Schloss Lieser

Schloss Lieser (Castle of Lieser) in the Mosel valley nearby Bernkastel-Kues is one of the most striking buildings within the village of Lieser.

Historical background

The castle was created on the site of a 1710-built church property.

Today's castle was designed by the architect Heinrich Theodor Schmidt in 1884-1887 as the residence for the family of the winery owner Eduard Puricelli. Eduard Puricelli founded and led several gas industries, including in Trier and also in the Rheinböller hut. Puricelli applied serveral times for Catholic and conservative parties to Members mandates and belonged to the constituent Reichstag of the North German Confederation. After the German-French war 1870/71 Puricelli continued for economic reasons, together with eleven other companies in Trier for the Annexation of Alsace-Lorraine. Eduard Puricellis daughter Maria, sole heiress of parental possessions, married in 1880 the high Prussian officer Dr. Clemens Freiherr von Schorlemer-Alst/ Clemens Freiherr von Schorlemer-Lieser (1856-1922). Through its activities in the Prussian administrative services Clemens von Schorlemer made the acquaintance Kaiser Wilhelm II, who appreciated him.

In 1895/1904-1906 the castle was largely extended when Maria and Dr Clemens Freiherr von Schorlemer moved into the castle . The castle consists out of two components, the older part in forms of Neo-Renaissance and the younger part in the forms of Art Nouveau. [http://bwpc08.fh-trier.de:8080/kuDb/servlet/ortObj?aktSchluessel=216] [http://www.licht1.homepage.t-online.de/lieser/html/body_schloss_lieser_und_der_schloss.html]

External side

The external side is mainly influenced by the Neo-Renaissance, but in outline - according to the architect - Neo-Gothic. The jewellery forms bays, gables and towers are oriented to the German forms of Late Renaissance. The entrance is protected by a tower were two free-standing granite columns rise. The Risalit on the left side of the main facade is Risalit by large, spread over two floors, is emphasized. The remarkable Madonna statue at the corner near the chapel comes from Peter Fuchs [http://www.answers.com/topic/peter-fuchs-1] , who also worked at the Cologne Cathedral. Equal worth mentioning are the images of the main facade. At various points representations from the fields of industry and agriculture. For the stone construction Mosel slates and red - on the ground floor - brighter "Udelfanger" sandstone where used. The roof has been made from the slate quarries of "Cauber Erbstollens". [http://www.baufachinformation.de/denkmalpflege.jsp?md=1999067108409]

Ground plan, ground floor and staircase

The ground plan is located between the Mosel and the mountains, so that all rooms within the building - as in the English country houses - are represented against a long corridor. The basic design of the building plan with the octagonal hall is based on Italian villas buildings of the 16th (Palladio) and 17th age centure.

The ground floor, in which mainly economic areas and the bottling plants were located, has been created very high for reasons of flood protection.

In the stairwell between eight large pilasters painted landscapes and architectural motifs from the Mosel region created by Karl Julius Grätz are located. The stairwell window with lead glazing has four painted medallions of Binsfeld and Janssen in Trier. The staircase itself is a self-construction of Trier sandstone with wrought-iron, partly gilded railings.

First floor

The first floor is a Beletage with representation rooms. In the octagonal hall, where the stairs end, the sculptor's work, the pillars and the wall panelling have been created in light Burgreppacher sandstone. The ceiling has been plastered and contains ceveral paintings. The first floor contains further more spaces: the rather sober work room, reception room, with pitch pine and oak wood-panelled dining room large with a rich and carved wooden ceiling and several doorframes, the small dining room for everyday use, a poolroom, several gardenrooms, guest rooms and a kitchen.

econd floor

The second floor is the private sector of the house. Is had been equipped with livingrooms, sleepingrooms, tourist rooms and rooms for servants. It also contains a wandtable and a marble fireplace. The copper plate of the fireplace has been decorated with a presentation of Hubert Salentin from Düsseldorf.

Chapel

From the hall of Beletage you get into the chapel, which is a building on its own. The wallpaintings are also made by Karl Julius Grätz. The glass paintings have been made by Binsfeld and Janssen. Peter Fuchs created the saint statues. The mosaic floor with his figural representations was designed by the architect and produced in Mettlach.

The statue of the "housewife" and the other facilities

A special feature of the paintings is the image originally situated on the terrace sculpture of the wife of the owner. With her old German costume, keys and wallet in hand, it symbolizes allegorical excessive.

With regard to the various facilities the following can be mentioned: the carpentry work, furniture and other equipment details were drawings of the architects of Epple and Ege in Stuttgart. From the company M. Armbruster in Frankfurt the construction locks and art metalwork were created.

The extension of 1895/1904-1906

It is unclear whether the extension of the castle was created in 1904-1906, or already built in 1895—the information is to differ. The historicism here takes forms of Art Nouveau. The main pavilion is a mid-wing, which served as a wintergarden. In front of the central axis of the three-pavilion construction a "three-Söller" has been placed. The entrance to a building along is followed by a concrete tower. Inside the extended building is in one of the two staircases the remarkable Art Nouveau railing.

References

External links

http://www.schloss-lieser.eu