The Blue Angel

For other uses, see Blue Angel (disambiguation).

The Blue Angel
film poster
Directed by	Josef von Sternberg
Produced by	Erich Pommer
Written by	Heinrich Mann (also novel) Carl Zuckmayer Karl Vollmöller Robert Liebmann Josef von Sternberg
Starring	Emil Jannings Marlene Dietrich Kurt Gerron
Music by	Friedrich Hollaender
Cinematography	Günther Rittau
Editing by	Walter Klee Sam Winston
Distributed by	UFA Paramount Pictures
Release date(s)	1 April 1930 (Germany) 5 December 1930 (US premiere)[1]
Running time	99 minutes
Country	Germany
Language	German/English
Budget	$77,982[2]

The Blue Angel (German: Der blaue Engel) is a film directed by Josef von Sternberg in 1930, based on Heinrich Mann's novel Professor Unrat. The film is considered to be the first major German sound film and it brought world fame to actress Marlene Dietrich.^[3] In addition, it introduced her signature song, Friedrich Hollaender's "Falling in Love Again (Can't Help It)".

Plot

The Blue Angel follows Immanuel Rath (Emil Jannings) through a transformation from esteemed educator at the local Gymnasium (college preparatory high school) to a cabaret clown in Weimar Germany. Rath's descent begins when he punishes several of his students for circulating photographs of the beautiful Lola Lola (Marlene Dietrich) the headliner for the local cabaret, The Blue Angel. Hoping to catch the boys at the club, Professor Rath goes there later that evening and meets Lola herself.

Consumed with desire and determined to remain at Lola's side, Rath returns to the night club the following evening (to return a pair of panties that were smuggled into his coat by one of his students) and stays the night with her. The next morning, reeling from his night of passion, Rath arrives late to school to find his classroom in chaos and the principal furious with his behavior.

Rath subsequently resigns his position at the academy to marry Lola, but their happiness is short-lived, as they soon fritter away the teacher's meager savings and Rath is forced to take a position as a clown in Lola's cabaret troupe to pay the bills. His growing insecurities about Lola's profession as a "shared woman" eventually reduce him to a mere shell of the man he used to be, consumed by his lust and jealousy. The troupe returns to his hometown, where he is ridiculed and berated by the Blue Angel patrons, the very people he himself used to deride. As Rath performs his last act, he witnesses his wife embrace and kiss the strongman Mazeppa, her new love interest, and Rath is enraged to the point of insanity. He attempts to strangle Lola, but is beaten down by the other members of the troupe and locked in a straitjacket.

Later that night, Rath is freed, and makes his way towards his old classroom. Rejected, humiliated, and destitute, he passes away in remorse, clenching the desk at which he once taught.

Cast

• Emil Jannings as Prof. Immanuel Rath
• Marlene Dietrich as Lola Lola
• Kurt Gerron as Kiepert, the magician
• Rosa Valetti as Guste, the magician's wife
• Hans Albers as Mazeppa, the strongman
• Reinhold Bernt as The clown
• Eduard von Winterstein as The director of school
• Hans Roth as The caretaker of the secondary school
• Rolf Müller as Pupil Angst
• Roland Varno as Pupil Lohmann
• Carl Balhaus as Pupil Ertzum
• Robert Klein-Lörk as Pupil Goldstaub
• Charles Puffy as Innkeeper
• Wilhelm Diegelmann as Captain
• Gerhard Bienert as Policeman
• Ilse Furstenberg as Rath's Maid

Soundtrack

• Marlene Dietrich - "Ich bin von Kopf bis Fuß auf Liebe eingestellt" (Written by Friedrich Hollaender)
• "Ein Mädchen oder Weibchen wünscht Papageno sich!" (from the opera The Magic Flute) (Music by Wolfgang Amadeus Mozart)
• Marlene Dietrich "Ich bin die fesche Lola" (Written by Friedrich Hollaender)
• Marlene Dietrich - "Nimm Dich in Acht vor blonden Frau'n" (Written by Friedrich Hollaender)
• Marlene Dietrich - "Kinder, heut' abend, da such' ich mir was aus" (Written by Friedrich Hollaender)

Production history

Von Sternberg calls the story "the downfall of an enamored man" (Sternberg, 11) and calls Rath "...a figure of self-satisfied dignity brought low (Wakeman, 1045)." Some critics saw the film as an allegory for pre-war Germany, but von Sternberg is very clear that he did not intend to make a political stand: "The year was 1929, Germany was undivided, although the real Germany, its schools and other places pictured in the film were not German and reality failed to interest me (Wakeman, 1046; Sternberg, 13)."

