PONCHO

The Patrons of Northwest Civic, Cultural and Charitable Organizations (PONCHO) is a non-profit corporation in Seattle, Washington whose annual fund-raising auction has long played a significant role in funding the arts in Seattle. [Harvnb|Jones 1972|p=253] However, over the years, the gala auction slowly ceased to be profitable and will not occur after 2008, being replaced by smaller art and wine auctions.Susan Trapnell, [http://www.crosscut.com/arts-beat/16191/As+PONCHO+regroups,+Seattle+arts+struggle/ As PONCHO regroups, Seattle arts struggle] , Crosscut, July 24, 2008. Accessed online 17 August 2008.] Janet True, president of the PONCHO board, has indicated that the gala auction will probably be replaced by something parallel to New York City's Tony Awards.Brendan Kiley, [http://slog.thestranger.com/2008/07/executive_of_poncho_canned Executive Director of PONCHO Fired] , Slog, "The Stranger's" blog, July 18, 2008. Accessed online 17 August 2008.]

The group was founded in 1963 to hold an auction to retire the US$35,000 debt accumulated by the Seattle Symphony's critically successful performance of Verdi's "Aida" at the 1962 Seattle World's Fair, the Century 21 Exposition. They exceeded their goal, raising enough additional money to give $50,000 to the Symphony to help establish the Seattle Opera, as well as $15,000 to the Council on Aging and $1,000 to the Seattle Chorale. In the subsequent 45 years, PONCHO has raised over $33 million for more than 200 Seattle-area arts organizations. [ [http://www.poncho.org/aboutponcho.shtml About PONCHO] , PONCHO official site. Accessed online 17 August 2008.] [Peter Blecha, [http://www.historylink.org/essays/output.cfm?file_id=3892 PONCHO holds inaugural fundraising auction, to benefit Seattle Symphony, on April 27, 1963] , HistoryLink, July 16, 2002. Accessed online 17 August 2008.] Significant beneficiaries other than the Symphony and Opera have included the Pacific Northwest Ballet, Seattle Art Museum, Seattle Repertory Theatre, and ACT.

Brendan Kiley of Seattle alternative weekly "The Stranger", writing on the occasion of PONCHO executive director Gordon Hamilton's forced departure in July 2008, sees PONCHO as gradually shifting from being a "deep donor" to large arts institutions into a "broad donor" whose beneficiaries have come to include smaller groups.

Notes

References

* Citation
last =Jones
first =Nard
author-link =Nard Jones
year = 1972
title =Seattle
place =Garden City, New York
publisher =Doubleday
isbn =0385018754

External links

* [http://www.poncho.org/ PONCHO] , official site