Joseph Towne

Joseph Towne

Joseph Towne (November 25, 1806 - June 25, 1879) was a British moulageur, sculptor, and stereoscopist. He is best known for the creation of anatomical models made of wax, many of which still survive today and are on display in the Guy's Hospital medical school museum.

Joseph Towne was born in Royston, a town near Cambridge, England. His father was a preacher at the local chapel, and gave sunday-school lessons in a hall at the back of Towne's Yard. The Townes had many children, but this was a time of epidemics of smallpox, typhus and asiatic cholera. Joseph was thus the youngest of five surviving children. His father played the organ in church, and encouraged the children to play music. Joseph learned to play the violin, and also experimented with making plaster-casts of his fingers and filling them with wax. Eventually, Joseph asked his father whether he could be apprenticed to a local artist. The father agreed, and the boy spent two years as an assistant sculptor.

When he was seventeen, Joseph Towne began work on a major project. It was the construction of a wax skeleton, even though he had never seen a real one. Working from books, he laboured on for two years before it was complete. Then, he went to Cambridge, where he tried to donate it to the medical-science museum. He was told "It is very artistic".

Towne wanted to be accurate rather than artistic, and asked what was wrong with it, so that he could put it right - but nobody could tell him. He had been informed that there was a Society of Arts competition in London, so he decided to go to London. In London, he visited doctors who examined it, but could not tell him whether it was correct or wrong. The time arrived when somebody advised him to ask Astley Cooper. In April 1825, Towne met the famous surgeon, who wrote out a note for him::"I have seen the wax skeleton made by Mr. Joseph Towne, and I approve":"Signed Astley Cooper"His skeleton had not won the prize. It tooks second place. In the following year, a wax sculpture of a head dissection made for Hilton won the first prize.

The atmosphere at Guy's Hospital was poisonous with suspicion. Astley Cooper knew that it takes only one bad member of staff to wreck the entire hospital. He was therefore reluctant to hire anybody - but he trusted his unqualified bookkeeper Benjamin Harrison the Elder. The talents of Hodgkin caught the eye of the venerable Benjamin Harrison the Elder, who brought him down from Edinburgh to join the staff of Guy's. Astley Cooper seems to have intended to create a collection of wax medical models to rival the Florentine collection, because in 1825 he accepted Towne.

Towne worked for the anatomist Dr. Hilton and for Addison. Addison taught materia medica, and had need for wax moulages of diseases. Smallpox is contageous, so the students would be shown wax models rather than the real thing. Towne made eight moulages of variola, the smallpox - six days before eruption, five days, four days, three days, two days, the day before, the day of eruption and two days after. He also made three moulages of vaccinia, the cowpox.

Towne had an assistant and an Italian model known as Francis - who was most probably Francesco. In the manner of a dental assistant, Towne's helper would mix up portions of plaster-of-paris for Towne to apply to the limb of Francis.Later, he would fit end-caps as needed and fill the mold with wax. Finally, the wax molding would be painted with colored wax.

Towne was paid a huge retainer, as well as a large sum for each moulage. Consequently, he remained loyal to Guy's hospital. Additional work involved the making of a marble bust of Cooper - who was now Sir Astley Cooper - and of other members of staff.

In 1852, he made "The magnificent bust by Towne" that was mentioned by Sir Samuel Wilks and Dr. Daldy in their "Collected Works of Thomas Addison".

In 1859, the medical school at Guy's fell on hard times.It was suggested that the hospital museum should be closed to save money. That would automatically have spelled the end of Towne's career. Fortunately, the museum with its wax models continued - but in reduced circumstances. Ever loyal, Towne refused to make models for other British hospitals. His fame had spread, however, so that he made about two hundred additional moulages for faraway places such as India and the United States.

Professor Charles Wheatstone had invented stereoscopy, and revealed it to the world in 1838. There was no serious prior art. Victorians immediately took to the novelty, and Towne was no exception. As one might expect,he assembled a collection of 3D images of sculptures to study. He also studied the work of Wheatstone and of Sir David Brewster.

In 1862, Towne published the results of his stereoscopic researches together with a reply to the man who was now Sir Charles Wheatstone. But ever loyal to Guy's, he published in Guy's Hospital Reports.

The articles, in two parts, provide a fascinating insight into the mind of Joseph Towne. For example, he argues that if one eye sees yellow and the other sees blue, the mind should see green. This is wrong. The yellow and blue that he speaks of are pigments. It is now known that when yellow and blue light is mixed, the outcome is white. But what if yellow enters the mind via one eye, and blue via the other? This is uncharted territory. Similarly, Towne argues that you can see in three dimensions with only one eye. This is because one can sense the tension in the eye-muscles as one focuses close. However, it is not true shape-perception as defined by Wheatstone.

Towne's "adjustive Stereoscope" is no more than a direct-viewing aid with a septum and pinhole oculars. However, it does help anybody who is attempting direct-viewing because the septum cuts out distraction whilst the pinholes extend the depth-of-field.

Over the course of his career, Towne made just over a thousand moulages for Guy's hospital, eight hundred under the direction of Addison.

External links

* [http://www.wehner.org/3d/towne/p70.htm Towne's articles]
* [http://www.wehner.org/addison/images/himself.jpgTowne's bust of Addison in color]


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