is known that Pacioli and Leonardo were friends,[2] and that Leonardo provided illustrations for Pacioli's De divina proportione.[4] De ludo scacchorum was created somewhere after 1499, when they both fled from Milan to Mantua (after the former was invaded by Louis XII of France)[2][4] where they were protected by Isabella d'Este, a chess enthusiast[1][4] to whom the book is dedicated.[2]

The pieces illustrating the manuscript have been described as "futuristic", even by today's standards.[3] In his The Times article, Grandmaster Raymond Keene described that they first appear at the start of the book, where they are drawn in array,[4] and that this drawing is artistically superior to the pieces in diagrams in the book itself.[4] It is thus possible that Leonardo may have created the "original designs" featured at the beginning, while the pieces illustrating the rest of manuscript were drawn by someone else.[3][4] The theory of Leonardo's involvement is also further supported by the facts that the design for queen is very similar to a fountain drawn by the artist in the Codex Atlanticus,[1][4] that proportion of the pieces follow the principle of the golden ratio, which fascinated both polymaths[1] and because the pieces were drawn using both left and right hand, and Leonardo is known to be left-handed.[3]

Critical analysis

Chess theoreticians analyzed Pacioli's knowledge of the subject after one of the problems from the book (pictured above) was published first by The Guardian[4] and later in other places, including Susan Polgar's blog.[6] Initially, it was not known whether it is supposed to be solved using the old or the new rules. Moreso, the diagram featured a white pawn on the first rank (on d1 square), an illegal position.[4] Raymond Keene concluded it should be solved using modern rules, while the pawn should be replaced with a white knight, as it was most likely drawn mistakenly.[4] Keene described the puzzle as "fiendishly difficult" and "highly advanced for its time",[4] while Richard Eales noted "nothing like this puzzle has so far been found in other publications, or the older manuscripts or printed chess books".[4]

Keene has called the author a "chess genius",[4] because of how he was able to quickly develop a deep understanding of the way the new rules will change chess.[4] He also believes that it is possible Leonardo created some of the problems in the manuscript, including the one presented by The Guardian.[4]

References

External links


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