Marlene Dietrich's portrayal of a liberated night club performer not only cemented her stardom, but also established a modern embodiment of a vixen. Lola Lola's lusty songs (written by Friedrich Hollaender, Robert Liebmann and Sam Winston) slither their way into Rath's heart, entrapping him and sealing his fate. The story's melancholic simplicity adds to the beauty of von Sternberg's most famous work and undoubtedly was a factor in its feverish success, in both Germany and America.

Emil Jannings had asked Sternberg to direct him in his first sound picture, although Sternberg and Jannings had clashed on the set of their previous collaboration The Last Command (1928), and von Sternberg had vowed never to work with the actor again. The following year, however, he and Jannings reconciled and they began to collaborate on a film about Rasputin for UFA-Paramount. Sternberg was less than intrigued by this prospect, however, and as an alternative he was offered the idea of an adaptation of the Heinrich Mann story Professor Unrat. Sternberg restructured the story to fit his tastes; simplifying moral themes and emphasizing the anguish of the teacher (Sternberg, 9-11).

The Blue Angel is famous for introducing the world to von Sternberg's ingénue, Marlene Dietrich. Her radiant sensuality might be blamed for the censorship the film faced in Pasadena, California (Black, 50). C.V. Cowan, censor for Pasadena, found many scenes offensive and chose to cut them, though Jason Joy, the nation's censor, did not (Black, 50). Reception of the re-cut film was not good.^{[citation needed]} Both the German and English versions are widely considered classics.^{[citation needed]}

The film was banned in Nazi Germany in 1933, as were all the works of Heinrich Mann and Carl Zuckmayer. Yet it is known that Hitler often viewed the film in his private cinema, and was mortified when Dietrich crossed the Rhine in American Army uniform a few days before his suicide.^{[citation needed]}

Lola Lola's nightclub act has been parodied on film by Danny Kaye (in drag) as Fraulein Lilli in On the Double, Madeline Kahn as Lili von Schtupp in Blazing Saddles, and Helmut Berger in Luchino Visconti's The Damned.

A stage adaptation by Romanian playwright Razvan Mazilu premiered in 2001 at the Odeon Theatre in Bucharest, starring Florin Zamfirescu as the professor and Maia Morgenstern as Lola Lola.

The simultaneously-filmed English language version was considered a lost film for many years until a print was discovered in a German film archive and restored. This restored print of the English version had its U.S. premiere at the Castro Theatre in San Francisco on 19 January 2009 as part of the "Berlin and Beyond" film festival.^[4]

Rath's transformation has been interpreted as symbolic of Carl Jung's description of a man's infatuation with his anima. According to Jung, the anima is a man's idealized version of woman. For women, such a projection is described as the animus.^{[citation needed]}

Musical adaptation

In April 2010, Playbill announced that David Thompson is currently writing the book for a musical adaptation of The Blue Angel. Stew and Heidi Rodewald will write the show's score, and Scott Ellis will direct.^[5]

See also

• List of German films 1919-1933

Notes

1. ^ "The Blue Angel (1930)". IMDb. http://www.imdb.com/title/tt0020697/releaseinfo. Retrieved 3 June 2011. 
2. ^ "The Blue Angel (1930)". IMDb. http://www.imdb.com/title/tt0020697/. Retrieved 3 June 2011. 
3. ^ Bordwell, David; Kristin Thompson (2003) [1994]. "The Introduction of Sound". Film History: An Introduction (2nd Edition ed.). New York City: McGraw-Hill. p. 204. ISBN 978-0071151412. 
4. ^ http://www.berlinandbeyond.com/09/pages/e-classic.html
5. ^ Robert Simonson. Scottsboro Librettist David Thompson Working on New Musicals With Stew, Scott Ellis. Playbill, April 1, 2010.

References

• Gregory D. Black, Hollywood Censored (Cambridge University Press, 1994)
• Andrew Sarris, The Films of Josef von Sternberg (New York: Museum of Modern Art, 1966)
• Josef von Sternberg, The Blue Angel (New York: Simon and Schuster, 1968)
• John Wakeman, World Film Directors Vol. 1 (The H.W. Wilson Company, 1987)

External links

• The Blue Angel at the Internet Movie Database
• The Blue Angel (English version) at the Internet Movie Database
• The Blue Angel (English version) is available for free download at the Internet Archive [more]
• The Blue Angel at Rotten Tomatoes
• The Blue Angel at the TCM Movie Database
• The Blue Angel at AllRovi
• Îngerul Albastru at Odeon Theatre (stage production) (Romanian)
• Dissecting 'The Blue Angel' - a structure breakdown.