The Eveready Hour

"The Eveready Hour" was the first commercially-sponsored variety program in the history of broadcasting. It premiered December 4, 1923 (or, according to other sources, February 12, 1924) on WEAF Radio in New York, and was paid for by the National Carbon Company, which at the time owned Eveready Battery. The host for many years was the banjo-playing vocalist Wendell Hall, "The Red Headed Music Maker," who wrote the popular "It Ain't Gonna Rain No Mo'" (Victor Records). Hall was married on "The Eveready Hour" in 1924.

The program started locally on radio station WEAF in New York City in 1923. The idea for the program came when the National Carbon Company's George Furness tuned in WJZ that summer and heard Edgar White Burrill reading Ida M. Tarbell's "He Knew Lincoln". Envisioning the unexplored possibilities of radio programming and advertising, Furness became the producer and supervisor of "The Eveready Hour", a show he structured to bring the full spectrum of American culture to the airwaves. When it debuted that December, the media critic Ben Gross called it "the most important program in broadcasting." [Dunning, John. "On the Air: The Encyclopedia of Old-Time Radio". New York: Oxford University Press, 1998. ISBN 0-19-507678-8. ]

On election night, November 4, 1924, the program was "hooked-up" to 18 stations. Wendell Hall was the host with Will Rogers, Art Gillham, Carson Robison and the Eveready Quartet entertaining between election returns given by Graham McNamee. Joseph Knecht led the Waldorf-Astoria Dance Orchestra. "The Eveready Hour" became a multi-station feed in 1924 over a group of Eastern and Midwestern stations, a hook-up which later served as the basis of the National Broadcasting Company (NBC), beginning in 1927. "The Eveready Hour" continued as a featured broadcast on NBC until 1930.

A 1926 "Saturday Evening Post" advertisement for "The Eveready Hour" and Eveready Batteries showed a fantasy illustration of radio listeners above the following copy::Like the fabled ship in which Jason brought home the enchanted fleece of gold, "The Eveready Hour" brings a rich treasure of entertainment to charm the harbor-homes of its hearers. Inaugurated two years ago, "The Eveready Hour" was an adventure in broadcasting - an hour of connected entertainment, uninterrupted by the frequent injection of the name of the broadcaster.

:Radio has already become a highly specialized art worthy of the most scrupulous code of ethics, and "The Eveready Hour" represents a sincere effort to pioneer in providing the most acceptable form of radio entertainment.

:Eveready programs cover a wide range of entertainment and human interest, transporting us to periods of wholesome simplicity; to barren islands where marooned sailors meet adventure, starvation and death; to battle-scarred France with singing doughboys; to emotional heights by telling with music the stories of the seasons; and to memories of yesteryear aroused by old ballad and musical comedy favorites.

Guests included Lionel Atwill, Arthur "Bugs" Baer, Belle Baker, Eddie Cantor, Pablo Casals, Irvin S. Cobb, Richard Dix, the Fonzaley String Quartet and Laurette Taylor. Directed by Paul Stacey and Douglas Coulter, the show featured an orchestra conducted by Nathaniel Shilkret. In 1924, Charles Harrison brought together the Eveready Mixed Quartet, a group that included Harrison, soprano Beulah Gaylord Young, contralto Rose Bryant and bass Wilfred Glenn. Tom Griselle provided the piano accompaniment. Harrison also led a male quartet for the radio show.

The songwriter Yip Harburg was involved in several shows as indicated by existing scripts:
*"The Mayor of Hogan's Alley" ("Eveready Hour," CBS radio, 1929 Feb 19) Typed script of one-act musical play; music by Jay Gorney and Henry Souvaine [with script by E.Y. Harburg] . — 27 pages.
*"How's the Judge [?] " ("Eveready Hour," CBS radio, 1929 May 14) Typed script of one-act musical play; music by Jay Gorney and Henry Souvaine [with script by E.Y. Harburg] . — 27 pages.
*"For Dear Old Delta" ("Eveready Hour," CBS radio [1929] ) Typed script of one-act musical play; music by Jay Gorney and Henry Souvaine [with script by E.Y. Harburg] . — 29 pages. [ [http://webtext.library.yale.edu/xml2html/music/har-s1a.htm E.Y. Harburg Collection: "The Eveready Hour" scripts] ]

The only known recording of an "Eveready Hour" broadcast was made by an engineer at the Edison Laboratory in West Orange, New Jersey on the evening of May 15, 1928, from the over-the-air signal of station WEAF. This remarkably clear recording contains a local announcement by a WEAF staff announcer, Paul Dumont, and then the first 18 minutes of the hour-long broadcast. This same recording holds the distinction of being the earliest known aircheck (off-air recording) of a live dramatic radio broadcast. In other words, it was a recording of a radio transmission that was not a news event, speech or music only presentation. This rare recording is now archived at the Edison National History Site (ENHS), which is part of the National Park Service. [ [http://www.nps.gov/edis/ Edison National History Site, West Orange, New Jersey] ]

Listen to

* [http://wfmu.org/playlists/shows/9526 "Thomas Edison's Attic": Blues singer Martha Copeland sings on "The Eveready Hour" (May 15, 1928)]

References

External links

* [http://lwhisper.home.mindspring.com/ArtGillham.html Art Gillham, the Whispering Pianist (1895-1961)]
* [http://www.geocities.com/hollywood/hills/5284/1928.html A Week in the Life of Radio: December 6-15, 1928. Radio schedules including "Eveready Hour" on December 12.]
* [http://www.collateralworks.com/linernotes/natshilkret.html Nat Shilkret]