Richard Tandy

Infobox musical artist 2
Name = Richard Tandy
Background = non_vocal_instrumentalist


Img_capt = Richard Tandy in the Studio 1979
Birth_name = Richard Tandy
Born = Birth date and age|1948|3|26|mf=y
Origin = Birmingham, England
Died =
Genre = Progressive rock, Pop rock, Pop, Art rock, Electronica
Occupation = Musician
Years_active =
Instrument = Synthesizer, Piano, Keyboards, Guitar, Bass, Organ
Label = Jet Records
Harvest Records
Epic
EMI
SonyBMG
Associated_acts = Electric Light Orchestra, Jeff Lynne, Tandy Morgan Band
URL = [http://www.face-the-music.de/tandy_e.html Musical career]

Richard Tandy (born 26 March 1948, in Birmingham, England), is best known as the keyboard player in the rock band, Electric Light Orchestra ("ELO"). His palette of keyboards (including Mini Moog, clavinet, mellotron and piano) was an important ingredient in the group's sound, for example on the albums "A New World Record", "Out of the Blue", "Discovery" and "Time".

A former pupil of Moseley School, where he first met future bandmate Bev Bevan, Tandy would later be reunited with Bevan in 1968 when he played the harpsichord on The Move's number one chart-topper "Blackberry Way". Later in 1972 Tandy was the bass player in the first live line-up of ELO, then switching to keyboards when Jeff Lynne decided that their live sound needed improvement. Tandy was often seen on stage playing the stereotypical 1970s prog rock stack of keyboards, with bass pedals under his feet. As well as ELO, he has collaborated musically with Jeff Lynne on many projects, among them songs for the "Electric Dreams" soundtrack, Lynne's solo album "Armchair Theatre" and Lynne produced Dave Edmunds "Information". Tandy's playing has been loosely compared to that of Tony Banks, by some with the patch engineering quality of Tomita. Before joining ELO Tandy played with the groups "The Uglys" and "Balls". In 1986 Tandy formed the Tandy Morgan Band featuring Dave Morgan and Martin Smith, both of whom had worked with ELO in live concerts.

Tandy featured on all ELOs albums with the exception being the first. He was also credited as co/arranger on the album Eldorado, onwards. He is generally regarded as important as Jeff Lynne and Louis Clark when it came to the final sound of the band on recordings. Some of the ideas for the ELO album titles were thought up by Richard Tandy, A New World Record, Out of the Blue and Discovery.